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“Well, it was always bizarre to me when we were shooting- when were shooting it was frightening and the scenes that we were doing were supposed to be like PG-13. I was always like are we going to get away with this? she said. “It was really scary. I feel like all of the suspense and horror has always been there, it’s just nice to have a little bit more leeway in the editing and make it as scary as it deserves to be. And finally, in the X-Men universe, it’s pretty much a given that they’re going to recast Wolverine at some point. Hugh Jackman is done playing the role, and while he’s at least flirted with the idea of coming back once the Disney-Fox deal goes through and the X-Men are officially in the MCU, it’s probably not going to happen. Characters rarely get so perfect a goodbye as Jackman’s Wolverine got in Logan, and it’s likely that Marvel and Fox will choose to have that iteration of the character stay gone. But once Marvel Studios starts making X-Men movies again, they’re definitely going to want to include Wolverine. According to We Got This Covered, the one name that keeps floating to the top is Tom Hardy. Now, Hardy is already playing a Marvel character in this year’s upcoming Venom movie. Though Tom Holland’s Spider-Man exists in that movie, Tom Hardy’s Venom won’t exist in the MCU. Separate from both X-Men and the MCU, Tom Hardy playing Venom and Wolverine shouldn’t cause too much confusion. It’ll even be less tricky than Josh Brolin playing both Thanos and Cable. Plus, the teaser trailer for Venom came out last week and barely made any sort of impact. The only conversations it sparked centered around the disappointing lack of Venom and its complete failure to excite or even tell audiences anything about the movie. It has every chance of being a fine superhero flick. But for now, nobody really has anything good, or at all, to say about it. If Venom continues on that course, it could end up being completely irrelevant. Which would only make it easier for Disney-Fox to cast Hardy in a different superhero role.

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And a Twitter user responded: 'Degrading and lowering some of these people's value is sickening. But the 21-year-old hit back, defending his approach. The Georgia rapper has challenged other rappers to join in with his activities. I went to several different shelters that day AN did the same thing. The Twilight star looked sensational for her turn at the bash as she wore a plunging yellow gown which perfectly complemented her alabaster complexion before she later pulled on a stunning pair of geek chic glasses. Shunning the favoured long gowns of her peers, she instead injected some youthful style into the bash with her pretty pleated number. The blonde beauty opted to go braless beneath the plunging gown which featured a slash down to her waist while highlighting her tiny middle with a dazzling band. Her detail around her waist perfectly matched the adornment on her shoulders before the dress fell into a near backless rear with a delicate ribbon tied behind her back. Styled by Samantha McMillen, Dakota sported a custom Miu Miu pleated lemon yellow mini dress, featuring a plunging neckline, accented with a jewelled belt and matching epaulettes. Dakota’s look was then completed with Brian Atwood heels and Repossi jewellery. We love this look on Dakota, the zesty hue suits her skintone perfectly; meanwhile the embellished details make it red carpet worthy. Whilst this dress is custom and not available to buy online, you can shop the current ready-to-wear collection at Net-a-Porter by following the link on the right. Or alternatively recreate the look with one of the picks from our edit of alternatives in the carousel below. Dakota wore her silky blonde locks in a dead straight style extending from a centre parting which showed a stylish, deliberate peek of her darker roots. Favouring a fresh-faced look, the blonde beauty wore extremely minimal make-up with just a lick of mascara darkening her light lashes. Clearly proud of her flawless alabaster complexion, she shunned a false tan to help complement her exquisite pastel hued gown. Dakota is currently blazing the promotional trail for her new movie American Pastoral, where she stars opposite Ewan McGregor and Jennifer Connelly. As she continues working on the movie's promo, she spoke to Andy Cohen on Watch What Happens Live last week. She looked sensational for the appearance in which she wore a deeply plunging black corset with a dazzling high-waisted skirt. Stylish as ever: Dakota is currently blazing the promotional trail for her new movie American Pastoral, where she stars opposite Ewan McGregor and Jennifer Connelly Dazzling diva: As she continues working on the movie's promo, she spoke to Andy Cohen on Watch What Happens Live last week Having a giggle: She looked sensational for the appearance in which she wore a deeply plunging black corset with a dazzling high-waisted skirt.


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One less common decoders left intact was PSD: Adobe Photoshop. But it's also more attack surface for us to examine. This size is used to allocate a malloc() 'ed buffer to hold the compressed data, and the buffer is filled with a read from the input stream. The vulnerability is that there is no return value checking for the ReadBlob() call. You can refer to this vulnerability as CESA-2017-0003. It really is an 0day: unreported or unfixed upstream, let alone in Linux distributions or on cloud providers. The exploit The previous ImageMagick bugs I've been exploiting have been relatively simple to exploit because raw bytes of memory end up directly in the decoded canvas. With this vulnerability, however, the raw bytes of memory are in a buffer which is to be decoded as a zlib stream. Obviously, many possible sequences of bytes will not be valid zlib streams. And sequences of bytes that are valid zlib streams will likely result in output that is hard (or impossible) to reverse back to the original raw memory bytes. Finally, note that zlib streams are checksummed, and quasi-random bytes in memory are unlikely to have a correct trailing checksum. Fortunately, a little trick does present us a neat solution. It's useful to have a basic understanding of the zlib format, RFC1950 and the contained deflate stream format, RFC1951. What if we used a preamble of a zlib header followed by an uncompressed deflate block -- leading in to the bytes of uninitialized memory. We're back to exfiltrating raw bytes again, which is a win. (Note that the start of the output is at byte 7 into the heap chunk, which is not nicely 8 bytes aligned. This explains why the pointers in the dump below appear to be offset by 1 byte. There's one more quirk, though. This still isn't a valid zlib stream because it is truncated, both in terms of missing data and a missing final checksum. The answer lies in looking at the exit condition for the zlib deflate loop.


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Talking Thrones The Night King's Biggest Secret Exposed! - Game of Thrones. Talking Thrones The Complete History of the Night's King and the White. Euron Crow's Eye Game of Thrones 6x05 - Bran meets the Night's King Kristina R Load More Search, Watch, Download millions of videos from youtube, facebook for free. I enjoyed the scenes on the Iron Islands back in Season 2 but since then they have appeared sparsely, and it feels like Balon’s death has been something which they wrote on a post-it note that got accidentally binned by an intern. Watchers on the Wall has some updates regarding cast members showing up in Belfast. Hidden at the bottom of the article is a photograph taken by a fan at the airport with John Bradley (Sam), Tom Wlaschiha (Jaqen H’ghar), Jacob Anderson (Grey Worm) and Gemma Whelan, who plays Yara Greyjoy. With the precedent he has already set in the director’s chair on this show, it’s safe to assume the finale is more than secure in his deft hands. The episode is written by David Benioff and Dan Weiss. Whoever writes the taglines for episodes has somehow kept steadily lowering the bar for underselling their contents. The longer running time is good news for the fact that most finales tend to be packed to the brim with differing storylines. Hopefully this one will be less of a final check-in with everyone for the year, and instead be one full of sensible plot developments and crescendos to the various arcs. Next post Game of Thrones Northern Ireland production unaffected by Brexit. I’m sure it will feel a little rushed, as every season finale has (especially 4. 0 and 5. 0), but I won’t let it bother me this time. Not a big difference, but I’m a little saddened anyway haha. This week has already seemed impossibly long to me. But Sapochnik recently stated that “The Winds Of Winter” will be at least as epic as “Battle of the Bastards” but for entirely different reasons. There’s this and there’s the fact that Robert Aramayo (young Ned Stark) said he would be back in episode 10 and for those who listened to “The Tower”, one of the bonus tracks on the season 6 soundtrack, we can be 99.


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Rarely does a book of nonfiction this large maintain my interest so intently, but for some reason, I hated having to put this one down. And it just goes to show that crime hasn't really changed over the centuries -- the prime motives of murder (sex and money) are timeless. Before I even get to the end here, let me just say that if you are at all interested in famous crimes from times gone by, especially from the UK, this is a book you should consider reading. The author of this book is William Roughead (1870-1952) a lawyer in Scotland who was quite well known for his interest in the history of crime. He was a contributor to the Notable Scottish Trials and Notable British Trials series, friend to Henry James, and in one famous case of the era (that of Oscar Slater), he joined such notables as Sir Arthur Conan Doyle in trying to get justice for what they considered to be a trumped-up case and an incorrect verdict that sentenced a man to death. Roughead does more than chronicle the cases in this book; at many junctures he injects his wit and sarcasm and tries to appeal to his readers' sense of justice in cases where the guilty walked away and the innocent were wrongly convicted. Using the official court documents of each case, he takes the reader through the commission of the crime (with all personalities involved), witness statements, the arrest and trial, and the aftermath. Roughead's version of true crime reporting is nothing at all like some of today's accounts that promise titillating tattle, you know, the ones with the catchy titles and lurid covers -- he offers facts, his opinions and manages to keep the reader interested throughout. I found myself heading to the Internet on several occasions to see if there were other books, television dramas or movies based on any of these cases and threw a few into my Netflix queue and onto my Amazon wishlist. On the flip side of my praise for this book, however, the language throughout is a bit stilted and may turn many readers off. Combining a flowing prose style with an inimitable, pawky sense of humor, he remains the best and most sardonic stylist chronicling human depravity since, well, the authors of the Old Testament put down their styli. By birth a Scot, Roughead became a Writer to the Signet, a privileged position which allowed him to attend and chronicle in print the great murder trials of his era (1870-1952). Touched by that crimson wand, things base and sordid, things ugly and of ill report, are transformed into matters wondrous, weird and tragical. I should confess first of all that I find him compulsively readable, although he may not be to everybody's taste (profoundly influenced by Dickens, check). I can see his influence quite strongly in Dorothy Sayers (it doesn't hurt that some of the cases he discusses are cases she clearly used as inspiration for her stories, like Madeleine Smith (Harriet is kind of an inversion of Smith in Strong Poison) and Dr. Pritchard (quite explicitly, in the opening of Unnatural Death)). In those cases where I have found more modern writers with better evidence (e. . Summerscale's The Suspicions of Mr Whicher, Ruddick's Death at the Priory), Roughead is wrong wrong wrong, but I don't even care. I love him for his prose style, I love him for his cheerfully blatant partisanship, and I love him for the way he's trying, even when he's wrong, to piece together the story of what happened.