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In Photo- shop, they're in the Color Management section of Photoshop's Print with Preview dialog box. And in Illustrator, they're in Illustrator 10 options for PostScript drivers and as an extension to raster printer dialogs. Each dialog has a section labeled Source Space and a section labeled Print Space. Source Space has only two options (except in Illustrator): Document uses the Document profile (or profiles, in the case of In- Design) as the source profile for any conversion specified in the Print Space section. Proof Setup (Proof in InDesign) makes the application perform a con- version from the document profile (s) to the profile specified in Proof Setup. In Photoshop, it uses the rendering intent specified in Proof Setup. In InDesign, each object in the document has its own renderingintent. If you choose Composite RGB, onlyRGB profiles are available, while ifyou choose Composite CMYK or Sepa-rations, only CMYK profiles are available. While the number of possibilities that exist is extremely large, the print-ing controls offer easy support for three fairly obvious workflow options: In an early-binding workflow, where all the color is already in final out- put space, setting the Source Space to Document and the Print Spaceto Same as Source lets you print the document values unchanged tothe final output device. You can also print proofs to some other device by selecting its profilein Print Space. If you choose absolute colorimetric rendering, the proofing printer will lay down ink in the paper white areas to matchthe paper white of the final output, while relative colorimetric will scale the final paper white to the paper white of the proofer.
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John Cameron is also on board as an exec producer via his overall deal with FXP, marking his and Hawley's latest collaboration after Golden Globe-winning anthology Fargo. During various rounds of game play, contestants must belt out their favorite tunes, finish the lyrics or act out songs for cash. Celebrity guest appearances will add surprise as the contestants never know what to expect next. The company's Mike Marks will executive produce along with Core Media. The reality competition series, based on the regular Tonight Show sketch, features celebrities dueling it out in elaborately staged lip-sync performances. Hosted by LL Cool J, the multiplatform hit ranks as Spike's most-watched original series in history. Season two premiered Jan. 7 and, after its first two episodes, is averaging 4. million total viewers and an impressive 3. rating in the adults 18-49 demographic. The series has amassed more than 500 million video streams since its launch last April, with more than 50 million alone for the season-two premiere featuring Channing Tatum squaring off against his wife, Jenna Dewan-Tatum, with special appearances by Beyonce and Paula Abdul.
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Books such as Hasan Suroor’s India’s Muslim Spring: Why is Nobody Talking about It. In order to underscore his argument, he implies that there are two categories dividing the Muslim population of India: “good Muslims”, who are liberal and moderate in their political and religious leanings, and “bad Muslims”, who are conservative and fundamentalist in their outlook. Such a division is not just without any scholarly basis, it is also troubling as it drastically reduces the myriad political and religious views prevalent among Muslims living in different parts of India. Similarly, Salman Khurshid, a prominent Congress politician since the 1980s, has recently made his own attempt to diagnose the problems of Indian Muslims. His book At Home in India: A Restatement of Indian Muslims is more a memoir than an academic study, but it suffers from a similar malaise as some other books, in that it attempts to represent all Indian Muslims through the experience of a few members of the urban elite. Though both Suroor and Khurshid raise the issue of a growing sense of marginalisation among Indian Muslims, neither is able to deal with this question in a meaningful way because their work is not sufficiently grounded in field research. Both are also, sadly, apologetic in tone, taking great pains to prove that Muslims are loyal subjects of the Indian state — a strategy used by minority elites to secure their position within the power structure since the colonial period. Fortunately, such simplistic approaches to the study of Indian Muslims are waning. A new generation of scholars is emerging from different disciplines whose work is grounded in empirical research. Two recent books, for instance, shed light on the complexity and diversity among Muslims in India through the lens of political history. Also read: Strangers in the house: The adverse effects of solidifying ethnic boundaries The first, Muslim Political Discourse in Postcolonial India: Monuments, Memory, Contestation by Hilal Ahmed takes an innovative approach to understanding the evolution of Muslim politics in north India.
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