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They live in a fairly creepy house and are in the business of comforting humans by pretending to contact the dead. After the mother buys a Ouija board to include in her medium shenanigans, Doris begins conversing with her dead father. For me, the film is a near-perfect example of period horror genre paying homage to classics such as “The Omen” and “The Exorcist. It slowly simmers the story with plenty of character development and exposition, unleashes a selection of haunted house jump scares, offers a pinch of the grotesque, turns a young girl into a unstoppable evil force and even adds a subplot tied to World War II Nazis. The digital transfer is not meant to impress through stunning high-definition clarity but rather to appreciate cinematographer Michael Fimognari’s and Mr. Flanagan’s visual homage to retro cinema through its screen-filling presentation. Their choices include using a vintage Universal logo, mimicking shooting on film stock, using antique lenses, blocking homages to a 1970s Steven Spielberg and going so far as adding extra grain and cue marks in the corner of the screen that used to remind a projectionist to changes the reel of the film. Best extras: Mr. Flanagan, the director as well as co-writer and editor, offers a definitive optional commentary track for his masterpiece. He’s very talkative throughout and touches on his motivations for making the movie (explaining his appreciation for horror films as a child and his love of Harry Houdini’s debunking of mediums). Viewers also get a trio of featurettes (roughly 18 minutes in total) covering a brief overview of Miss Wilson, the house and why movie audiences love to be afraid. I would also highly suggest fans watch the 17 minutes of deleted scenes to get an extended ending of the film and enjoy an encounter with a doctor from the Third Reich. Director Don Coscarelli exploration of death and grieving offers the story of a young boy named Mike (A. Obsessed with following his older brother Jody (Bill Thornbury) after the death of their parents, he unintentionally runs into one of the creepiest characters in the history of the horror genre. Specifically the lanky and powerful undertaker nicknamed the Tall Man (Angus Scrimm) who turns dead bodies into robe-wearing zombie dwarfs that handle his interdimensional bidding. Mike, Jody and buddy Reggie (Reggie Bannister) attempt to shut down the creepy-looking Jawas and their master’s operation while ducking those metallic Sentinel Spheres that guard the mortuary. The 4K digital restoration of the classic was supervised by Mr. Coscarelli and when viewing the near four-decade-old movie upscaled in an ultra high-definition player, the results will astound through clarity and vivid colors, especially with any character interactions taking place in the sterile mausoleum or during the day in the cemetery. Best extras: An almost 30-minute-long, vintage local television interview from 1979 with a way-too-hip host, film professor George Capewell, offers an enlightening discussion with Mr. Coscarelli as well as Mr.


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Posing together for a photo, Bug Hall and Brittany Ashton Holmes, who played the lovebirds, are barely recognisable, now 29 and 25 respectively. Though they certainly still have that mischievous glimmer in their eyes and Brittany those rosy cheeks and gorgeous smile. Lovebirds reunited! Bug Hall and Brittany Ashton Holmes, who played Alfalfa and Darla, whose budding relationship caused plenty of trouble for the He-Man Woman Haters Club, were almost unrecognisable two decades on It's no less awkward the second time around. Bug and Travis Tedford bravely donned pink leotards and tutus as they recreated Alfalfa and Spanky's infamous scene, complete with huge curly wigs, angel wings and halos Bug and Travis Tedford bravely don pink leotards and tutus as they recreate Alfalfa and Spanky's infamous scene, complete with huge curly wigs, angel wings and halos. Of course, with 26-year-old Travis now sporting a full moustache and beard and a shiny chrome dome, the results are just as hilarious as one would imagine. Ross Bagley, who went from playing Buckwheat to starring alongside Will Smith as Nicky Banks in The Fresh Prince Of Bel-Air, got together with Zachary Mabry (Porky) as they reenacted their hilarious 'We got a dollar hey, hey, hey, hey' song. 'We got a dollar hey, hey, hey, hey': Zachary Mabry (Porky, left) and Ross Bagley (Buckwheat) were almost as adorable as they were 20 years ago as they happily played with their dollar bill He's still got it. Ross slipped on his stripey top, suspenders and backwards baseball cap and it was like going back in time Don't mess with Darla. The 25-year-old proved even more menacing as she crushed a can with her bare hand, a terrifying snarl on her face as she shows the boys who's boss Heather Karasek (Jane) and Juliette Brewer (Mary Ann) also got in on the action, posing with Brittany with cheeky grins on their faces as they hold up a pink sign that read: 'Why are boys such jerks? Video production company Vision 22 is to thank for the amazing reunion pics. Say cheese! Jordan Warkol (Froggy), Heather Karasek (Jane) and Juliette Brewer (Mary Ann) also got in on the action for a group shot Girls' club: Heather (Jane, left) and Juliette (Mary Ann) joined Brittany (Darla) as she held up a pink sign that read, 'Why are boys suck jerks? Bestest friends forever. Bug and Travis prove Alfalfa and Spanky's bromance is enduring. Their new adventures begin at an emergency meeting of the “He-Man Womun Haters Club. Alfalfa has fallen in love with Darla, threatening the very existence of their “boys only” club. Further trouble ensues when their clubhouse is destroyed and their prized go-cart “The Blur” is stolen by the neighborhood bullies. How can they win the big race and its prize trophy. Through mischief and mayhem, tricks and ingenuity, the rascals will learn the value of true friendship.


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