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Through the years, the Academy has expanded their reach to recognize excellence in other film genres, as well as encompassing television, home entertainment, and live stage. Jones, Dan Lemmon “The Jungle Book” (Walt Disney Studios). This outing has flashes of fright, but it falters a bit on the editing front. It can occasionally be a delightful and charming story of self-discovery, but all too often it'll lose the reins and buck wild. Zahler builds up the tension like an EDM DJ ready to drop the proverbial bass. It's unpredictable, offbeat, and laugh-out-loud funny. But its most impressive facet is what's written between the lines. It's for those horror geeks that love to experience the thrills of a fearless genre film. There are no strings to hold you up here; this is, quite literally, a one-way ticket to hell. It's slick, funny, and sincere, and one of the year's very best. It engages in the concept of stepping outside your comfort zone to take on new experiences - a lovely and enlightening message to take to heart. Let the film shine its gentle light on you and allow you to blossom. There's simply too much fun to be had for the film to be lost in the late-summer shuffle. It's certainly the most evocative movie you'll see this year, and a strong contender for the best. It's a tall order for anyone to mold this disjointed plot into one cohesive film.

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Believe it or not, Ornette Coleman received a Pulitzer prize for this album. Heading into the album, I assumed that the prize was given mainly as a lifetime achievement award. Much to my surprise, this album actually lives up to the hype and deserves all the accolades it has received. The title alone is shocking to modern sensibilities. Yet this was a very influential song in the history of vocal ragtime, and it is worthy of at least studying its history. The song was in fact written by an African-American songwriter called Ernest Hogan. His compositions helped to create the style of music that came to be known as ragtime. This song was written in the earliest days of the new music, around 1895. It helped popularize what was known as the 'coon' song. This style of song used African-American musical styles to paint highly racist and stereotypical portraits of Black Americans. This style became enormously popular and literally hundreds of these songs were released every year in the early twentieth century. Many Black Americans came to resent the popularity of this kind of music and Hogan eventually regretted using the racial slur in the title of this song. It is performed by Arthur Collins in vocal ragtime style. He is accompanied on banjo by five-string banjo master Vess Ossman. If you ignore the lyrics, the song and the performance are both outstanding.

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Said Christian Grass, President of International Production and Acquisitions for Universal Pictures International, “Ricky Gervais is a tremendous international star and a wonderfully original comedic voice. The company is being absorbed into Time Warner’s Warner Bros. Long after he’d sold his company in 1993, Shaye continued to treat New Line as his personal mom-and-pop movie store. During the company’s “Lord of the Rings” heyday, Shaye would host a pre-Oscar party at his stylish home off Mulholland Drive. One night I found myself chatting with the New Line founder when one of his aides scurried over, eyes bright with big news. Shaye’s then boss, Time Warner chieftain Richard Parsons, had arrived. “Shall I bring him over? the aide asked breathlessly. Irritated at being interrupted, Shaye waved him away, saying, “He can wait. As the curtain rings down on New Line, a bigger question remains: Is there still room for entrepreneurs in today’s corporate entertainment business. The new breed of entrepreneur will look very different from the generation that produced Shaye and others like him. Rumpled and shaggy, rarely seen in a business suit, Shaye was unimpressed by the corporate pashas who run today’s media conglomerates. Most of the stories about New Line’s demise last week focused on the company’s recent string of failures. But New Line left us with an impressive body of work because it was run by an entrepreneur always willing to roll the dice. Aided by his longtime production chief, Michael DeLuca, who left the studio in 2001, Shaye helped create the modern-day comedy business, making stars out of Jim Carrey (“The Mask”), the Farrelly brothers (“Dumb and Dumber”), Mike Myers (“Austin Powers”), Chris Tucker (“Rush Hour”) and Will Ferrell (“Elf”).

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