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(page 145) I didn? know that. But is it better or worse than: round them up, make their lives hell and then kill them? 5) ? azi bureaucracy. You see, we have to put a hundred people to work making orders and then another hundred countermanding them. That pays off our obligations to the party faithful. Free men with full bellies don? want to believe that a black native in Ethiopia concerns them or that the bombing of an open city in Spain is the prelude to the bombing of London. (page 180) Or that supporting a corrupt regime in the Middle East can make that country? citizens hate us. 7) The Catholic Church appears frequently in Mila 18. Sometimes its priests are the good guys. ? o (them) it was a simple basic rule that the saving of lives was the carrying out of Christ? work. (308) 8) And sometimes they?

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It seems more and more apparent that SIXTH SENSE and UNBREAKABLE (which I have not seen) are flukes and Shamalan needs to step aside as a director and give a break to and nurture better, fledgling filmmakers. A DAY AT THE RACES I'm a big fan of the Marx Brothers, but I always think of this film as the B-side of A NIGHT AT THE OPERA. It's nowhere near as brilliantly funny as that film, but DAY has some good bits. A sanitarium is about to close due to lack of funds, but a doctor from Florida is brought in to placate a rich hypochondriac. The trouble is, the doctor is really a lecherous vet. The woman who owns the sanitarium has a boyfriend that buys a horse with the hopes of racing it and making money to help her out. The film also stars the wonderfully blustery Margaret Dumont and is notable for having Groucho admit that he really loves her at the end. SCROOGE (1951) Alistair Sim is still the best Scrooge, in my opinion (well, maybe after Mr. Magoo), and this version is very dark and very British, but also tear-inducing in many places. CHAMBER OF HORRORS Patrick O'Neal is a psychopath who loses a hand while escaping from the police. He has several attachable weapons made for it which he uses to revenge himself on those who initially caught him. Wilfred Hyde-White is an amateur detective who also owns a wax museum and his presence brings the horror element down by being a bit too jovial for my taste. The entire movie is really lukewarm and is best known for its gimmicks: the fear flasher and the horror horn, which alerted the audience that something horrifying was about to happen. ONE NIGHT IN THE TROPICS Very light fare about a man determined to marry his girlfriend over the objections of her aunt. Too much slapstick, and I've never been a fan of Bob Cummings, plus Allan Jones really got on my nerves in this movie. Of course, what this movie is best known for (and saves it) are the first-time screen appearances of Abbott and Costello, who do several of their best bits here. SPOOKS RUN WILD The East Side Kids are sent to a mountain camp retreat, but sneak out after dark.

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The draughts in the room kept wafting the flame onto the lamp glass and cracking it, but fortunately, the diameter of the lamp fitting perfectly fitted the rim of a 1lb jam jar. Mum would put the base of a jar into boiling water, a perfectly circular crack would appear and the base would drop off leaving a clean, but lethal edge. But thankfully we did have that source of lamp glass, otherwise the lamp would have been useless. We were given a Tilley Lamp later on, which was much brighter, but often ran out of the meths to prime it so we relied on that old oil lamp. The wireless ran on acid batteries, so we did get news of the outside world and listened to Children’s Choice on a Saturday morning and Forces Family Favourites on most Sundays. In use and in experience its meaning grows. (From C. . Peirce, Collected Papers, published in Danesi and Perron, 2003, p. 64). When it was launched it was a sketchy emoticon or empty cipher, voided of significance, and only negative meanings were viciously stuffed into it by cruel commentators. It became a proxy for sloppy failure in a soon to be Broken Britain. It is fair to say that circumstances have somewhat changed and this botched gestalt has grown into more gracious acclaim. This is particularly true of branded logos as they are condensations of meaning that need to communicate to a massive constituency. I believe this has been the case with the 2012 Olympic emblem. Whatever you may say about the substance of the signs, this Olympics was exceedingly well branded. The emblem formed the back drop to swimming medal ceremonies, was on the scoring screens in the Excel Arena in the centre of Basketball arenas and boxing rings, on the floor of the gymnastics mat and even on the protective girdles of Taekwondo fighters.

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Even if he does have some inkling of them, as in the films of Woody Allen, he is still unable to address a solution. Inspector Clouseau was obsessed with being the world’s best detective. Once a comic character gets what he wants then the comedy is over, hence the cliched running scene. He has understood and acknowledged his flaw and there is no more comedy to be had. In Groundhog Day, it is not until Phil Connors acts with altruism that things start to change. Once he does something solely for Rita (and the townsfolk of Punxatawny), he is redeemed and his life begins to move forwards once more. In Wedding Crashers, John Beckwith (Owen Wilson) faces up to the fallacy of his dogma, as represented by mentor Will Ferrell, nullifies it and then moves toward love object Claire. In Gregory’s Girl, Gregory is obsessed with Dorothy and does anything to win a date with her. However the obsession is misguided, because he is infatuated with being in love, so when he fails to win her and is offered a more realistic alternative in Susan (Claire Grogan) the infatuation evaporates in the Scottish mist. In a comedy with two equal protagonists, it is usually the woman’s story, but a rough rule of thumb, as in Greek comedy, is the first person on stage is the protagonist, the second the antagonist. Opposites attract Often the protagonists are the illustration of opposing points of view and are almost two halves of the same character, the romantic and the cynic, the practical and the impulsive, the conventional and the rebellious. That opposites attract is a conceit which romantic comedy plays up to, but the couple are not diametric opposites but compatible parts of the same person. Many relationships contain an introvert and an extrovert and whilst it is true that the marriage of similarity (extrovert-extrovert celebrity marriages often break up) is difficult to manage, difference is important. In Annie Hall, Jew and Gentile attempt a modern relationship but ultimately fail because Narrative Comedy 71 their cultures are too different. A decade later, Harry is a cynic, Sally a romantic. In Bridget Jones’s Diary (Maguire 2001), Bridget is desperate, both Mark Darcy and Daniel Cleaver are easy in their skins, confident and powerful. She is equally wimpish, yet possesses an inner strength, whereas Cleaver is amoral.

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The clear projection of another person, who is able to react almost in real time to the other's movements on the bed, is so surprisingly suggestive that to touch the image of the body that is projected onto the sheet becomes an intimate act. Sermon's declared aim was to expand the user's sense of touch: obviously it was not possible to actually touch the other virtual bedmate, but one experienced the suggestion of touching through rapid and vigorous or tender and reflective movements. Many users said that they found it a very contemplative experience; a sensory impression achieved synaesthetically where hand and eye fuse. This quality distinguishes both Telematic Dreaming and other works that Sermon produced in subsequent years. This installation, created by mixing and matching older software projects by Jonah Brucker-Cohen, Tim Redfern and Duncan Murphy, accepts real-time SMSs and text messaging in order to create live music and visuals. The software first parses the text, which dictates the music, then uses these messages to rhythmically drive speech and picture synthesizers (direct from the web using google's image search). Although I've never seen it, my guess is that the most interesting part of this performance would be seeing a dialogue emerge between the piece, the performers, the audience SMSing in the space, and the audience texting from the web. A zeitgesit of ASCII that reiterates. iterate. iterative. (ad nauseum) (Posted by Nathaniel Stern). Silent Cell Network is an international group of multimedia artists, this time joined by Hooman Sharifi. Sharifi is an established Iranian performer, dancer and choreographer, living and working mostly in Norway and Belgium. Myriorama explores position- and motion-tracking at widely different scales: across the city, and inside the venue. The wanderer? location in the city is reported by satellite-based Global Positioning System (GPS), and fed into the venue? local network via a cellphone network (GPRS) and the internet.

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