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I just did a movie where I was naked for part of it, and there was a scene where we took a break for lunch in the middle of filming it. You’ve ruined continuity! €ť But I was like, whatever. That’s something that Molly Shannon, who plays my mom in the movie, showed me as well. She doesn’t give a shit about what she looks like, and it’s so much more believable, and a joy to watch. Still, the convenience is no substitute for sitting in a dark movie theater, electrified by the story on the giant screen and the surround sound swallowing you and your bag of crunchy popcorn. This year’s most memorable films varied widely in both form and theme, but they were similar in the way that they kept us on edge. These are documents emblematic of the tension currently driving our relationship to technology, the government, the ghosts of our pasts and each other. From the imaginary Birdman to the very real terror of our increasing lack of privacy, to paradigm-shifting takes on abortion and disability to tackling the subliminal horror of violent images, these were the films that we connected to the most this year, as humans, writers and journalists. We chose not to rank this into a “best of” list because it’s not definitive, nor do we expect to cover every single release that came out in 2014. Inarritu’s films often pluck at humanity’s moments of resilience and are for the brave of heart. His latest Birdman draws the best elements of his past feats, particularly from the depth of Babel, to create a wrenching tale of madness and melancholy. Michael Keaton plays Riggin Thompson, a washed-up Hollywood star struggling to dredge up his one last hurrah (and moment of sincerity) when he attempts to adapt Raymond Carver’s short story collection What We Talk About When We Talk About Love for Broadway, in hopes that it will free him from being identified with the role the public knows him best for, the crime fighting superhero Birdman. Within the confines of the theater’s backstage (and sometimes on the stage itself) there are sucker punches and smooches, spurts of brilliance, and rage: a portrait of a slumped, sad guy trying to make it until tomorrow, and under pressure to make it look so easy. The film has surely ruffled a few feathers, but its tight shots, tense and often comic dialogues and stellar performances from Keaton, Edward Norton and Emma Stone have clocked critical acclaim and Golden Globe nods. It’s absolutely worth suspending your disbelief for this movie. The story is terrifying in that it is not about one man’s delusions, but our collective delusions about celebrity —and, by association, ourselves. —Paula Mejia A GIRL WALKS HOME ALONE AT NIGHT Everyone’s a little amoral in Bad City, the setting of A Girl Walks Home Alone at Night. But the town’s sole sense of justice—maybe even peace—comes from a life-starved vampire, known only as the Girl (Sheila Vand). As a dark chador cascades behind her, the Girl feasts on miscreants and misogynists in a town of pimps, pushers and prostitutes somewhere in Iran, and tries to make this place a little less bad.


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(RTRS) Parties back Hariri for PM: Lebanon s two major parliamentary blocs on Tuesday named Saad Hariri, a former prime minister and a Sunni leader, as their candidate for premier in the government being formed after a new president was elected. The widely expected endorsement by the Future bloc, led by Hariri, and the majority Christian bloc comes a day after Michel Aoun was elected president. Hariri was promised the post in exchange for backing Aoun s presidential bid in parliament, ending a two-and-halfyear deadlock that left Lebanon without a president. Aoun is receiving the different parliamentary blocs Wednesday before naming the prime minister, likely before the weekend. In the country s sectarian-based political system, the prime minister, always a Sunni, is likely to face a daunting job, balancing different and often rival groups, to form a new Cabinet. Gebran Bassil, Hariri who heads the Free Patriotic Movement of Aoun, said they back Hariri s nomination for the premier post. All our votes will go to Hariri because he recognized us and we will side with him in all the difficulties he will face, Bassil told reporters. Lebanon has been without a head of state since May 2014. According to the power sharing system governing Lebanese politics since the 1990s, the president must be a Maronite Christian. Parliament failed in 45 different sessions to vote for a president, amid political infighting and boycotts, before Monday s election of Aoun. Hariri s about-face in support of Aoun last month broke the deadlock and changed the political landscape in Lebanon, bringing old-time foes on the same side, while allies differed. Hariri, 46, served as prime minister briefly between late 2009 and 2011, when his government was brought down by powerful Lebanese Hezbollah group, now a major Aoun backer. He since left Lebanon, and was a vocal critic of Hezbollah. He returned earlier this year, sounding a more conciliatory tone. (AP) Turkey issues warrants for 137: Turkish authorities issued arrest warrants for 137 academics on Wednesday over suspected links to the cleric who Ankara says orchestrated an attempted coup, CNN Turk reported, widening a crackdown that has worried rights groups and Western allies. Turkey has formally arrested more than 37,000 people and has already sacked or suspended 100,000 civil servants, judges, prosecutors, police and others in an unprecedented purge. The government says it is rooting out supporters of Fethullah Gulen, who has lived in self-imposed exile in the United States since 1999, from the state apparatus and other key positions. Gulen has denied Ankara s charges and denounced the July failed coup by rogue members of the military. Among the latest suspects, 31 of them have already been detained and another 22 are believed to have fled abroad, CNN Turk said, citing the Ankara Prosecutor s Office. The prosecutor s office could not be reached for comment.


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So, the goal is to work through the big model, probably from the top down. For a Narrativist-oriented game, the touchpoint throughout should always be, what's the Premise. I think stating it right out in front of everybody is the best way to go, or a version which is easily customized further. An alternative might be to inspire the Premise through Exploration-discussion, but it's risky - doing that usually works only for Situation-based Premise games, like The Dying Earth. How much do you have to work with, and how much improvisation is involved during play itself. IIEE must be dead bang center with what you're driving at; does the reward system feed back into protagonism. Please feel free to fill it in with your own assessments based on your play-experiences. A whole critique of the role of constraint in creativity is probably beyond my powers, but I can't over-emphasize how important it's been in my experiences of design, preparation, and satisfaction in any creative endeavor. For role-playing, I think a designer should consider constraints to be his or her most important ally: elements which, once established, remain fixed and actively inform a whole suite of possibilities for the future. Whether they concern Currency (e. . Universalis ), outcomes of resolution (e. . Sorcerer, The Riddle of Steel ), character creation options, behavioral choices, Setting, or whatever, strikes me as the primary issue for designing games of any kind, and Narrativist goals need them desperately. By comparison, the designs of Dust Devils and Sorcerer are currently a bit hampered by their wide-open settings, which I now think require a little too much group-based customizing. Or, at the opposite extreme, Trollbabe does provide the Setting constraint, but it's so subculturally focused (you get it or you don't) as to limit access to the game. My Life with Master provides not only the focus, but also a topic which raises the same issues for practically anyone who encounters it. Furthermore, as Paul says, if someone wants to change the setting, they'll do it - but they're able to do so all the better because the textual setting made sense to them. Good examples include Little Fears, The Burning Wheel, Fvlminata, and The Dying Earth. Another sort of Timid Virgin effect is a full spin toward Force Techniques in isolated spots, which is less schizoid in terms of the reading experience, but perhaps more confusing in the long run.


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It’s why she’s outlived two of her children, and per prophecy, will outlive Tommen. She’s grown up believing that Lannisters are all-powerful. She doesn’t realize that Tywin maintained that illusion through strategy rather than might. So she is some what of a strategist, albeit not a very good one. Love the song. More twincest. I want Jon Targaryen’s first act to be killing Melisandre. I want one season to be absent of Stark girl abuse. Also at that battle they say it’s Jon Not Snow around 1:16 so obviously I’ve been watching it like 500 times to see if it is Jon Not Snow in the battle. Although the show has downplayed the Stark siblings ability to warg, focusing on Bran having the ability. Book Arya saw her mother’s body through Nymeria’s eyes. And would dream about running with her pack and wreaking havoc through the Riverlands. Or a grief stricken Ghost going bananas and destroying everyone. Mellisandre better not have to sacrifice him for Jon. Ugh. I’ll rage. I can’t wait to see what happens to Sansa and Theon. And Arya of course. Also. imif I miss you!


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Sarah must battle her heart and the Intersect to find Chuck before its too late. Chuck is given no choice but to join the CIA as an agent and becomes Graham's new protege. Follows Chuck's journey since he joined the CIA and where it leads him. Chuck learns to deal with being a spy with the help of Sarah and Casey. Very Charah. This will be darker than the show with death, violence, and some torture. Though also to help them deal with some of the internal problems occuring in Meereen like the famine. At the same time you'll have Yunkai taking advantage of Dany being gone, so if they are funding the Sons of the Harpy, which I think freeparking is right about. The Yunkish would eventually siege Meereen from the outside as the Sons of the Harpy infiltrate and cause more issues for Dany's council on the inside. A transcript and audition from another actress for the part are on this thread. And I don't like the sound of the Red Priestess being 'invited' and working with Varys and Tyrion- two people who neither follow R'hllor. No, a Red Priestess would spread the word because they actually believe in it. The show will probably make her evil or the Harpy, urgh. Sometimes they refuse to make the moves you've planned for them. It's a lesson that Cersei Lannister still has yet to learn. Moreover I wouldn't be surprised if the empty horse is Davos's and this picture is from the same scene with him glaring at Mel from the balcony before they all ride south together. In the scene she describes how she does believe in Dany and that's why she came otherwise she wouldn't have. And Varys is against the idea it sounds like where Tyrion is the one who seems to have thought it up. And she's the High Priestess of Volantis so there's no way she's the Harpy. The Harpy is likely someone Yunkish as Freeparking, myself and Al were speculating above.