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Audio is streamed directly from Zima Podcasting Network servers. Featured Topics Best Relationship Podcasts Where Should We Begin. Esther guides them towards a more honest conversation, and a revelation about their communication. Relationship Alive! 01: John Gottman - How to Be a Master of Relationship. Welcome! My guest today is Dr. John Gottman, one of the world's leading experts on how to have an amazing relationship. He and his wife Julie currently operate The Gottman Institute in Seattle, offering numerous resources and training. Dr. Gottman’s findings are largely based on the conclusions he has made over many years of research and observations of couples. He and his team have how to be a master (and avoid being a disaster) at relationship. This episode is the introduction into the course, perfect for those who are not familiar with the lectures. This podcast is sponsored by Warby Parker All In The Mind - ABC RN: Positive psychology—with Martin Seligman. During the 1960s the field of psychology focussed on the science of how past trauma creates present symptoms, and how to reduce people’s misery. Professor Martin Seligman wanted to change that focus. He’s become known as the Father of Positive Psychology, and he’s had a profound influence worldwide. In Part 1 of our 2 programs with Martin Seligman, hear him address an exclusive audience in Australia on happiness and human flourishing. Show all Similar Podcasts Similar podcasts Dead Air Radio Creepypasta Stories Fables Ghostly Tales Podcast MrCreepyPasta's Storytime CreepyPodsta: The Creepypasta Podcast Scary Stories SCARED. Six Let's Not Meet Podcast - Featuring Andy Tate from the Let's Not Meet Podcast!

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The mother decides to add a Ouija board to the act, and things take a little turn from there. The youngest daughter starts to act a little strange, the mother thinks it’s because her daughter is a real medium and the gift may have skipped her and was inherited by her daughter. The little girl definitely has something inside her, but it may not be what they originally thought. Published. Zooms for movement and split diopters intoxicate as surfaces make-pretend shimmer, and we're the ones who can't help but buy it because it's giving us what we deep down already know. What we know is not pandering when it comes to losing someone, it's a confrontation: an I miss you followed by an I miss you too. An I forgive you, followed by I'm still sorry, I'll never stop being sorry, and I'm still here and you're still gone. Outside of this, dressing things up makes for an atmosphere of appreciation where the director's always perfect compositions and quiet pace can announce themselves, instead of disappearing into clean function. Inside of this, he is still resolutely interested in the missing, in the no longer present, and so there's a discomfort in the way the director handles supernatural entities. A more forgiving viewer might find Ouija 's possessed child and lanky ghouls to be on the right side of classical silliness, and someone more game might submit to what these things make manifest. I don't necessarily go in for either, diverting as they do attention from an already generous treatment of grief and storytelling, but then that's personal: drawing parallels between the search for the unknown in the space race and the occult is delicious, particularly within the context of a world that's still denying the bones buried in its walls. Published. This had a good story and decent actors but this movie was ruined by bad computer effects and it was lifeless too. The last 30 minutes were so bad that I was still irritated two hours after the movie so much that I wanted to throw objects. I was incredibly surprised when I heard that this one was actually GOOD! although to be honest, I didn't believed it at first, until I decided myself to watch it. I went to the cinema with 0 expectations, I thought I was loosing my time for doing it but, when it was finished, I felt happy for a good number of reasons. 1). In the whole, it was actually a very well made movie (well directed, well paced, nicely acted, etc. .


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Guide wire pushability and endovascular device support were good. The PEEK-based MR-compatible guide wire is well visible and usable under MR-guidance. It supports over-the-wire treatment of iliac arteries and supraaortic arteries. We report a case of a congenital absence of the portal vein, accidentally discovered in a 59-year-old man, completely asymptomatic and not associated with other malformations or biochemical disorders. Ultrasonography imaging showed the absence of the portal vein and the distal tract of superior mesenteric and splenic veins draining together into a dilated left renal vein. Computed tomography and magnetic resonance confirmed the presence of a congenital portosystemic venous shunt and also revealed two hepatic arteries: one arising from the celiac trunk and the other from the superior mesenteric artery. Although the catheterization was performed under ultrasound (US) guidance, iatrogenic perforation of the central vein and pleura occurred. The catheter was removed, and the perforated site was addressed under thoracoscopy rather than an open thoracotomy. This case suggests that using US does not completely guarantee a complication-free outcome, and that catheter placement should be carefully confirmed. In addition, this case suggests that thoracoscopy may be an ideal method of resolving a perforation of the central vein and pleura. We report a case of breast cancer metastatic to the kidney with extension into the renal vein. A 40-year-old woman had undergone left mastectomy for breast cancer at the age of 38. A gastric tumor, which was later proved to be metastasis from breast cancer, was detected by endoscopy. Computed tomography performed for further examination of the gastric tumor revealed a large left renal tumor with extension into the left renal vein. Percutaneous biopsy of the renal tumor confirmed metastasis from breast cancer. Surgical intervention of the stomach and the kidney was avoided, and she was treated with systemic chemotherapy. Breast cancer metastatic to the kidney may present a solitary renal mass with extension into the renal vein, which mimics a primary renal tumor. The adrenal veins originate during the formation of the prerenal inferior vena cava (IVC) and are remnants of the caudal portion of the subcardinal veins, cranial to the subcardinal sinus in the embryo. The many communications between the posterior cardinal, supracardinal, and subcardinal veins of the primordial venous system provide an explanation for the variable anatomy. Most commonly, one central vein drains each adrenal gland.


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i. 9 he even teaches the preexistence of all beings, including man. All these remarks exactly characterize the nature of the Haggadah. The important point is that he quotes them; for thereby the well-known traditions of the Midrash are obtained in Latin form, and in this form they are sometimes more concise and comprehensible—in any case they are more interesting. Moreover, many traditions that appear from the sources in which they are found to be of a late date are thus proved to be of earlier origin. Jerome also recounts traditions that are no longer found in canonical Jewish sources, as well as some that have been preserved in the Jewish and Christian Apocrypha. It is, furthermore, interesting to note that Jerome had read some of these traditions; hence they had been committed to writing in his time. Although other Church Fathers quote Jewish traditions none equal Jerome in the number and faithfulness of their quotations. This Midrash treasure has unfortunately not yet been fully examined; scholars have only recently begun to investigate this field. Nor have Jerome's works been properly studied as yet in reference to the valuable material they contain on the political status of the Jews of Palestine, their social life, their organization, their religiousviews, their Messianic hopes, and their relations to Christians. Jerome was no friend to the Jews, although he owed them much; he often rebukes them for their errors; reproaches them for being stiff-necked and inimical to the Christians; controverts their views in the strongest terms; curses and reviles them; takes pleasure in their misfortune; and even uses against them both the books that he has cunningly obtained from them and the knowledge he has derived therefrom. Thus Jews and Christians agree that he is eminent only for his scholarship, and not for his character. Hence: Hommunism KontrRewolucja Narodowa Mean Kitties Fitzpatrick Informer Exposing the Judeo-Masonic Conspiracy Rosamond Press A Newspaper for the Arts Truth To Power Issues That Effect Humanity. Your impact on this critical time period can be as simple as making changes in your personal life, or as big as speaking out on important issues and spreading ideas for change. This page checks to see if it's really you sending the requests, and not a robot. This page appears when Google automatically detects requests coming from your computer network which appear to be in violation of the Terms of Service. The block will expire shortly after those requests stop. In the meantime, solving the above CAPTCHA will let you continue to use our services. This traffic may have been sent by malicious software, a browser plug-in, or a script that sends automated requests. If you share your network connection, ask your administrator for help — a different computer using the same IP address may be responsible.


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Over the road at the 150-seat Mason’s Hall cinema, above the hardware store, producer Shannon McIntosh has installed a 70mm projector (“I built that out special,” she grins). The kit is enormous, with huge cans of film piled in the hallway, and the venue is surprisingly full. McIntosh and fellow producers Sher, and Coco Francini take the back row; Michael Madsen, who plays redneck cowpuncher Joe Gage (one of the Eight), has brought his son, and Tarantino sits with his DOP Robert Richardson. Everyone here is, by now, used to the sight of the director laughing wildly at his own dialogue, as if hearing it for the first time. The images on the screen are positively luminous, with a warm, golden glow. This is Ultra Panavision 70 (“The original IMAX,” notes Francini), and though you might expect such a format to be used primarily for mountain ranges, ravines, funerals and rattlesnakes, it is strikingly useful for close-ups and reaction shots. The footage we’re watching comes from the scenes set in Minnie’s Haberdashery during the early hours of the intrigue; in one, Tim Roth’s Oswald Mobray delivers a crisp, eloquently witty speech about the “thirst-quenching” properties of frontier justice. Tarantino roars with laughter. “Do you like the way Tim’s channeling James Robertson Justice? he enthuses in Empire’s general direction. We do, and dare to suggest a little Terry-Thomas too. Normal 0 false false false EN-US JA X-NONE Day Three: The Cowboy And The Mexican Michael Madsen has made three films with Tarantino, four if you include biker flick Hell Ride — and he does — which the director punched up in the edit suite. Madsen is an imposing figure in a cowboy shirt and Stetson, his eyes obscured by RayBans that sometimes make it hard to know his mood. But underneath the tough guy exterior, Madsen is something of a pussycat; he has a warm smile and soft, chubby skin that gives us a hint of what the middle-aged Mickey Rourke could have looked like. His hotel, the Madeline, is up in Mountain village, 10,000 feet above sea level, and the bar where we meet has spectacular views. “I just wanna say one thing,“ he begins, a propos of nothing. “When Budd pulls his sword out in Kill Bill, on Budd's sword it says, 'To my brother Budd, the only man I ever loved — Bill. And I would just like to start by saying I have that sword. Let's face it: I wouldn't have had a career if it wasn’t for him. I would have been dead and buried a long time ago if it wasn't for Quentin.