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The early stages of Jackie were portrayed by Marianna Bishop as a child and Sarah Michelle Geller as a teen. The production won the Emmy Award for outstanding miniseries from three total nominations. The entire cast contributed flesh-and-blood portrayals, including Stephen Collins as JFK, William Devane as Black Jack Bouvier, Eve Gordon as Marilyn Monroe, Joss Ackland as Aristotle Onassis, Carlin Glynn as Lady Bird Johnson, Lisa Eichhorn, Wendy Hughes, Bob Gunton, Rosemary Murphy, Nan Martin, and Josef Sommer as Joe Kennedy Sr. Child of Rage fixes on a family’s problems with adoptive children, the girl of which has violent tendencies. Poisoned by Love: The Kern County Murders told the actual story of Steven Catlin, a California swain who was convicted of poisoning with a herbicide his mother and his first and fifth wives. The California Supreme Court upheld his death sentence in 2001 for two of the murders. Harry Hamlin played Catlin, with Eileen Brennan as his mother, and Helen Shaver and Faith Ford as two of the wives. Peerce’s epic travels through the South and into Pennsylvania, Missouri, and out West with vengeanceminded characters. His cast included James Read, Philip Casnoff, Peter O’Toole, Robert Wagner, Cathy Lee Crosby, Lesley-Anne Down, Mariette Hartley, Jonathan Frakes, Stan Shaw, Rip Torn, and Billy Dee Williams. Don E. FauntLeRoy was nominated for an American Society of Cinematographers Award for his work. Peerce avoided being tracked into the prevailing noir sinkhole in his final working decade even as he directed Donna Mills as a femme fatale in An Element of Truth, gradually poisoning Peter Riegert to death to steal his fortune, and Victoria Principal as a spousal abuse victim—beaten, stalked, and then kidnapped by a policeman husband. He directed Shannen Doherty as Gone with the Wind author Margaret Mitchell in the biopic A Burning Passion. He helmed another application of the plot of Harold Ramis’s Groundhog Day (1993), a kid’s title wish in Peerce’s Christmas Every Day forcing her big brother to live the yuletide holiday over every day. In the frothy LoveStruck, Venus (Suzanne Sommers) sends Cupid (Costas Mandylor) out on a case and he accidentally gets jabbed by his own arrow, falling for Cynthia Gibb.

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He said it’s partially due to living in the postmodernist age and partly due to the idea that audiences have seen it all in horror before. Ryersonian staff are responsible for the news website edited and produced by final-year undergraduate and graduate journalism students at Ryerson University. In addition to this website, students produce: the Ryersonian, a weekly newspaper; a weekly broadcast on Ryersonian TV; a weekly podcast; and daily audio and video updates. Please drop by the newsroom (RCC-105) to pitch your story ideas to the editors. Fleischman, Producer Josh Glick, Gersh Talent Agent Mickey Keating, Writer-Director Olivia Mascheroni, Blumhouse’s Chief of Staff Adam Paulsen, CAA Finance Agent. She then produced Mark Danielewski’s stage production of “The Fifty Year Sword” at Disney Concert Hall’s REDCAT for two years. Then Mali then returned to film, and Executive Produced Mike Flanagan’s supernatural-thriller BEFORE I WAKE. She is one of the co-founders of Fun Size Horror, an online platform and production-distribution company. In May, they distributed FUN SIZE HORROR: VOLUME ONE and on October 15th, VOLUME TWO is set for release at Alamo Drafthouse theaters, followed by a further VOD release. She is currently working on FUN SIZE HORROR: VOLUME THREE, while prepping Mike Flanagan’s SCARE DARES, Karen Gillan’s TUPPERWARE PARTY and other projects. While attending the USC SCA as an undergraduate for his film production degree, he spent his semesters and summers on the Paramount Pictures lot, interning for physical production and Paramount’s Insurge Pictures. Upon graduating, he began working at Jason Blum’s Blumhouse Productions, intent on finding a way to employ the micro-budget horror model for genre films in the independent space. After being a part of eight feature films under the Blum banner, Fleischman ventured out to produce independently. With the knowledge of how to turn high-concept low-budget films into massive box office successes, he raised private equity and began producing edgy and bold genre films. Fleischman has single-handedly produced ten feature films in the past three years, and continues to produce and finance under his Diablo Entertainment banner.

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