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McFarlane is doing a far better job than CBS has. 7thsealord 12. Tony Todd and Richard Hatch (RIP) made this exciting. Disco re-visited the MU before it even established the prime characters to begin with. Talk about strip-mining an IP. Brian St. James 16. There was no reason to add a mirror universe to the star trek story this early. I like to think of this as an in-universe fictional war novel written during the Klingon Federation War. Santos Potus 19 ? J. G. Hertzler sounds like Michael Ironside. Way better than orville, right up there with discovery on vfx quality and pays a better homage to the lore than the jj films. Ekaf Eman 17. Except for the whole Ares-Class ship being the Federations first warship when in canon it was the Defiant-Class Escort which was Starfleets first official warship. Discovery sucks and will be done with after this season.
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The ante gets upped again and again until the stakes become ridiculous. Release Formats: Standard Genre: Comedy Now Playing: Wide Release Rating: PG-13 (for thematic elements, crude and suggestive content, and for language). Danish painter Einar Wegener was married to a fellow painter and seemingly happy with his life. However, a request from his wife, seemingly simple and innocuous, leads him to a profound change and the realization that he is a woman trapped in a man’s body. Release Formats: Standard Genre: Biographical Drama Now Playing: AMC Altamonte Springs, Regal Winter Park Village Rating: R (for some sexuality and full nudity). A bounty hunter, taking his quarry back to Red Rock, Wyoming to hang shortly after the end of the Civil War, finds himself snowed in with six other strangers in a Rocky Mountain stagecoach stop. The movie will be playing in digital 70mm print approximation (few theaters across the country will have the real thing), and will be opening in wide release on January 8 th in standard 35mm digital. Release Formats: Standard Genre: Western Now Playing: AMC Disney Springs, Regal Waterford Lakes Rating: R (for strong bloody violence, a scene of violent sexual content, language and some graphic nudity). Coming from a working class background, nobody ever figured Joy would ever amount to much but nobody counted on her unshakable will. She goes on to found a business empire, navigating the cutthroat waters of modern business to become one of the most successful female entrepreneurs in the United States. Russell, who has become the nearest thing to a sure Oscar nominee as there’s been in the last few years. Release Formats: Standard Genre: Biographical Drama Now Playing: Wide Release Rating: PG-13 (for brief strong language). A young maverick FBI Agent infiltrates a group of extreme athletes who are suspected of pulling off daring robberies utilizing skills involving some of the most dangerous activities known to humans. The deeper the agent gets, the more he gets swept into their world. Eager to prove their innocence he begins to lose sight of his job and the protection of innocent lives. Release Formats: Standard, 3D Genre: Action Now Playing: Wide Release Rating: R (for violence, thematic material involving perilous activity, some sexuality, language and drug material). Two lifelong friends vacation at a resort in the Swiss Alps as they contemplate oncoming retirement.
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Tyrion knows there’s caches under the city and will now realise that Cersei is willing to use it to kill thousands of innocent citizens. That’s exactly the same question I am asking myself again and again and again. OK, I can imagine that she gets into a a storm on her way and her fleet is scattered, and she needs to make a stop at Dragonstone, so all the ships could gather, etc. But why would Cersei leave Dragonstone unmanned, while expecting Dany’s invasion. Maybe, Dany will be planning to land at a different location, and Cersei will prevent that leaving Dragonstone as a second option. But one way or another, landing on Dragonstone makes the attack on KL the most reasonable and almost inevitable next step. Even if Dany decides not to attack the city to avoid civil causalities and chooses to deal with the Lannister army first (hoping that Cersei will be forced to surrender, if she succeeds), the ambush battle should be taking place right out of KL (Clob is right: Kingswood would be probably the best location for the ambush). According to Luka, the ambush will happen somewhere near Highgarden, so, basically on the western coast of Westeros; the Unsullied in the Casterly Rock imply the same. So, why would Dany leave a relatively convenient jumping ground and go to the other side of the continent. If she sails, Jaime would have plenty of time to return to KL long before she comes somewhere near Highgarden and Euron will have plenty of time to retake Dragonstone for Cersei long before she returns. The mosts reasonable (though far from satisfactory) explanation I have so far is that Dany will find the entire coast of the Black Water Bay (as well as the Stormlands and Dorne) very well fortified and therefore will have to look for ways to bypass Cersei’s defenses. Sorry for being tiresome, and thank you in advance. Apollo: Wildfire. Tyrion knows there’s caches under the city and will now realise that Cersei is willing to use it to kill thousands of innocent citizens. Oh, but this problem has a rather easy solution: Team-Dany should simply spread the message that there are caches of wildfire hidden all over the city and urge the citizens to check their basements; Varys could draw the plans of the secret passages and spread them too. After all, if Little Birds managed to find those caches, anyone can. And that would win Dany some public support, because, as far as we know, wildfire is rather unstable and may ignite just by accident.
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. Dawes, R. Schweiger, F. Sheikh, A. The geometry of storytelling: theatrical use of space for 360-degree videos and virtual reality. Columbia University Press, New York (1994) 9. Gaver, W. . Synthesizing auditory icons. Cinematic Virtual Reality (CVR) has been increasing in popularity in the last years. Since watching movies is a social experience for most people, we investigate if the use of Head Mounted Displays is appropriate for enabling shared CVR experiences. In this context, even if viewers are watching the movie simultaneously, they do not automatically see the same ? ld of view, since they can freely choose the viewing direction. Based on the literature and experiences from past user studies, we identify seven challenges. To address these challenges, we present and discuss design ideas for a CVR social movie player and highlight directions for future work. Users highly bene? from the possibilities to freely look around and explore the presented scenes, either to entertain themselves or to gain a better understanding of the movie content.
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Army, under the command of General Douglas MacArthur and his officers Dwight Eisenhower and George Patton, drove the veterans from Washington and burned their camps, employing tear gas, tanks, and saber-wielding cavalrymen. By the time the clashes were over, two marchers and two children were dead, and the Bonus Army incident had become a political liability for President Hebert Hoover. The epic march of the Bonus Army set into motion a string of events that influenced the rights of veterans, including WWII’s GI Bill, plus the rights of citizens to assemble and petition the government. The PBS production is directed by Robert Uth and narrated by Gary Sinise. The few aircraft in service were largely used for observation sorties, often flying unarmed and only expecting to meet resistance from the trenches below. However, things were never going to stay that way considering that those who trained as pilots were usually of the daring and adventurous sort. During WWI technology allowed machine guns to fire through the propeller disk for the first time, allowing frontal attacks. The first aerial shootdown in history had been short and deadly, and it proved what would become a crucial lesson in dogfighting: that you are very likely to be shot down or killed if your opponent sees you before you see him. Narrated by four-time Academy Award nominee Kenneth Branagh, this documentary brings the war’s horror and heroism to life in a way never before revealed. In addition to these newly reclaimed sights and sounds, surviving WWI veterans share their experiences, personally testifying about life in the trenches, the terror of “going over the top,” and the courage and sacrifice of battle. Analysis by military historians, detailed maps, and excerpts from the diaries and letters of men and women in the struggle offer a full range of perspectives on this unimaginably brutal, bloody clash of empires. Charles Whittlesey of the Lost Battalion and Father Duffy of the Fighting 69th became famous for surviving against impossible odds. Pilots Victor Chapman and Quentin Roosevelt and ambulance drivers like Richard Hill made the supreme sacrifice. Writers such as E. . Cummings, Ernest Hemingway, Joyce Kilmer and Alan Seeger were inspired by the tragedy around them. African-American soldiers like James Reese Europe and the Harlem Hell Fighters made history.