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However a hoopoe is extremely distinctive and I have multiple very good photos, so in this case confirmation should not be required. Similarly a pragmatic view will be taken as to whether a number of sightings some time apart should be taken as being one or more individual birds. What, in the idealised bird-spotting world, is a sighting supposed to represent. I think you are saying that, ideally, one sighting should equal a particular individual bird -- so if two different individuals spot the same bird on two different days (assuming you could tell, somehow), then that would count as one sighting, not two. It's certainly very common for one person to sight a rarity and the next day dozens of twitchers (not birders) will turn up because they want it on their personal tick list. However they wouldn't regard that as a new sighting. It practically begs to be picked up and fondled, and then pointed at someone. Clue: it is not a toy gun, real gun, or stage prop. A pair of cables running out of the grip attach to a standard 20MW DeLameter powerpack are terminated with alligator clips. One cable has two clips that go to the battery, the other has one clip that goes somewhere to pick up the high voltage spark and trigger the xenon flash tube. I'm thinking of pulling the innards out and replacing them with some sort of sound and light generator. Now I'm in two minds whether to tell you that the third lead goes into the cap for sparkplug number 1. Nor will I mention the long metal electrode you need to attach to the sparkplug so you can connect the dizzy and the raygun of soon to be chewed-up-in-the-fan fingers. Seriously, I just had this exchange on Plenty of Fish: averageGiJoe hi. As it turns out, I met my husband in a chatroom - and the first people to come and stay with me when I moved to the Netherlands to live with him were other friends that I also met in that chatroom. There are loons online, same as there are loons in real life. I wish I'd known that before climbing on that bloody dirt bike (and up the trellis).

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; the other is a hate crime people came out in droves to witness. The result is an aesthetically impoverished documentary about a great visual thinker—a disconnect hard to get over—but more detrimentally, his perspective on his own work’s merits is mostly tied to financial success (as is the case with many American filmmakers, including Spielberg). There’s a purity of vision and concept to Baumbach and Paltrow’s approach for sure: wind up the man and let him talk. These are movies which either don’t have a story, have an incoherent story, or have a bare-bones generic story, but succeed through showing the audience some sort of spectacle they’ve never seen before. But there’s another kind of spectacle I haven’t talked about: The spectacle of interesting ideas. The ideas can be real or fictional, as long as they’re compelling concepts we haven’t really seen on film before. Some examples are 2001, Inception, Memento, and Terry Gilliam’s non-Python movies. Everyone I’ve talked to about the movie, including myself, considers it somewhere between lousy and mediocre. (My own opinion is that it’s on the mediocre side of things. I think it would be interesting to compare it to Inception, an idea-based spectacle movie by the same writer, same director, and in the same style, which ended up being much better. We’ve seen the idea of traveling through wormholes in Disney’s The Black Hole, Star Trek Voyager, and the children’s book A Wrinkle in Time. We’ve seen a world in decline in 75% of movies that take place in the future. I suppose we’ve seen the idea of dream-jumping in A Nightmare on Elm Street. But Inception did this much better, with coherent and well-explained rules that don’t rely on outright magic. We know this is extremely difficult because everyone in the movie insists it’s impossible. (Though Cobb knows it’s possible because he’s done it before, albeit with horriffic results. The potential solution to this problem involves an intricate heist, multi-level dream journey, and lots of ass-kicking.

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