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You'll Find Out (1940) (DVD) - This film has a lot going for it: a trio of the world’s biggest (at the time) horror stars—Bela Lugosi, Boris Karloff, and Peter Lorre; a secluded, mysterious mansion; a raging thunderstorm that knocks the only bridge to the house out, effectively stranding everyone there; and seances. It also has Kay Kyser and his band and Ish Kabibble, which may or may not be a selling point. If you’ve seen the first film, this is more of the same from Larry Cohen. I didn’t like the first one very much, but this one went down a lot easier, probably because the rubber mutant babies weren’t shown nearly as much in this one as they were in the original film. It’s pretty odd that I’d never seen this film before, but I’d heard so much about it that I never really felt the need to watch it. The performances are all really, really good, but the dog actor was GREAT. I wasn’t particularly fond of the freeze-frame ending, however. After a pre-title sequence wherein the youngest member of the family gets killed by these creatures, the film skips ahead almost a year and settles into showing how the family copes with having to be quiet all the time. It's kind of like when you meet a new person and you take an immediate dislike to them for no discernible reason--that's the way that I feel about this film. This was my second viewing, and I've felt the same way about it both times. Part of the wave of French films that came out in the late aughts that were hyper-gory and nihilistic, Inside is the tale of a pregnant woman who’s attacked in her house by a woman who wants to steal her unborn baby. And, really, about 90% of the film takes place in her home, with her trying to defend herself from this crazy woman. I normally don’t have a problem with gore in films, but this one is the rare exception that made me squirm. It’s exceptionally well-made, but I can’t really say that it’s enjoyable.

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The futuristic hospital system makes for a unique plot device, and it's interesting to see how it'll be used next. There are some nasty bits here as helpless patients meet mean-spirited ends. The death of one of the only characters that I did like made for a very suspenseful sequence. There's also a nice scene with repeated attempts on the lead's life as he's stuck in a hospital bed with a broken foot. Said lead is Joe Spano as Dr. Frank Holt, who finds that the culprit is making it so that all the murders look like mistakes he made with his patients. A dull subplot involves Holt and his ex-fiancee rekindling their romance. Despite the flaws, I'd say it's worth a look, especially if you're into medical horror. No one believes her though, and once she gets definitive proof, it may indeed be too late. Michael Winner's second horror film (the first being the underrated The Sentinel ) is wild, trashy, melodramatic and so much fun. As Christie, Rachael Kelly makes for a quirky heroine, foul-mouthed, sexually awkward and very determined. The three villains are over-the-top, but then, so is the whole film. Never one for subtlety, Winner throws in all sorts of crazy situations, like the relationship between Christie and her murdered best friend's boyfriend, which leads to an amusing sex scene and it's aftermath. I've seen this thing a few times, and it never fails to entertain.

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