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On top of her concerns about paying the rent, the paper work for Mesa Verde continues to wear her down. After a five minute power nap, Kim snaps at Paige, her friend at Mesa Verde after the latter questioned numbers on some of the forms they reviewed. Paige forgave her for it (so she says), but Kim confesses to Paige a third issue that’s cropped up unexpectedly: guilt for what her and Jimmy did to Chuck. I think I counted four locks on his door plus a “high tech” security system. None of that was enough to keep Nacho out of Price’s home, however. But she did not appear happy to see Mike conversing with Anita after group. They could have really livened up what was a fairly depressing episode. But Jimmy flooding his engine was a nice callback to when Walt and Jessie flooded the engine of the RV, stranding them out in the desert in “Breaking Bad. . We’ll see if that turns out to be true in the weeks ahead. I know it’s bold to proclaim that considering we don’t know how long the series will go and what other directions it intends to take. But think about all the pivotal decisions major characters made last night. But otherwise, the show just wasted our time with a meaningless shot (and we know Gilligan wastes no scenes or shots) of a boot covering a pill on the ground. Now that it looks as if Jimmy and Chuck’s rivalry is done (or at the very least will be taking a detente), the older McGill must find a new purpose or come to grips with his debilitating condition. Otherwise, I don’t see things ending well for Chuck. But it wasn’t Jimmy’s reaction that really emphasized the importance of that moment. The younger McGill doesn’t seem to understand the impact of what he just did. Rhea Seehorn did a wonderful job contrasting Jimmy’s aloofness with subtle concern over this character Jimmy’s playing on screen.

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Aizawa finds Hizashi’s presence in his home after a long, hard day of heroing quite comforting and relaxing Aizawa often falls asleep on Hizashi’s shoulder and forces him to carry his sleepy carcass to his bed. But uhhhhh Hizashi doesn’t mind shhhhhh He’s not a big fan of music, but Aizawa loves it whenever Hizashi has him test-listen to an album, or just any song Hizashi seems to be in love with at the moment. Aizawa is actually pretty impressed at the fact that Hizashi always seems to find at least one song with every batch that Aizawa actually enjoys He loves the feeling of Hizashi’s headphones around his head. The soft pressure and the lack of noise is like a warm, gentle caress to his ears. If he’s home early, he’ll fall asleep to his friend’s voice playing through their old radio as white noise. Well, there’s no REAL proof that Richie is bisexual, it’s just a vibe that a lot of people get from him when they read the book (including myself). Imo, the subtext about Richie’s sexuality is not as plentiful as the subtext for Eddie’s, and it’s also a lot more complex. The complexity and uncertainty is there namely because Richie as a character is someone who never reveals his FULL thoughts and feelings, even to the reader, and it can be incredibly frustrating. So to get a read on him, you need to look between the lines A LOT. The main arguments for this are: - Richie is very affectionate toward his male friends, but only in private, and he has very heightened awareness of how that might come across to passersby. He’s also very touchy-feely and vocally affectionate with Eddie, but not in public - only in the Barrens, or otherwise only around the other Losers. He knows what people would think if they saw him pinching another boy and calling him cute. He steals his dad’s porno mags and jacks off to them as a twelve year old, while kids like Mike and Eddie have no idea what sex even IS yet. He jokes about it, he knows about STDs, he makes sexual comments, and then as an adult a lot of his characters and voices are very sexual. This isn’t to say that he’s bisexual because he’s sexual, though I wouldn’t put that past Stephen King to think that way, but it’s not a leap to think that Richie’s knowledge of and comfort with sexuality as a general concept is connected to his worry about appearing gay to strangers. - Related to this is Richie’s string of failed relationships. His adult romantic life is referred to pretty vaguely, because he never fully reveals details about it beyond funny anecdotes like the vasectomy thing. But it’s pretty clear that Richie doesn’t really DO relationships and the attempts he’s made at it have failed miserably and only lasted a few years at most.

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Laine decides to have one more session following all necessary protocols with the planchette and board and ropes in her reluctant boyfriend Trevor (Kagasoff), her Goth-chic sister Sarah (Coto) and another friend, Isabelle (Santos). Tell us why you paid a bribe, to whom you paid a bribe and when you paid. Here's what we do with the reports that come to IPaidaBribe. We would like to honour and celebrate you for standing up against corruption. Tell us about these honest officers who did their job without asking for a bribe or taking a bribe. Reported by those who've experienced Retail Corruption and its effects. We'll send you a weekly update on the latest happenings on I Paid a Bribe. We promise we won't ever sell or give away your information. Laced, spaced and placed together with studio machinery and recorded in one take, the mix deconstructs the Blue Note ethos and rebuilds it in his own widescreen, floor-focused, freeform style. On this self titled album under the alias, Roberts once again utilises both electronic and acoustic sources, merging both classical and dance music influences, as well as some some experimental and musique concrete approaches on what could be his most challenging album yet. Overall the opus' lo-fi and tape saturated aesthetic adds to its atmosphere, as jagged junkyard rhythms thump around beneath layers of dust and his gritty sound sources writhe in low-bit sample rates and endless layers of time based effects. Much like previous long players from the Werkdiscs boss, Ghettoville is not an album your brain will digest in one sitting, especially since it packs in sixteen tracks across the three slabs of vinyl. Mam nadzieje, ze ci sie tu spodoba i zostaniesz ze mna na dluzej. Jesli cie zaciekawilem to wspomoz moj rozwoj poprzez. NOW AVAILABLE, and the reviews are already coming in. The investigation includes our 8:30pm Haunted tour where you will learn the history of the families and the home (so you know where the spirits are coming from! before diving into full ghost stories; from the ones we've passed down for generations, to your guide's personal experience. After the tour, we will provide you with refreshments while you hang out with the other guests and meet your lead investigators of the night.

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Fuqua is in post-production on “The Magnificent Seven” starring Denzel Washington and Chris Pratt. Lawyer-turned-journalist Dan Slater's WOLF BOYS, a narrative account of Mexico's drug cartels, told through the stories of several teenage operatives and the homicide detective in pursuit of them, to Tristar Pictures with Antoine Fuqua (TRAINING DAY, THE EQUALIZER) attached to direct, by Sean Daily at Hotchkiss and Associates on behalf of Farley Chase at Chase Literary Agency. He’s the Transporter helmer who last directed Now You See Me. It would be easy to call this a hot package, about a worldwide pandemic of spontaneous combustion that will reduce civilization to ashes unless it can be stopped by an improbable group of heroes led by an enigmatic man known as The Fireman. It’s no simple blaze: the condition starts as an inky stripe on a bodypart, looking like a tattoo. It’s a highly contagious deadly spore that eventually causes the sufferer to burst into flames. Millions are infected; among them is a nurse who treated numerous sufferers until they eventually perished, with the hospital burned to the ground. Pregnant, she finds herself infected with the spore. Knowing infected mothers have birthed healthy babies, she too is in a race against time. The book will be published May 17 by William Morrow. Temple Hill partners Wyck Godfrey and Marty Bowen are producing. Hill just made a deal at AMC to develop a supernatural series based on his bestselling novel NOS4A2. His fantasy thriller Horns was made into a 2014 feature directed by Alex Aja that starred Daniel Radcliffe. Hill was repped in the deal by Sean Daily at Hotchkiss and Associates on behalf of The Choate Agency. The Bronze was supposed to be released this month before Relativity’s financial mess pushed it back. Before the company filed bankruptcy, Sony Pictures Classics picked it up, terminating Relativity’s rights, thereby removing the film from the company’s assets before it filed for Chapter 11. Where The White Man Runs Away, which was also adapted by Buckley, tells the story of rookie Canadian journalist Bahadur, who in 2008 formed a half-baked plan to embed himself among the pirates of Somalia. He ultimately succeeded in providing the first close-up look into who these men are, how they live, and the forces that drive them.

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With weekly roundups and quick takes on news of the day, you don't have to keep up with politics to know what's happening. The film starts off with a group of Catholic students attempting to summon the devil himself. Of the five, Simon (the late Stephen Gately, who carries himself very well) is their leader, with his roots in Irish Catholicism; he’s seemingly obsessed with finding Satan, so as better to defeat him. Poor old Seth however, gets cold feet and runs away from the seance. Alice (MyAnna Burning) is a practical and dedicated psychology student who spends all her time in the college library studying for exams. Timmi is a shy brunette who has a secret crush, and Scott is a well intentioned nerd, who also has a secret crush. With their somewhat token and underwritten black friend Jasmine in tow, the five of them break into Eden Catholic Halls to spend a weekend of boozy fun and Ouija board tinkering. I live for a film that can scare me without resorting to buckets of gore, grotesque make-up or weak CGI, and once Credo gets going, it’s really an effective horror film. Scott attaches cameras around the building too, and we get shots on his laptop in night-vision which are used effectively and add to the chills. The music and sound design warrant mention too, as they are simply terrific in turning-up the fright factor and keeping the audience tense as to the next scare, especially the microphone that Scott uses to pick up signals that humans can’t normally hear, that freaked me out completely. It was really nice to see the film up on the big screen; it was the first time any of us had seen it projected properly like this. We haven’t seen her since we were in the last throes of post production a very long time ago, so it was lovely to catch up with her. The occasion was all the more special as she hadn’t seen this UK version at all. In fact she had only seen what turned out to be a first cut of the film which has changed massively since then. And I’m happy to report that she hid behind her hands throughout most of the screening, being way too terrified to watch properly. I definitely saw Pinhead eyeballing us from the back of the room too. We really missed him being there, but seeing his performance up on the big screen brought back a lot of happy memories and we will be eternally grateful for everything that he did for us and for the film. It was the inaugural occasion of this festival and the organizers have done an amazing job.

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Rome, June 1800. Floria Tosca is a celebrated opera singer. Toy Story 2 When Woody is stolen by a toy collector, Buzz and his friends vow to rescue him, but Woody finds the idea of immortality in a museum tempting. Traitor When straight arrow FBI agent Roy Clayton heads up the investigation into a dangerous international conspiracy, all clues seem to lead back to former U. . Special Operations officer, Samir Horn. Transformers Prime In this new set of adventures the Autobots live on Earth and maintain their secret identity. They are joined by 3 teens as they battle the Decepticons. Treasure of Matecumbe In 1869 Kentucky, a young boy and his friends set out to find a treasure chest hidden by his late father in the Florida Everglades during the Civil War. Twins A physically perfect but innocent man goes in search of his long-lost twin brother, who is short, a womanizer, and small-time crook. Two for the Road A couple in the south of France non-sequentially spin down the highways of infidelity in their troubled ten-year marriage. Two Mules for Sister Sara Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed. Two Weeks Notice A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him. Tyrannosaur Joseph, a man plagued by violence and a rage that is driving him to self-destruction, earns a chance of redemption that appears in the form of Hannah, a Christian charity shop worker. U. . Marshals U.

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Well, apparently another derivative, cliched, boring, lame Halloween horror cash-in that’s somehow even more obnoxious and irritating than those things usually are. Before that they were just toys; an attempt to mass-market the spiritualism craze of the late nineteenth century. They’re still insanely popular today on the strength of that association, mass-produced not-at-all-coincidentally by Hasbro, who have their greasy paws all over this product adaptation. There’s nothing interesting being said about its history or current pop-culture ubiquity, and likewise nothing new being done with its functionality. “Is someone there? Yep, there probably is. “Did we need this board to tell us that? No, almost certainly not. Her BFF, Laine (Olivia Cooke), sees this as somewhat suspicious given that she had a normal conversation with her about ten minutes before the suicide, and because they played as kids and there just happened to be a board in Debbie’s personal effects, Laine and the rest of the gang decide to contact their friend using the time-honoured tradition of gathering around a kitchen table and playing Ouija. In the process they accidentally make contact with a different, more malevolent spirit, who is trying to free itself from the confines of the house by using the teens as unwitting, expendable conduits. This doesn’t last long though, and once the film shows its hand it doesn’t have anywhere to go other than away from the fertile territory and into the barren, well-trodden lands of films like Insidious and The Grudge. This is flat-pack screenwriting; a Horror 101 textbook chewed up and spat out into feature-length tedium. Even the make-up and effects wouldn’t look out of place on a doorstep trick-or-treater. Then you will probably like listening to us too so check out our podcast. The Overlook Theatre Reviews: Ouija: Origin of Evil. I happened to be on vacation in a picaresque burb in Napa when I went to see Ouija: Origin of Evil, which turned out to be the perfect place to enjoy this suburban tale of malicious spiritual woe. First it must be said that as a film that is trying to scare you, Ouija was quite effective. I personally have no belief in spirits of any kind, but scenes where tension turned to terror had me gritting my guns at times, and while this movie has no new conceptions to offer the possession narrative, I was nonetheless unnerved.

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