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There are a lot of great minds and creative artists on this forum and I'm really looking forward to your feeback:-). The effects are low-tech compared to your incredible 3d work on DD, but it's a fun ride with a solid story, and I'll let you know as soon as its live. PS Congrats on the release of yours to the public. I wouldn't be surprised if the paparazzi started following you. I wouldn't be surprised if the paparazzi started following you. Hee Hee. As far as paparazzi, I'm counting on Tyson, Octo Mom and and Lady Gag Gag to take the heat off of me for the next 2 weeks. -KnockedOut(D:happy. It's looking sweeter by the day as the soundtrack improves. This film is evil, that's all there is to it;-) Hee hee SparkyHa, I hear ya. I'm going to upload the whole damn thing uncompressed. If you start downloading it tomorrow, with a fast T1 connection, you might be able to watch it on the 27th LOL! -). I got a jump when the table jerked and the glass broke so that was nicely done. Two thumbs dood! Too bad you couldn't get this into the competition in time. Make sure to get into BetrayalFest and get it in time dood because you can bring some great competition to the table. That's the biggest thing lacking in some indie films. The reason why I say professional is because this is the kind of thing you see with TV shows.

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Horror hosting has become available in many different formats, from syndication TV, public access, direct to DVD, internet, trade lists and downloads, giving fans new ways to watch their favorite host or discover a new one. Plus many horror, sci-fi, car and paranormal conventions book hosts as guests giving the viewer many ways to connect with a host. Marlena Midnite hosted a show called “Midnite Mausoleum” alongside Robyn Graves and directed by Blake Powell, and they are some of the nicest people you will ever meet. Marlena is the true definition of what a horror hostess should be and she has so much charm and appeal that I could easily see her being the next big hostess next to Elvira. Sadly in the Spring of 2013 Midnite Mausoleum stopped production on new episodes, I hope that one day they return to the hosting world. The Baron is a 1800’s Slaughterhouse baron who was the times largest manufacture of pork meats, his lovely wife Baroness was a beauty queen who would always win the annual Slaughterhouse Queen pageant and let’s just say they had an accident that left them both dead that involved a terrible wagon wreck. Now The Baron and friends entertain Dayton area viewers via public accesses stations DATV and MVCC and online station The Monster Channel. Terrifying Tales of the Macabre is still going strong with no signs of slowing town and for me this is a blessing for I have found a media that to me feels just like home. One of the first movies to do this for me was the 1943 Universal Monster Classic “Frankenstein Meets The Wolf Man” in which they paired two of their icons against each other. The film’s plot has Larry Talbot (The Wolf Man) being awaken from his death by two grave robbers and wanting to find a way to find peace whether by death or a cure. Along the way he meets a granddaughter of Dr. Frankenstein and along with another small town doctor they decide to help end the curse, but they also find The Frankenstein Monster who is weak yet alive. In the end the small town Doctor makes the mistake of wanting to see The Monster at full strength and by doing so it’s too late Larry turns into The Wolf Man as The Monster gets his energy back and the two battle before the village damn is blown drowning both monsters. This film has always been epic to me, and the strangest part about it is that the two monsters don’t really clash at all until say the last 2 or 3 minutes of the film. When the two titans of fright do fight it’s just smacks, jump attacks and sluggish blows. Imagine two 400 pound wrestlers going at each other and that’s what you get with this fight. While not a slugfest like one would imagine, this film did help pave the way for many other great monster fight films like Freddy vs. Jason, Dracula vs. Frankenstein and even Alien vs.

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The body counts are always high, but these kills are the most creative. WatchMojo lists the ten most unique kills in horror movies. Inspired by the motion picture “A Nightmare on Elm Street” written and directed by Wes Craven and produced by Robert Shaye and New Line Cinema (1984). Also influenced by the short story “The Life and Death of Freddy Krueger” as written by Jeffrey Cooper. In 1988 I became a major fan of Freddy and the Elm Street films. I was 12 years old and the series and story of Wes Craven’s boogeyman captured my imagination and inspired me. After reading “The Nightmare on Elm Street Companion” by Jeffrey Cooper, I had this image of the origin story of the character Craven had invented. For over 25 years I held out to see Hollywood bring the story of the Springwood Slasher to the big screen. While talking to some other fans one day I was told that I should write a script. When I thought about a possible script I imagined what I most wanted to see Robert Englund do. I wanted to see Englund show off his chops, sans make-up and to be able to play Freddy as more than the man in the shadows or the one liner king of monsters. But a real, gritty, dark, horrifying discussion of who he was, where he came from and what he had done with his life just before his lynching. The interrogation seemed to be the best way to do this. So I sat down and wrote a 10-page short film about the confession of Fred Krueger. I decided to stick to the original film as much as I could as the series altered the origin story Craven and Cooper had introduced to me. My story would take place in the early 1970s upon his arrest. I would pull from interviews and articles with Craven, Englund and others. Also employed plot lines and details left on the cutting room floor from deleted scenes. I would fill in gaps as needed and make changes and create characters and plots to make the story I was wanting to tell.

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I don’t know that this is an under-appreciated novel except by my kids who were forced to read it in school, but my favorite classic of all time is Jane Eyre by Charlotte Bronte. Poor Jane suffers so much over the course of that book, but she stays true to her faith and finds true love in the end. Even as a high school student, this made my romance-loving soul rejoice. ( Zorah Green ) IndieWire reviews Netflix conspiracy thriller Bodyguard describing one of its main characters as follows: This is not a remake of the 1992 Whitney Houston-Kevin Costner thriller “The Bodyguard,” although it does feature a hardened private security specialist David Budd (Madden) assigned to protect a high-profile woman, who in this case is the implacable Home Secretary Julia Montague (Hawes). He also exhibits a remarkable humanity, such as in an early sequence involving a suicide bomber. ( Hanh Nguyen ) Seattle Weekly shares 'a selection of the best horror movies you can stream at home this Halloween', including I Walked with a Zombie A nurse is hired to care for an invalid on a Caribbean island, and the proximity to voodoo proves an elegantly scary backdrop. Producer Val Lewton borrowed the story from Jane Eyre, but he and director Jacques Tourneur made the low-budget film into a poetic blend of light, shadow, and sound. FilmStruck ( Robert Horton ) Chronicle Live reviews the play Clear White Light, currently on stage at Live Theatre in Newcastle. Trust me and click through: you want to see the whole thing. One of the outrages of Gaffney on the Sky News report on the women's march, was that he was on full pay as an MP. As he is a duplicitous Labour MP, he will be charging us full expenses as well. Of course, the women on the march are now missing two days pay and expenses. Set against the backdrop of his own witty, colorful drawings, Yang explores the history of comics in American education -- and reveals some unexpected insights about their potential for helping kids learn. The franchise launched with Marvel Rising: Secret Warriors, an animated superhero film that introduces a ragtag team of teen heroes who must work together to stop an unexpected threat. Kathreen Khavari plays Kamala Khan, aka Ms. Marvel, a superhero fan who suddenly gets super powers. Tyler Posey plays Dante Pertuz, aka Inferno, a teen with fire-based powers. Milana Vayntrub plays Doreen Green, aka Squirrel Girl, an optimistic hero with the proportionate abilities of a squirrel and the ability to call them to her aid. Kamil McFadden plays Rayshaun Lucas, aka Patriot, an inheritor of Captain America’s legacy.

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Abbott, fresh from his talk of greed and fear, publicly welcomed them as our great friends. The days when John Howard spoke about too much Asian immigration, giving rise to Pauline Hanson’s diatribes, were apparently long gone. And it’s just not fair: the kids are mercilessly tutored by their tiger mums, and what’s worse their superiority must be somehow genetic. And that’s the whole point of stereotypes: even when the Chinese in Australia are successful, they still can’t win. That’s a rhetorical question, but I’m going to answer it anyway: Fuck yeah. Jon Stewart, on The Daily Show, is so gleeful in his use of every raunchy variation on the seven words George Carlin said you couldn’t say on TV or radio (“fuck,” “piss,” “shit,” “cunt,” “motherfucker,” “cocksucker,” and “tits”) that he seems set jubilantly free. Did anyone ever print the president’s actual words. There is a blog devoted to the Times ’s runarounds (fitto-print) and a perennial argument between reporters and editors over what should be quoted directly and what should be waltzed around, and why. Nobody is advocating breaking the second commandment, “Thou shalt not take the name of the Lord thy God in vain,” though, admittedly, it’s sometimes a challenge. Whatever you may say about the G-d of the Old Testament, he does not seem to have had much sense of humor. I mean, Jesus! According to Moses, Yahweh put “Thou shalt not kill” way down the list of commandments, at No. 5, but already at No. 2 he is abjuring us not to have any fun at his expense. I was in a church shortly after Hurricane Sandy, in the fall of 2012, when someone asked the priest how his congregation had fared during the storm. Here I was in church, and I couldn’t think of any better way to register sympathy. I might have said “What a pity” or “God have mercy on the poor souls down under the Manhattan Bridge overpass. But these are not expressions that spring readily to mind, whereas the mild oath popped out right there in front of the tabernacle, like an egg I was helpless not to lay. She would as soon call the neighbors assholes as tell them to mind their own business.

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