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The villain of the piece, as the Amazon reviewer has stated, is clearly Muhammad Ali Jinnah, head of the Muslim League and the founder of Pakistan. Such was their friendship that Nehru extended a personal invitation for Mountbatten to stay on as the First Governor-General of independant India. Jinnah on his part immediately installed himself as Governor-General of Pakistan. The series paints Jinnah as the instigator and behind-the-scenes manipulator of the Kashmir conflict which sparked off 2 full scale wars and remains unresolved to this day. The series devotes equal time to both pre and post Independence India, the first 3 episodes revolving around the negotiations with the various factions (Hindus, Muslims, Sikhs and the Princely States) preceeding Independence, and the last 3 episodes chronicling the bloodbath that followed partition and the short-lived Dominion of India with Mountbatten as Governor-General before it achieved full republic status in 1950. He was made 1st Earl Mountbatten of Burma, a title that was passed on to his eldest daughter upon his death in 1979. This was also in recompense for his having renounced his royal titles (he was the grandson of Queen Victoria and he was born Prince Louis of Battenberg) at the request of the Royal Family during the anti-German hysteria of the First World War. Mention should also be made of the score written by John Scott, especially of the stirring opening theme which is very reminiscent of Elgar's Pomp and Circumstance Marches (the Fourth March in particular), which capture in music the splendour that was once the British Empire. What a shame that this series has been released by Acorn Media. Acorn has a checkered history with regards to DVD quality, their transfers of newer productions looking pretty good but with older series fairing rather poorly. Unfortunately Mountbatten falls into the latter category. Your heart sinks at the opening credits, as the blurry looking Union Jack flutters under the orange glow of the setting sun. The picture is soft and blurry, the colours which should have been resplendent (the brilliant crimsons of the Imperial troops, the lush greenery of the countryside) all look drab, dingy and lifeless. Quality improves slightly as the film progresses but not by much. Thankfully the later episodes do improve quite a bit especially at the end. It's hard to believe that this production actually dates from 1985. There are 1960s sitcoms that look in better shape than this. One can only hope that another company buys the rights to this series and gives it the proper restoration and remastering that it deserves.

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And then if I try to change the channel, either from the guide or using the “last” button, I have to start the whole process all over again. The settings on my iPad are identical to my iPhone for the app. No way to scroll through what’s on while still viewing. They promote various shows on the home screen, yet I can’t see the channels I frequent listed or the last channels I watched. It’s a blank slate that requires you to do all the work to find channels you like. No more “What’s on now. Looks like the developers were too frightened to add bells and whistles. It’s features programming that I have no interest in. Would have been better to fix the bugs in the old one. omething I guess they were unable to achieve. You get a decent amount of channels live than can be streamed on a WiFi anywhere or over cellular which is the biggest perk. Most companies restrict your streaming to your home WiFi, which is pointless because that’s what the tv is for. Only reason it got 4 and not 5 stars is because it doesn’t save settings when app closes and makes it just slightly annoying every time you relaunch app to change them back. I understand that sports events have black outs but come on Fios has a regional franchise to broadcast those shows if you are in that area. So come on Fios let’s give us the users that feature and you will continue to gain more subscribers. It’s like being in prison because let’s be honest, you aren’t getting up to get a remote. Well if you keep your phone in your pocket this app will set you free. Not only does it turn your phone into a remote with easy integration with your Verizon devices, you can search current programming, and even watch your show from your phone when you have to go to the bathroom.

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This time there could have been trouble from 'friendly-fire'. Ramsay just cared about winning, so of course friendly fire wasn't any concern to him. She can't control 3 dragons precisely enough to say attack these targets only. All she had to do was use 3 dragons for the first attack, leaving the Dothraki behind enemy lines, until the dragons destroyed all in their path. Then, she flies the dragons away and the Dothraki ride in to kill whatever is left. Once he fires the bolt and kills the Dothraki, he then opens the enclosure, opens the arms of the crossbow and secures it. Until that is done, the rope cannot be held taught with a bolt on it. The theory is, Jon Snow (Half bastard Stark, Half Targaryn, he just doesnt know it), and Tyrion, Half bastard Lannister, half Targaryn. Without their rider, they just follow the pack leader, Drogon. God damn, people can find anything to complain about lol. Obviously hes not dead, otherwise they wouldn't do the scene, he would just get burnt to death. They have to write the Dothraki doing something so might as well shoehorn them into a battle scene. It feels like it's setting up for her to kill him. In the books, a character named Quentyn Martell tried to follow Daenerys’s lead and take control of one of her other dragons, Viserion, but gets torched by the third dragon, Rhaegal, for his trouble. Was waiting for that to happen and it didn't disappoint. Great battle film work and terrific dragon visual effects. He won't of course but he ruins every scene he is in. His emotionless automaton schtick is getting reeeeeeal old.


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It is composed of 50 teachers and around 900 students, apart from administrative and services staff. Since 2010, Infant and Primary Teacher degrees with a bilingual itinerary have been implemented. The idea behind these degrees is to offer the students the opportunity to have progressive exposure to subjects delivered in English and using CLIL as the pedagogical approach. To do that, university lecturers were trained by experts in the field, such as Do Coyle, Phil Ball, Oliver Meyer or Ana Halbach, and by prestigious institutions such as the British Council, Pilgrims Ltd. The programme has been awarded the European Language Label (2014), which recognizes language initiatives in the field of education which promote communication and cultural understanding. Hence, what students are experiencing in their classes is later implemented in their classrooms once they start teaching. This ratio corresponds to the general population of students taking Teacher Education degrees at our university. In the focus groups, 6 Primary students and 4 Infant students participated. 232 RAQUEL FERNANDEZ FERNANDEZ 3. Data gathering tools The study was conducted in December 2014. Students were asked to complete a questionnaire (see appendix 1) divided into four sections: general information, methodological training, linguistic training, and perceptions about bilingual education. All participants, without exception, gave a positive answer. This indicates that there is not a perceived content reduction due to the use of an additional language in the classroom, hence indicating that the implementation of CLIL may help students reach the same objectives as their Spanish counterparts. We were also interested in finding out whether students perceived that their competences were also developed in the same line. Surprisingly, the majority of participants, 46. % answered they had acquired many more competences in comparison with those worked on the Spanish subjects. 37. % indicated they had acquired more, and 14% said they were acquiring the same.