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Obviously this is no longer true if coins are token or counterfeit. In this case, their form takes over from their content. They are reduced to the status of texts—hardly any more valuable than the mark they could make on a piece of paper—unstable, revolutionary texts which carry all the ambiguities of significance that Gutenberg’s counters seem to have introduced into the Bible. The first involved climbing a narrow spiral staircase made of brass: the only continuation of Stair Six between the second and third floors. The soles of students’ shoes would sound the steps off one by one, the resonances spiralling back through the metal as they went— tank, tank, tank, tank —like Navy-issue boots descending into a submarine. At the top there was another door that opened out into a small, unlit hallway containing three further, similarly broad oak doors. Straight ahead, it was an old Victorian toilet that was neither used nor cleaned by anybody else these days. You of course can never have existed, but every word used — every name and incident besides this one fictional (functional) exception — is accurate and true. The second route to the door was via 666, itself most commonly entered through Room 667 at the end of corridor H. Being at one time a rather vexatiously overused thoroughfare, 667 had traditionally been appointed as a small meeting room to Faculty Assistants: temporary junior tutors employed by University rather than College who were occasionally invaded (as we say) to cater to a fashion for one subject or another. It is seeping through the crisping epidermal layer to lard my hair and the fabric of my clothes: a kind of beeswax engorging the tissues of cotton and wool so that I feel I have become the wick of the candle in the centre of the room. The first time I opened the door to this room it was out of a desire for change. I had arrived at one of those periods in life when anything new, however dreary or unpleasant, seems like a boon. His real motive was to expedite the secondment to my post of a fierce-browed young linguist from Montreal: a vigorous mountain climber, and an equally vigorous publisher of quasi-learned articles, to whom he had taken something of a shine. It is quite impossible to underestimate the strength with which the Rhodes conspiracy has taken a grip on the administration of this University. Slack-voweled, corn-fed American graduate students are arriving under its auspices in greater numbers every year. Consider this, from the most pretentiously harrowed of second-rate romantic poets, Charlotte Smith.

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I was thankful that she was still alive, although barely. I hated coming here to see her, I wanted to see her at her place so we could play video games again. When will it be possible when she’s lying here and it’s because of us that she is. But this time the beeping was different, it was louder, more unstable. The doctors ran in alongside with a few nurses, they shoved us away from the bed area and began to shock her. No matter how many times they tried, it made no difference to her heartbeat. I will never get to see her face again and my whole world completely fell apart, the members sobbed and I knew I was doing so too. Rapmon had the back of his wrist held up to his mouth, as tears fell from his eyes. Yoongi, was shocked and had no clue what to process. Hoseok now on his knees with his head on the ground crying so loudly. Taehyung’s forehead rested against the wall, his left fist punching into the wall. Someone in my family killed themselves over the summer and I’ve been trying so hard to not think about this whole event, because it’s terrifying to imagine anyone I know in this situation. Really think about it before you keep reading, okay. While this is an interesting and cool story I’m posting for Halloween, I don’t wanna get anyone too freaked out. If you think this is gonna mess with you or sit with you, just keep scrolling. I’ve known these guys for years, so it was sure to be a fun night. Now, like.

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Ataru Oikawa) Urban Legends: Bloody Mary (US-2005; dir. Songyos Sugmakanan) The Edison Death Machine (US-2006; dir. Sarawut Wichiensarn) Ghost Hunters: Point of Contact (US-2006, dir. Takeshi Furusawa) — review The Grief (Sweden-2006; feature; dir. Daniel Lehmussaari) The Grief (Sweden-2006; short version; dir. Craig Rosenberg) — review Hantu jeruk purut (Indonesia-2006; dir. Rizal Mantovani) Left in Darkness (US-2006; dir. Steven R. Monroe) The Legend of Lucy Keyes (US-2006; dir. John Stimpson) The Living and the Dead (UK-2006, dir. Gregg Bishop) Pirates of the Caribbean: Dead Man’s Chest (US-2006; dir. Helfi Kardit) Dead Man’s Hand: Casino of the Damned (US-2007; dir. John Orrichio and Karl Petry) Driftwood (US-2006; dir. Chin Man Kei) The Haunting of Marsten Manor (US-2007; dir. David Sapp) The Haunting of Sorority Row (Canada-2007; dir. Bert Kish) Headless Horseman (US-2007; dir. Anthony C.

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A walkout would halt bus, trolley and subway lines that provide a total of about 900,000 rides each weekday. The agency is telling transit riders they still should prepare for a possible serious service disruption. Officials are worried if a strike lasted through Election Day it could keep some Philadelphia residents from voting. The Southeastern Pennsylvania Transportation Authority and a union representing about 4,700 workers were in talks Monday after meeting throughout the weekend. Workers are set to walk off the job after midnight if an agreement on a new contract isn't reached. The strike would halt bus, trolley and subway lines in Philadelphia but not commuter rail lines or suburban transit. The city system's daily weekday ridership is about 900,000 trips. Nearly 60,000 public, private and charter school students use it to get to and from school. Philadelphia City Council President Darrell Clarke says voters could be disenfranchised if their Nov. 8 commutes are lengthened by a strike. Pennsylvania has tighter absentee ballot rules than many other states and no early voting. The Southeastern Pennsylvania Transportation Authority and the union met throughout the weekend and were scheduled to continue contract talks Monday. A strike would affect Philadelphia bus, trolley and subway lines but not regional rail lines and service in areas outside the city. The city system's daily weekday ridership is about 800,000 trips, or about 400,000 people. More than 60,000 public, private and charter school students use the system to get to and from school. Union officials say pension and health care benefits are key issues, but differences also remain on non-economic issues such as schedules, break time and driver fatigue. The other children admitted to Seattle Children’s hospital over the past six weeks range from 3 to 14 years old.

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On the one hand, the war is seen as being a prolonged and horrific nightmare, a slaughterground upon which men’s lives were meaninglessly thrown away. It created a new mistrust of the establishment and their motivations and fomented revolution on the continent. On the other hand, Judd, who is cast in an unsympathetic light throughout, is seen as despicable coward (by Florence as much as by anyone else) for having faked injury to escape his fate as expendable cannon fodder. Judd is like Mallory’s shadow self, a manifestation of his fear and loathing, and of his attitude to the war and its aftermath, which remains unspoken. He is representative of the psychological rupture of war, its explosion of meaning and purpose, which are left to lie in rubble and ruin. Judd is always seen outdoors, often in dark, liminal places such as the moorland, the woods or the rhododendron thickets, whereas Mallory is generally to be found within the school building. Mallory’s evident dislike of Judd is first made manifest when the latter is seen up a ladder leaning against the side of the building. It as if he has come to close, pushing up to the boundaries of Mallory’s world. When Judd assaults Florence in the woods, Mallory finds himself mysteriously locked into his room, from which he can only escape to the roof to impotently look out. It’s as if his ignoble, bestial self has been let loose. Judd, like Lawrence’s Mellors, is a working class figure with a pronounced northern accent, and Mallory’s disease with him is partially a reflection of this fact. Mallory’s wartime suffering, horrific through it is, is given a certain noble cast. Judd was supposed to be one of the foot soldiers who died namelessly in the mud, their bodies never to be recovered. That he evades this anonymous fate results in his being held in contempt, not least by Florence, his survival regarded as a negation of his manhood. The malaise of violent masculine authority is traced back to the paternal atrocity which is the singular event lying at the heart of the Rookford hauntings. The roots of this individual tragedy, which has scarred Florence’s life and which she has suppressed for years, are thus linked with the wider international tragedy of war, which has affected her as it has affected everyone, directly or indirectly. Mallory is trying to suppress his memories of the war; his fellow teacher Malcolm McNair, a man with a bitter aspect, may also be haunted by it, his persistent hacking cough perhaps a constant physical reminder of a trench gas attack.

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