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Fourth rule, never use the Ouija board if you are weak-minded, sick, or injured. I mean weak-minded in the sense of being sad, depressed, or not in a good headspace. You are more open to possession or being harmed if you're not strong as you usually are. This is because you can be possessed easier in graveyard than anywhere else. This is the same reasoning as the sick and alone rule. It makes the spirits mad and it lets the spirits that were connected out into your reality or space. Never stop playing the board until you have done this because you will leave the portal open. Rule number eight is never let a spirit count down the numbers or let them go through all the letters. It can also be a sign that you have contacted a demon or evil spirit. If it starts to do so you have to say goodbye and close out the session properly by saying goodbye. Ninth rule is never leave the planchet on top of the Ouija board. This can allow things to come through even when you are not playing. Tenth rule is that if you have contacted a demon, blessing the house can make it worse. I never knew this rule but it makes sense because we have all seen parts of the movies about demon possession and we see what can happen when they are mad. I heard salt circles (and lines) and burning sage works when getting rid of bad spirits. Salt circles and lines I think are more for keeping the spirits out of certain places, though. Rule number eleven is do not give the board to someone because the spirits attached to the board can follow it.


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George Fitzhugh, Sociology for the South, or the Failure of Free Society The most influential propagandist in the decade before the Civil War. In his Sociology (1854), he said that the capitalism of the North was a failure. In another writing he argued that slavery was justified when compared to the cannibalistic approach of capitalism. Hinton Helper, The Impending Crisis of the South Hinton Helper of North Carolina spoke for poor, non-slave-owing Whites in his 1857 book, which as a violent attack on slavery. It wasn't written with sympathy for Blacks, who Helper despised, but with a belief that the economic system of the South was bringing ruin on the small farmer. Election of 1860: candidates, parties, issues Republican - Abraham Lincoln. Douglas, John C. Breckenridge. Constitutional Union - John Bell. Issues were slavery in the territories (Lincoln opposed adding any new slave states). Democratic Party Conventions: Baltimore, Charleston The Democratic Party split North and South. The Northern Democratic convention was held in Baltimore and the Southern in Charleston. Douglas was the Northern candidate and Breckenridge was the Southern (they disagreed on slavery). John Bell He was a moderate and wanted the union to stay together. After Southern states seceded from the Union, he urged the middle states to join the North. John Breckinridge (1821-1875) Nominated by pro-slavers who had seceded from the Democratic convention, he was strongly for slavery and states' rights. Republican Party: 1860 platform, supporter, leaders 1860 platform: free soil principles, a protective tariff.


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Honourable mention here goes to The Stuff of Dreams which was a completely unexpected favourite of mine. Animation had a strong year this time round: The Breadwinner and Mutafukaz are probably at opposite ends of the spectrum in many ways but I was gripped by both from start to finish. Canaries was a much later entry and just shows how great low-budget genre film can be with a little imagination. And just as it was a strong first 20, it’s been a strong second chapter. There were some pretty pictures, a few funny anecdotes, but that was it really. Similarly weak as a documentary was Suzanne Ciani: a Life in Waves. It could easily have been subtitled “how one trailblazing, innovative and imaginative woman wasted decades making crummy new age ballads”. A whole lot of self-congratulatory patting on the head but not a lot of much interest. Fantastic stuff. We’re taken on a tour of the beaches of Gaza city where Palestinians are riding the waves. Faced with the impossibility of importing surfboards, limited materials and repair skills, social condemnation (especially of the women) and more, they keep doing what they love. It’s a touching and illuminating little documentary that crucially refuses to take sides. It never explicitly condemns anyone, which is particularly rare in the charged atmosphere of Israeli-Palestinian affairs. Then they proceed to wander about, climb the pylons, run with the bulls etc. Its terrifying stuff and I never, ever want to visit Tultepec but it’s truly astonishing. The Wages of Fear is a fabulously tense road trip with a truckful of nitroglycerine (only let down by being too long), whilst The Man on the Roof is a film that has no real idea what it wants to be. It starts as a police procedural murder mystery, swiftly abandons that and becomes an action movie that quickly moves from being at least halfway serious to being almost slapstick.


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Cooper, Ernest B. Schoedsack; Starring: Fay Wray, Robert Armstrong, Bruce Cabot; Dual format release: February 20, 2017 Philip Kemp. And his thoughtful prequel to 2014’s unloved Ouija is better than it has any right to be. Generous extras include deleted scenes and a director commentary. EXTRAS: Commentary, Making Of, Featurettes, Deleted scenes Director: Mike Flanagan; Starring: Elizabeth Reaser, Lulu Wilson, Annalise Basso; DVD, BD, Digital HD release: February 27, 2017 Matt Glasby. Shame everything else in Roger Spottiswoode’s movie feels so inauthentic. Luke Treadaway’s artfully tousled curls and a disregard for London geography signal its eagerness to play to mainstream (i. . US) sensibilities. The lead’s whiny balladeering is another issue, though Ruta Gedmintas and Joanne Froggatt compensate as his girlfriend and social worker respectively. EXTRAS: Making Of Director: Robert Spottiswoode; Starring: Luke Treadaway, Bob the Cat, Ruta Gedmintas; DVD, BD, Digital HD release: February 27, 2017 Neil Smith. He’s a death-obsessed sociopath who discovers his neighbour (Christopher Lloyd, compellingly creepy) may be connected to a spate of local murders. Based on a 2009 Dan Wells novel, and shot on gorgeously gloomy 16mm by American Honey cinematographer Robbie Ryan, it’s a morbid and deliciously different beast. EXTRAS: Short, Deleted scenes, Storyboards, Gallery Director: Billy O’Brien; Starring: Christopher Lloyd, Laura Fraser; DVD, BD release: February 20, 2017 Jordan Farley. It’s an endless summer road movie and coming-of-ager centred on Oklahoma teen Star (Sasha Lane), who hooks up with a hard-partying sales crew flogging magazine subscriptions across the Midwest. Newcomer Lane excels, but Shia LaBeouf (as top-seller Jake) and Riley Keough (take-no-prisoners manager Krystal) are fab too. Factor in Robbie Ryan’s ace lensing, a crunching soundtrack and Arnold’s gift for drawing great turns from non-pros, and the 163-minute running time just flies by.


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