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The term “interactive storytelling” is often used to characterize existing digital applications, whether these incorporate narrative structures or not. In this work, we report on our experience and lessons learnt during our efforts to apply the genre of interactive storytelling in the heritage sector with the aim to more effectively support both authors and users of mobile interactive storytelling apps. In the case of virtual, off-site experiences, there have been efforts to introduce the genre in interactive television productions (Meadows et al. 2009). In this work we aim to explore the speci? challenges arising from applying the interactive storytelling concept in cultural heritage. We focus on mobile experiences, addressed to visitors that are present at a cultural site, rather than those accessing a reconstruction of an archaeological site or a virtual museum from a remote location. We report on our experience and lessons learnt during our efforts to apply the interactive storytelling genre in the heritage sector with the aim to more effectively support both the authors and users of mobile interactive storytelling apps. Section 2 briefly presents the background of these efforts; Sect. 3 the speci? s of the authoring workflow; Sect. 4 reports on the identi? d challenges and lessons learnt; and Sect. 5 presents our conclusions. 2 Background To design augmented guidebooks (Poole 2017), museums often employ specialized staff and external creative experts. Yet the design and production of appropriate content for meaningful mobile interactive storytelling experiences remains a challenge. The ? ld lacks robust and established practices as well as standard authoring workflows. This lack of standard methodologies, guidelines, and appropriate authoring tools speci?

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