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Starring Nick Nolte and Peter Strauss as the Jordache brothers, this miniseries was directed by David Greene and Boris Sagal. Its success begat an even bolder miniseries, Roots (1977), the adaptation of Alex Haley’s novel of the African American experience in the times of slavery and emancipation. This highest-rated TV program of all time swept through the Emmy Awards and confirmed the miniseries’ popularity. Employing a raft of familiar faces fronted by newcomer LeVar Burton, Roots was directed by Marvin J. Chomsky, John Erman, David Greene, and Gilbert Moses. Chomsky; Roots: The Next Generations (1979), directed by Georg Stanford Brown, John Erman, Charles S. Dubin, and Lloyd Richards; Backstairs at the White House (1979), directed by Michael O’Herlihy, and Blind Ambition (1979), directed by George Schaefer. During the 1970s, PBS established several ambitious anthologies that highlighted both new and classic theatre pieces. Producer Norman Lloyd’s Hollywood Television Theatre aired such singular productions as George C. Scott’s The Andersonville Trial (1970) and Joseph Hardy’s Shadow of a Gunman (1972). On Great Performances, the presentations included Gerald Freedman’s Antigone (1973) starring Genevieve Bujold, and Michael Apted’s The Collection (1978) with Laurence Olivier. Theatre in America taped or filmed plays presented at regional theatre companies, including Kirk Browning’s A Touch of the Poet (1974), and William Ball’s The Taming of the Shrew (1976). Visions presented xviii Introduction experimental works, such as Paul Bogart’s The War Widow (1976) and Lloyd Richards’s Freeman (1977). While these series had relatively short life spans, a decade later PBS established American Playhouse, which carried on a tradition of excellence with such presentations as Jack O’Brien’s The Skin of Our Teeth (1983), Barbara Kopple’s Keeping On (1983), Allan A. Goldstein’s True West (1984), and Jeff Bleckner’s Concealed Enemies (1984). The cable era also arrived in a big way in the 1980s. The cable channels weren’t governed by the strict tenets adhered to by the networks, and the violence, profanity, nudity, and profligate behavior that could be glimpsed in theatrical features could also be elements in cable movies. Thomas’s The Terry Fox Story (1983), Jack Gold’s Sakharov (1984) with Jason Robards and Glenda Jackson, and Philip Saville’s Mandela (1987) starring Danny Glover as the South African activist.

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“That was a pretty impressive opening 10 minutes,” Seattle coach Brian Schmetzer said. “They were up for the game, they played fast, and the quality of the game, the quality of some of our play was tremendous. I did think we would get a goal. (Rapids coach) Anthony Hudson has a good team, and his team didn’t quit. But certainly, to come to a place like this against a team like this, if you start slow and a little bit passive, it’s very tough to get back in the game. Sounders goalkeeper Stefan Frei picked up his first shutout of the year. Seattle has allowed just one goal in their first two games. With all he has done at the front end of the field so far, Leerdam has played just as a big a role at the other end. “The thing we say to all of our outside backs is we love it when you get forward,” Schmetzer said, “but remember that you’re a defender first. . It happened in 2016, when the Sounders lost their opener and eight of their next 14 games. It happened in 2017, when they lost their opener and won just two of their next 10. It happened last year, when they lost nine of their first 15 and seemed certain to be shut out of the postseason. Over the past three seasons, the Sounders have won an MLS Cup, been to two MLS Cup Finals and advanced to the second round of the playoffs every time. Why eliminate themselves from Supporters’ Shield contention and take months off their fans’ lives. Seems the players asked themselves those very questions just after that goal, as Seattle scored three of its own over the next 30 minutes en route to a 4-1 win. It was the Sounders’ first season-opening victory since beating New England in 2015. Does it mean a lot, considering it came against an expansion team expected to finish at the bottom of the standings.

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. Medieval India: History and Historians. Amritsar: Guru Nanak University, 1975. Hamied, K. . An Autobiography—A Life to Remember. Hasan, Mushirul. Faith and Freedom—Gandhi in History. Oxford: Oxford University Press. 2002. 206? Colonialism and the Call to Jihad in British India Hunter, W. . The Indian Musalmans. Islam, Zafrul. Role of Muslims in the Freedom Movement of India. Jalal, Ayersha. The Sole Spokesman—Jinnah, the Muslim League and the Demand for Pakistan.

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Eventually, a way can be found of stopping this habit. One way is to think of a slogan and an image that one can use to cut short a chain of negative thoughts. It is important that the patient on the receiving end of this anecdote is able to make use of the information. For example, Bill had reached a point in his recovery when he was able to employ his technique successfully. The patient to whom you are relating this story must also be at that stage. Perhaps 1 or 2 months prior to Bill's appointment, his technique would have had no effect. Also, the intention of the communication is not that the patient should adopt Bill's particular method. Most people have not had his naval experience to draw on. However, the anecdote may encourage patients to search for their own symbolic imagery for dispensing with unwanted thoughts. The story may also serve as a prelude to a more direct therapeutic intervention to assist the patient with some form of thoughtstopping procedure. The first is why it should be that putting the messages in the form of an illustrative story should be any more effective than advice offered more directly. Second, there is the question of where the role of hypnosis lies in this method. We shall defer answering these questions until we have described an extension of this approach, namely communicating by metaphor. METAPHORICAL ANECDOTES AND STORIES This technique involves relating anecdotes and stories to the patient (or asking the patient to imagine various scenes) that are metaphorically related to his or her presenting problems and their possible solution. 13: METAPHOR AND STORY TECHNIQUE 145 The anecdote may be very brief or protracted. A ploy that some favour is to embed the anecdote in a longer story. For example, one could start by talking about a friend and then say that this friend had another friend, who told him a story about another person. etc.

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