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“Just watched the new DGA ad with the woman writing the letter to Governor Snyder about raising taxes on pensions. I must say the Schauer campaign is running one of the most message disciplined campaigns I’ve seen since the Engler campaign on property taxes. It’s apparent their focus groups and polls show those messages move voters; they definitely emotional and personal. Hope our counterattack begins soon, because these ads will cut. The person writing the comments knows something about message driven campaigns, because he helped lead one. Specifically, he led the 1990 campaign for then Sen. John Engler which resulted in the defeat of then Governor Jim Blanchard. If you haven’t guessed by now, the chap reluctantly tossing bouquets to the campaign of Democrat Mark Schauer is Dan Pero, one of the best known Republican strategists around. After this, it will be interesting to see how both sides react to his comments. A day ago, Monday, September 22, the Department of Community Health said more than 395,000 people had signed up. It is not inconceivable that the program could hit 470,000 or more enrollees before the end of the year. That figure, 470,000, was the estimated total the program would hit in in enrollees sometime in 2015. For 2014, estimates were the program would have 320,000 enrollees, but the state beat that figure by early summer. In the online videos he’s produced for his campaign for re-election to the court, Mr. Zahra has also revealed he is a hockey player, hockey coach, been at the tables in Las Vegas and is a serious Stoner. In fact, has played blackjack with one of the Stones. To learn all this, however, one has to stay focused since Mr. Zahra imparts this hot info in the same flat, sonorous, monotone he employs while asking a litigant questions on, say, easements for a septic field. The videos are part of his Ask Justice Zahra effort on YouTube and Facebook. In recent editions, he’s veered from answering questions about how the court works to getting more personal, in a monotonal way.

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Livers was the primary defender for most of the second half, even when Teske was in the game, and seemed to really slow Stephens down. Stevens's O-rating was 111 -- the same as Iggy's, although on a lot more usage. JB was complaining about that and other no calls on every commercial break. He took the opportunity to express his extreme displeasure but there wasn't one word of profanity that I heard. 1st T was given because JB was not letting it go. Fine, everyone gets 2 and sometimes you need to use one. JB was already being walked back by Saadi and everyone could have cooled off in the locker room. Szelc gave both. When Beilein gave the parting shot that included holding up 3 fingers, it was Szelc that blew the whistle and signaled the T. Interestingly, Garrison, who was standing right there (and whom the conspiracy theorists are blaming for everything) is the only ref who didn't react to whatever Beilein said. It is hard enough going out and defeating another team in athletic competition. To also have to defeat the officials makes the task doubly hard. Don't be a meathead that feels that no matter the officiating, the team in question should be able to overcome it and win. The team is tasked with defeating the opponent, not defeating the opponent plus a one-sided officiating job. It was also Washington taking out Matthews when he was on fire. JB turns and walks away (45 sec) The ref leans in toward JB and yells something else at JB in anger (46-47sec). I've literally never seen something as unprofessional as that at even a middle school game. I have to believe the ref who threw the 2nd t heard the other ref and thought it was JB talking smack. JB was 20 yards away in a stadium going nuts, there's no way even if he did say something uncouth that they heard it. The work will consist of drilling holes and small excavations in Rhode Island Avenue, NW to locate possible utility structures.

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Add to Favorites Haunted Towns Join the Tennessee Wraith Chasers as they travel across the country, investigating America’s most haunted towns. From famous hotbeds like Gettysburg and Salem to small towns with dark pasts, Haunted Towns explores the places that shaped the darker chapters of American history. With America's dense forests, desert grasslands, and hundreds of miles of uninhabitable wilderness, no country could house - or hide - so many mysterious creatures. Add to Favorites Destination America Ghost Stories Destination America interviewed real people, and asked them share the scariest unexplainable experience they’ve ever had. You are not alone, these are real paranormal witnesses, and these are their real Ghost Stories. Add to Favorites Railroad Alaska Railroad Alaska follows the elite crew of workers - brakemen, engineers, construction crews, mechanics and train drivers - as they battle ferocious weather and treacherous terrain to keep Alaska's critical 500-mile long railroad rolling through the extreme winter. Add to Favorites Buying the Bayou There's no place on earth like the Bayou, and there's nothing like its real estate. Buying the Bayou features homes that you've never seen before with wild amenities, and the people who buy them are just as unique. Add to Favorites BBQ Pitmasters They're part chef, part athlete, and part five-star general. BBQ Pitmasters follows the cooks of America's barbecue circuit where reputations and respect ride on the virtues of one perfectly glazed rib, and where cash is won or lost after a single, mouth-watering bite of brisket. While rookie offgridders Orville and Jackie James face their first Winter alone in the wilderness, disaster strikes. Off gridder Dan Mawhinney decides to sell his cabin, but first he must find a buyer. On the railroad, delays threaten to put the train behind schedule. She hunts for wild boar, takes the ride of a lifetime over the mysterious waters and gathers ingredients for an epic swamp potluck. Meanwhile, the chicken king, Jamie Geer just might play spoiler. Reigning Grand Champion Robby Royal is looking for another victory over Junior Urias and John Coon. The first round battles are over and the six pitmasters are still in the running for BBQ's ultimate prize. But there are a lot of surprises in store for them when you choose the river as your backyard. He’s an avid duck hunter and fisherman and hopes to find a house where he can do just that. He’s bringing his life-long best friend, Hanna, for guidance.

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If you require more than this from the music you like to listen to, I give you my pity. Dead Waves pull from a variety of styles, or rather, I hear a variety of styles in their music, but these songs are so strangely out of touch, I highly doubt they’re influenced by anything that bears close sonic relation. That’s what makes God Of The Wild such an entertaining listen. I hear the lugubrious drone-rock of Coconuts, the melancholic simmer of Drunk Elk, the inebriated poise of Earth circa Pentastar, and even the outre emo-rock of Still Life (check “Innate”), all performed with a startling seriousness and commitment. Some of these songs are barely songs, more like unfinished stumbles into the realms of psych- or stoner-rock; closer in spirit to the slapdash nature of early Royal Trux, but aiming for some sort of psychedelic ascension, not glam-rock glory. With so many psych-rockers locking into the same comfortable formula, it’s more than refreshing to hear these two freaks stumbling along their own path, similar to Mountain Cult’s interpretation of garage-rock back in 2011. After all, a perusal of Demdike’s Miles Whittaker’s works under his Hate and Millie aliases makes his love of hard-hitting jungle and aggro breaks pretty clear, years before Demdike picked up their Ouija boards and summoned the complete Hellraiser series on VHS. With Passion, they utilize their experience and future-mindedness to inject the genre with today’s crisp and articulate textures, reimagining hard-style drum-and-bass with today’s boundless technological possibility at their disposal. Confield -era Autechre, the late ’90s output of Planet Mu, Tigerbeat6’s Violent Turd sub-label, the tricky rhythms of labelmates Equiknoxx, and countless other hardcore rave favorites come to mind while listening, a genre whose classics can be bought second-hand for pennies on the dollar, thanks to their ubiquity at the time and lack of desirability at the moment. I don’t get it either, but why aim for “getting it” when you can simply stand back and appreciate. The beats are aggressive and agitated in comparison with dub-techno stalwarts like Echospace or Basic Channel, as if you smoked a big blunt and decided to go for a run through the forest instead of slumping into your couch. Enormous O’ Clock was not something I had heard of prior to Mirae Arts releasing The Path Of Untitled Memories, and I’m thankful for the introduction. After a few singles on cool labels like Going Good, Lovers Rock and Jheri Tracks, this album explores a variety of motifs, dabbling in exotic forms of house, techno, boogie, experimental electronics, DJ edits and whatever else tickles Hayashi’s fancy. What stands out to me most is the unexpected sonic similarities to much of what Blues Control were exploring on their last couple albums: some weird pumped-up fusion of ’80s soundtracks, fascinating loops, modern DIY haze and a heaping spoonful of Vince Guaraldi-style keys. Hayashi will smash the cosmic pop of Vanity Records artists like SAB and BGM into some funky house you might expect to hear at an Optimo club night and cut up some A Charlie Brown Christmas -sounding ivories for good measure. It sounds crazy, but Hayashi’s love of disparate sounds is infectious, particularly when considering his talent in making it all congeal together as smoothly as electric guitar pairs with drums. Maybe if Mark Mothersbaugh tried to make a record specifically tailored for today’s modern experimental-electronics audience, it’d come out close to this. I get the sense that an incredible amount of time went into Ambivalence, while the record itself sounds deceptively easy, as if Hayashi simply pressed play on a tape deck, ran a couple loops on his MPC and soloed on a synth while enjoying a beverage or texting a friend. Regardless of his specific process, I can’t stop playing this one, an album suited to practically any situation. I can’t claim to know the financial status of Keke Hunt, a “non-traditional tattoo artist” who also makes music as Just The Right Height, but she’s making some fantastically anomalous music here.