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As Gregory Bateson has pointed out, the Balinese view of the past is not, in the proper sense of the term, really historical at all. For all their explanatory myth-making, the Balinese search the past not so much for the causes of the present as for the standard by which to judge it, for the unchanging pattern upon which the present ought properly to be modeled but, which through accident, ignorance, indiscipline, or neglect, it so often fails to follow. This almost aesthetic correction of the present on the basis of what the past had at one point been, the lords sought to effect through the holding of great ceremonial tableaux. From the most petty to the most high they were continuously trying to establish, each at his own level, a more truly exemplary center, which if it could not match or even approach Gelgel in brilliance (and a few of the more ambitious hoped even for that) could at least seek to imitate it ritually and so re-create, to some degree, the radiant image of civilization the classic state had embodied and postclassic history had obscured. It was a theatre-state in which the kings and princes were the impresarios, the priests the directors, the peasantry the supporting cast, stage crew, and audience. The stupendous cremations, teeth-filings, temple dedications, the pilgrimages and blood sacrifices, mobilizing hundreds, even thousands of people and great quantities of wealth, were not means to political ends, they were the ends themselves, they were what the state was for. Court ceremonialism was the driving force of court politics. Mass ritual was not a device to shore up the state; the state was a device for the enactment of mass ritual. Turning to the social framework which was designed to support this effort but in fact acted more to undercut it, I shall have to be even more ruthless in reducing facts to their shadows, for classical Balinese political institutions were about as complicated as such institutions can get and still function. But the main point to grasp about the Balinese state as a concrete structure of authority is that, far from conducing toward the centralization of power, it conduced, and mightily, toward its dispersion. Very few political elites can have as intensely sought loyalty by means so ingeniously designed to produce treachery as did the Balinese. In the first place, the elite itself was, as I have indicated, not an organized ruling class, but a crowd of intensely competitive sovereigns, or rather would-be sovereigns. Even noble lineages, the various royal houses which formed the various courts, were not solidary units but were faction-ridden factions, collections of sublineages and sub-sublineages each intent on weakening the others to its own profit.

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I think it's also a first for Brienne, Tormund, and Petyr. I'm pretty sure I've never seen a trailer as hype as this for anything. GoT doesn't usually spoil their very best stuff in trailers so I fully expect this upcoming season to be completely mind-blowing. Looks like EVERYONE will be badass this year, except for Littlefinger who as usual will just be creepy. If nothing else, it dissipates the anger over Jon's real name being Aegon. It'd just be stupid because it would be Rhaegar's second son named Aegon. I am guessing he is going to sit out the entire season. I hope it's about Sansa realizing the importance of sticking with her family, rather than her lecturing Arya. I am guessing he is giving her some hints on how to rule which leads to her clashing with Jon's priorities of fighting the WW. Euron's raid on Theon and Yara's ships is the prettiest filmed maritime assault I've seen in quite some time. It's kind of crazy that the production values are so high now that even the earlier seasons of GOT look like hot garbage in comparison. Also, I don't think there ever was a King Aemon was there. I thought they would have put in atleast one witty line from him in the trailer.

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