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So they came up with the two nation theory to exploit religious feelings of the masses. Their communal politics resulted in communal massacre and migration of millions. And after partition, Jinnah came up with his 11 August speech. The purpose of partition was to secure the interests of top elite, nothing else. One great name is the great scholar and thinker ibn Rushd. He newer used his own religious belief, which was being a Shia (twelver, converted from ismaili according to many) in public life. His teachers were Parsis and Hindus, his students and admirers were from diverse fields. An artist, man of thought and thinker do have different periods in his life. Such is the case with painters, sculpturs, philosophers and poets. He even admired the Ahmadiyya movement in one period. By only using his poems and works which are militant or which were written in a period of great political turmoil (abolishment of caliphate, WWI) one is misleading the people. For some it might be a treachery, for others to speak up is humanity, it is Islam. But that is only a small part of the overall discrimination our minorities feel. And keep in mind, minorities are not only non-muslims. Pakistan is a product of democracy, its future lies in democracy. And then, as i mention in this article, in Pakistan everyone is a minority in one way or other. At some point in life, at a specific place, we will face discrimination. It is therefore for the overall best that this nation, which is democratic also turns secular. Two Nation Theory is a stupid lie told to the Muslims of Subcontinent.
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Episode With Claire Foy Listen Nov 23 2018 Claire Foy talks to Simon about The Girl In The Spider's Web. Episode with Katherine Waterston and Eddie Redmayne Listen Nov 16 2018 Katherine Waterston and Eddie Redmayne talk to Simon about Fantastic Beasts: The Crimes Of Grindelwald. Episode With Dakota Johnson Listen Nov 09 2018 Dakota Johnson talks to Simon about Suspiria. Episode With Carey Mulligan Listen Nov 02 2018 Carey Mulligan talks to Simon about her new film Wildlife. Episode with Jane Fonda Listen Oct 26 2018 Clarisse Loughrey and Sanjeev Bhaskar sit in for Mark and Simon. Episode with Jamie Lee Curtis Listen Oct 19 2018 Jamie Lee Curtis talks to Simon about Halloween. Episode with Cate Blanchett and Jack Black Listen Sep 21 2018 Cate Blanchett and Jack Black talk to Simon about The House With A Clock In Its Walls. Episode With Idris Elba Listen Aug 24 2018 Idris Elba talks to Simon about Yardie, which he directed. Episode with Emma Thompson Listen Aug 17 2018 Romesh Ranganathan and Robbie Collin sit in for Simon and Mark. Episode with Denzel Washington Listen Aug 10 2018 Sanjeev Bhaskar and Robbie Collin sit in for Simon and Mark. Episode with Evangeline Lilly and Paul Rudd Listen Aug 03 2018 Edith Bowman and Clarisse Loughrey sit in for Simon and Mark. Episode With Rebecca Ferguson Listen Jul 27 2018 Edith Bowman and Clarisse Loughrey sit in for Simon and Mark. Episode with Amanda Seyfried and Pierce Brosnan Listen Jul 20 2018 Amanda Seyfried and Pierce Brosnan talk to Simon about Mamma Mia: Here We Go Again. Episode with Holly Hunter Listen Jul 13 2018 Holly Hunter talks to Simon about Incredibles 2. Episode with Ethan Hawke Listen Jul 06 2018 Ethan Hawke talks to Simon about his new film First Reformed. Episode with Rob Brydon and Kevin Macdonald Listen Jun 29 2018 Rob Brydon joins Simon and Mark live in the studio to talk about his new film Swimming With Men. Episode with Sam Claflin Listen Jun 22 2018 Sam Claflin talks about his new film Adrift. Episode with Rupert Everett Listen Jun 15 2018 Rupert Everett talks to Simon about his new film The Happy Prince. Episode with Bryce Dallas Howard and Chris Pratt Listen Jun 08 2018 Bryce Dallas Howard and Chris Pratt talk to Simon about Jurassic World: Fallen Kingdom.
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In our opinion, the five most important dynamics today for investors to consider relative to the exhibition industry are: 1) film releases; 2) admission and concession pricing flexibility; 3) availability and utilization of 3D screens; 4) alternative content growth; and 5) competitive vulnerability from other media portals. The financial dynamics of the film industry have pitted producers (studios and independents) and distributors against end point retailers such as theaters, video retailers, and digital aggregators. At times, too many movies have chased too few screens, and at other times, too many screens have chased too few movies. We are likely in an era where too many 3D films have been chasing too few 3D-enabled screens, although we expect this disparity to be rectified by the end of 2012 in the US. As new distribution platforms emerged in the early 1990s, such as home video and pay-TV, and film releases became wider in the international markets, producers moved to make more films, leading theaters to build more screens, which in turn then changed the financial dynamics as the supply of films or capital to produce them disappeared in 2009-2010. The end result in the 1990s was too many screens or uneconomical leases, which eventually led to financial restructuring and new ownership for many of the circuits early in the millennium. An Exhibition Review The 2011 domestic box office finished down 3. % owing to a difficult first-quarter comparison that could not be offset by the gains from second- and third-quarter films and was further challenged by a very anemic fourth quarter from a comparative basis. Admissions were down 4. % for the year on a ticket price increase of approximately 0. %. The major studios released close to 1% more films in 2011, a reversal of the declines seen over the past four years. Our observation and analysis suggest variances in the commercial appeal of film product are a bigger driver of attendance fluctuations in any A member of BMO Financial Group 116 April 2012 Perspectives on the Filmed Entertainment Industry 2012 BMO Capital Markets particular year than competing media platforms or other leisure time activities. Theatrical admissions were down approximately 4. % in 2011, according to Box Office Mojo’s estimated numbers. We expect 2012 admissions to be up modestly, which should drive mid-single-digit box office revenue growth. We believe the pricing power of concessions has been close to parity with ticket price increases, even if it feels higher. That said, cost pressures in the business (sugar, corn, cocoa, vegetable oil, etc. have increased but have not seemingly had a noticeable influence on industry concession margins, which have stayed at the mid-80% level or better for a decade or more as detailed in Exhibit 82.
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A surprisingly well-advanced technological market exists for monitoring foaling horses. An explanatory video of this process is available on YouTube, and we'll let you, dear reader, sully your browsing history by watching it (for the record, CE Pro found this video, not us, and your correspondent held out for about 15 seconds). We can't really improve on CE Pro's description of how Foalert functions: Once mummy gee-gee starts giving birth, the Foalert system is hooked up to the home automation system via its wireless receiver to the Elan smart home system, which runs the interactive gadgetry. The system is supported by a dedicated UPS and remote power management service. Mickey-taking aside, for a dedicated horse breeder such a system is highly useful; horses are valuable beasts and getting the vet on scene immediately can, for the foal, literally mean the difference between life and death. Airbus, an aeronautics company based in Netherlands, is developing CIMON (Crew Interactive MObile CompanioN), an AI-based space assistant for Germany's DLR Space Administration. The entire structure of CIMON is made up of plastic and metal, created using 3D printing. CIMON has a brain-like AI network and is designed to support astronauts in performing routine work, for example by displaying procedures or offering solutions to problems. With its face, voice and artificial intelligence, becomes a genuine 'colleague' on board. With CIMON, crew members can do more than just work through a schematic view of prescribed checklists and procedures; they can also engage with their assistant. CIMON makes work easier for the astronauts when carrying out every day routine tasks, helps to increase efficiency, facilitates mission success and improves security, as it can also serve as an early warning system for technical problems. The Watson AI was trained using voice samples and photos of Gerst, and procedures and plans of the Columbus module of the ISS were loaded into the database. Gerst also helped select CIMON s screen face and computer voice so that he could 'make friends' with his electronic colleague. Once the functional testing of the system has been completed, Gerst and CIMON will experiment with crystals, work together to solve the Rubik s cube and perform a complex medical experiment using CIMON as an 'intelligent' flying camera in space. In its first Space mission, CIMON will only be equipped with a selected range of capabilities. In the medium term, aerospace researchers also plan to use the CIMON project to examine group effects that can develop over a long period of time in small teams and that may arise during long-term missions to the Moon or Mars. Social interaction between people and machines, between astronauts and assistance systems equipped with emotional intelligence, could play an important role in the success of long-term missions. Airbus' developers are convinced that, here on Earth, developments of the assistance system could also find future use in hospitals and social care. CIMON will get its first 'taste of space' as early as March 2018: the 31st DLR parabolic flight campaign will focus in particular on testing and optimising GNC algorithms (Guidance, Navigation and Control) under zero gravity conditions.
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personal communication, June 2006). Mental health professionals today much expand their knowledge beyond harmful sexual activities online and realize how media use in general shapes sexuality, identity, affiliation, and behavior, especially with young people, before they help their patients with online issues (Lloyd, 2002). Adult cyber sexual issues are challenging online and offline but mental health professional are especially chanllenged when it comes to adolescent sexuality. This makes it hard to assess how cyber sex activities may affect a young person’s offline development. Unfortunately, few will describe the full range of their sexual behaviors unless specifically asked by clinicians (Bridges et al. 2003). Today’s youth is saturated by surround-sound media sexuality. It has become so much a part of their discourse and culture, so embedded in everyday habits that online sex merges seamlessly into offline sex. Few adults really get this and clearly are not engaging in enough discourse with kids about sexuality. Byt kids are. They love to talk about sex, just not with most adults. Hooking up online, on cell phones, and on their iPods have made formerly private (and often secret) sexual acts public, shocking educators and parents. Investigators also found that youth who consumed online pornography tended to use condoms during vaginal sexual intercourse only to prevent pregnancy. For example one of the most positive uses of the Internet for sexual purposes is for Sex Ed (Morahan-Martin, 2004). Clearinghouses like the Sexuality Information and Education Council of the United States (SEICUS,org) and radio sex guru Dr. Drew (drdrew. om) allow kids to ask questions and get answers about sex and their sexuality. At this point, it is tempting to generalize findings from online sexuality research and assume that most Internet sex is harmful. The potential benefits-to-risk ratio of practicing psychology online leaves many of us confused and concerned about doing the right thing.
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For more information, we invite you to visit our Cookies policy. Accept. This includes the Marshall Scholarship, the Fulbright U. . Student Program, the Critical Language Scholarship, the Amgen Scholars Program, and other competitive research experiences. Below is a summary of University of Houston students and alumni who were selected as recipients, honorable mentions, and alternates for these opportunities. Louis conducting cutting-edge biomedical research under the supervision faculty in the Division of Biology and Biomedical Sciences. Cassandra is a junior, psychology major, member of the Honors College, and member of the Houston Scholars program. Upon the completion of her undergraduate studies, Cassandra intends on pursuing a Ph. . in cognitive neuroscience. Esther Akinwande 2017 Baylor College of Medicine SMART Program. Esther is a sophomore, chemical engineering major, and member of the Honors College. Her interest in the Russian language stems from her studies in music composition, piano performance, and music history. Madeline is a junior, music major, National Merit Scholar, member of the Honors College, and member of the Houston Scholars program. Next fall, Madeline will be applying for a Fulbright research grant to Russia, where she hopes to work for nine months as an artist-in-residence with a Russian choir. Sumeet Gautam 2017 Critical Language Scholarship, Azerbaijani. Already proficient in Nepalese and Spanish, Sumeet will broaden his language portfolio through the Critical Language Scholarship with the goal of becoming a global engineer. Daniel will spend the majority of his time at the National Archive of Costa Rica investigating the role of commerce and diplomacy in the conquests of the Mosquito Kingdom and Spanish Empire in Central America during the eighteenth-century.
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Properly Paranoid: During his interview with Kinda Funny Games ' Colin Moriarty, Colin was impressed with Jim's ability to predict the worst abuses of the games industry before anyone else. Jim says that he's a natural worrier, and that when he sees something (like day one DLC, season passes, etc. , his brain jumps to the worst possible conclusion. Eventually, someone takes the idea and proves Jim right. Rant-Inducing Slight: Jim dedicates a whole episode to this in regards to the amiibos. He goes on a huge rant over how Nintendo failed to produce enough amiibos yet again, making features in their games that only a fraction of the fanbase can enjoy due to how difficult it is to get an amiibo, and feels like Nintendo is only catering to scalpers who are seeking to buy up entire stocks of amiibos just to sell them back for a big profit. Not only does Jim declare he doesn't give a shit about amiibos anymore, he actually knocks off all the amiibos on his podium to drive the point home. Reading the Stage Directions Out Loud: When Jim joked that EA was responsible for all human deaths past, present and future, he follows it up with a statement prepared by his lawyer saying that it was a joke and that EA is not responsible for human mortality. Having been legally unable to discuss the matter until the lawsuit was dismissed with prejudice (read: case closed, never to be reopened), Jim took great pleasure in tearing the Romines a new one. Rebuilt Pedestal: Overkill, the developers of Payday 2, when they purchased full ownership of the game and the first thing that they did was remove the microtransactions. Refuge in Audacity: In the video, Copyright Deadlock, Jim explains a way to counter a Content ID claim, which is to make it so that your video has multiple Content ID claims. This creates a conglomeration of claims and if one says no monetization, no ads play, thus, no one earns anything. Jim proceeds to mock the claimants and YouTube for the train wreck of the Content ID system. Retool: In 2017 he dropped the Norsefire inspired pseudo-fascist bit in favor of a carnival showman persona. Later the same year, he announced that he would forego doing reviews in favor of making criticisms and analysis of video games a part of his other videos, citing reasons such as gaming journalism reviews being too ingrained in a Four Point Scale and focusing on content that people enjoy more. Ripped from the Headlines: The main gimmick behind Jim's Itch. o Tasty series is seeing what strange games he can find on the titular website by putting in a search term related to a recent news story or video game release. Past search terms have included Hello, Superhero, Star Wars, Trump, Warfare and Pig. Running Gag: Jim's obsession with Willem Dafoe, as represented by Miniature Fantasy Willem Dafoe.
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While wholly professional, it lacks much juice and doesn’t ever become especially involving. Robertson proves competent as JFK, though he was too old for the part by a good decade, and I find it perplexing that he didn’t attempt even a slight Kennedy accent. While I suppose it’s good we’re not stuck with a bad impersonation, we’re so familiar with JFK’s voice that it’s off-putting to hear him played without those intonations. I’m glad I saw 109 due to its historical value, but I doubt I’ll ever feel inclined to watch it again. Disc Four provides the one-hour, 30-minute, 15-second JFK Remembered: 50 Years Later, a piece that examines JFK’s 1960 campaign and election as well as many aspects of his administration. Though Remembered comes with narration, it usually allows its archival clips to speak for themselves. The voiceover sets up situations and history but we stick with footage from the early 1960s, with an emphasis on JFK’s public appearances. Remembered lacks great perspective, as it comes with little historical interpretation, but it compensates with immediacy. Remembered becomes a solid compilation of JFK-related footage. It came out while the wounds left by JFK’s death remained raw, so a sometimes wistful, sometimes mournful approach would be expected. Whatever flaws Lightning may have as an objective documentary, it does give us a better flavor for the era than any of the other programs in this set. It also collects a lot of good footage and looks surprisingly terrific; newly remastered, the film delivers strong visuals. The set also includes a mix of non-disc-based materials. A hardcover 32-Page Quotations Book offers a short bio of JFK and then provides a mix of his notable statements. Though not exhaustive, of course, the text acts as a nice collection of JFK quotes. We find JFK’s Inaugural Address and a 1960 Campaign Poster. The former measures 10. by 14. inches, while the latter is 14.
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