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€ť. Jorah, who feels lucky to have escaped death once again, reveals his plans to head back to Dany’s side. I can’t imagine how he would fit into her entourage anymore. She has Tyrion now and Jorah just feels like a third wheel at this point. Also, an unexpected and beautiful meeting happens between Sansa and Bran, who’s finally arrived back at Winterfell. He tells her how sorry he is about her marriage to Ramsay, and she seems startled by how much he knows and for bringing up such a terrible memory. He is the three-eyed Raven now and it is difficult to explain to her what that means. Does anyone else want to punch this man in the throat every time he speaks. The Lannister army is in Highgarden, home of the Tyrells. And Euron’s ships destroy most of the Unsullied fleet. She poisons Ellaria’s daughter and locks them both in a room together. Cersei might still be the super bitch in town, but Dany has dragons. After taking Highgarden, Jaime grants her a merciful death: poison in a glass of wine. But after chugging the poison, she looks him in the eye and reveals that she was the one who orchestrated Joffrey’s death and she doesn’t regret it one bit. Every time she was on the screen you were bound to laugh out loud or gasp at all the excellent lines she got to deliver. Every scene between Dany and Jon Snow was a loaded one and seven years in the making. We want more of any type of scene with them together. Bran is not the same Bran from the first season who liked to climb.

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The awkward sex-scenes don’t do much to convince us of the central love and romance. Lots of silliness, some moving moments and mixed interpretations of gore. A fine central performance from Sands, in a look that occasionally invites unfavourable comparisons with 80’s wailer Michael Bolton; an array of special effects, sometimes convincing, sometimes not so much, and a strangely distressing ending involving a cavern full of heartbroken rats. We first meet two young sisters Beth (Emilia Jones) and Vera (Taylor Hickson, who was accidently scarred during production) as their mother Pauline (Mylene Farmer) is relocating them all to a sinister looking mansion full of dank corridors and creepy dolls. That very night, a gang of murderers breaks in and attacks them. Years later, Vera (now played by Anastasia Philips) has become a seemingly self-harming tragic wreck when visited by her equally grown-up sibling (now Crystal Reed). Except Vera is seemingly possessed by demons whose physical reality somehow stems from the attack all those years back. Or something like that: answers are not forthcoming, until a pretty monumental and punishing twist about half-way through the film which completely blew me away. Following this upsetting revelation, we get scenes of a relentless, punishing regime of torture and abuse at the hands of two figures (a wheezing, retarded, hair-lipped, perverse bald man and what appears to be a skinny, dubious transvestite). It gets uncomfortable to watch, especially as there’s little substance to it all. It is beautifully shot, whole-heartedly acted and genuinely harrowing in places. Horror is a strange genre to enjoy. I love it. But films like those directed by Laugier are different. They are powerful and disturbing and undoubtedly very cleverly produced, but truly harrowing - the one cheerful thing about this one is the appearance of a man who introduces himself as Howard, or HP Lovecraft to me and you. As things go, this low-budget horror is something of a roller-coaster. Normal conversations are punctuated with sudden moments of sullen anger, which immediately disappear, allowing the conversations to continue as normal. The outbursts, and reactions to them, come and go and then vanish.


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Ryan is a graduate of the American Conservatory Theater 's M. . . actor training program. Off-Broadway Credits include: Midsummer Night's Dream and Taming of the Shrew (New York Classical Theatre); The Tempest ( Pearl Theatre Company ). Proud member of Actors' Equity Association and SAG-AFTRA. Neuberger is a veteran actor of 46 years and counting. Broadway: original casts of Wicked, How the Grinch Stole Christmas, Big, A Change in the Heir and the first revival of Gypsy in 1974. She has directed twenty-four of Shakespeare's plays, some of them multiple times. Recent regional credits include The Crucible at Olney Theatre Center and Lauren Gunderson 's Miss Bennet: Christmas at Pemberley at Cincinnati Playhouse. Upcoming projects include Shakespeare's Antony and Cleopatra at Pennsylvania Shakespeare Festival. Humor, grace, innocence and improvisation distinguish this Broadway classic. North Coast Repertory Theatre is located at 987 Lomas Santa Fe Drive, Solana Beach, CA 92075. He was awarded the Pulitzer Prize for Drama in 1940. As an Armenian American, Saroyan wrote extensively about the Armenian immigrant life in California. Many of his stories and plays are set in his native Fresno. Some of his best-known works are The Time of Your Life, My Name Is Aram and My Heart's in the Highlands. A veteran of over 250 theatrical productions including over 100 productions at North Coast Rep.


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His team has been involved in Zinda Bhaag, Extortionist, Rafina and Josh the film, as well as his own two efforts Morqaye and Downward Dog. Morqaye is an epic journey of a Pakistani railway station master and his family, while Downward Dog is a black and white film noir set in the Karachi of the future. Incredibly, the two films almost bankrupted the successful filmmaker before he managed to find producers for himself. After such a long wait though, it seems that the time for the harvest is nigh. They don’t have a lot in common in style or ambition, and are not part of some conscious social thought either. We need a new, larger-than-life action hero, we need a film that can amplify rather than reject our film tradition, we need a daring vision to be backed up by skilled creative personnel. We need all these things to create a cohesive sense of identity for Pakistani cinema, one that can create the bedrock upon which future, newer waves can crash upon. The journey is a long one, but Pakistani cinema is now beginning to walk down it. The upcoming film stars one of Lollywood’s and Bollywood’s most popular talent; Naseeruddin Shah. Alongside him is model Amna Ilyas, Khurram Patras, Salman Ahmad Khan, Zohaib and Manzar Sehbai. The movie follows the life of the man who won Pakistan their first cricket World Cup in 1992 and who wanted to build the first cancer hospital after the tragic death of his mother. Everything Imran Khan has done and achieved from winning the World Cup to the present day as a political leader is showcased. With the second trailer out, the hype surrounding the movie is high. He commented on current situation saying, “Whatever is required at this moment to rebuild Pakistani cinema, I’m willing to do it and I am willing to fight for it. €ť -Text by Safa Gangat. With a director like Shehzad Rafique, a movie that seems to depict a powerful message is not a surprise. Despite that, it seems the delays and obstacles were overcome and improved the film even more. The movie claims to change how we recognise and perceive events taking place around us.


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Although far from the most original concept, Boaz Yakin ’s sports movie is still a rousing and effective inspirational story. Based on a true story, Washington plays Herman Boone, a coach who leads a newly-integrated high school football team to victory in the 1970s. Manipulative? Yes. Historically inaccurate. Probably. But a crowd pleaser? Absolutely. Unfortunately, Richard Attenborough ’s film mainly focuses on Donald Woods ( Kevin Kline ), a liberal journalist who attempts to expose the police’s complicity in Biko’s death, making for another black-story-through-white-eyes drama. Yet that does little to diminish the power of Washington’s performance or the nobility with which the film was made. Washington lost the Oscar to Sean Connery (“The Untouchables”). Yet writer-director Spike Lee turns this into a powerful father-son drama with knockout performances by Washington and real life NBA star Allen. He stars in this Robert Zemeckis drama as an alcoholic pilot who saves almost all of his passengers with a daring landing while on the sauce. Unfortunately, playing a drunk didn’t lead to more Oscar-gold for Washington, who lost to Daniel Day-Lewis (“Lincoln”). Yet equally impressive is Washington’s turn as the homophobic ambulance chaser hired to represent him when he’s wrongfully terminated by his law firm. Sadly, Washington received no awards recognition for the film, but that doesn’t diminish the subtly with which he charts his character’s development from venal bigot to human right’s advocate. Directed by Ridley Scott, this biographical drama recounts the criminal career of Frank Lucas (Washington), a Harlem drug lord who smuggled heroin into the United States through American service planes returning from Vietnam. “American Gangster” is far from a perfect film: it spends too much time on the home-life of the New York City cop ( Russell Crowe ) charged with taking Lucas down.