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Biology Lecture - 42 - Creating ATP with ATP Synthase 43. Search. Lecture videos Introduction to Biology1. Biology lesson plans and worksheets from thousands of Lesson Planning Articles Timely and inspiring teaching ideas that you can Biology Teacher Resources. Photography by Jonathon Mooney and Dennis Anderson. Topic Ideas; Citation Guides; create an account; Not logged in. In your presentation on this topic, discuss the ways in which genetic material is passed from one generation to the next, exploring potential outcomes of genetic combinations and helping listeners gain a better understanding of how they acquired their genetic material. Experiment to find the best ways to eliminate germs from hands and surfaces. Select any of the topics below for a sampling of researchers in that field and news stories about their work. Great Ideas of Biology Alan Mortimer PhD Lecture 5. Update Cancel. TED Talks. Do you have PowerPoint slides to share. If so, share your PPT presentation slides online with PowerShow.

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Like a tired mind softly humming with a vague desire for whatever is beyond the mind, Duster’s unhurried compositions never fully clarify or cohere; voices hide behind dense washes of guitar, verses reach toward choruses that aren’t there, songs end abruptly before they can be caught, tagged, and filed away. The upshot of Duster’s inexact magic is a kind of timelessness, and so the band’s reunion is not an excuse to revisit some bygone zeitgeist, to remember a time of softer skin and better parties and simpler needs. Like one of their own songs, Duster simply stopped when it made sense to stop, leaving listeners with a slim discography and a lingering sense of something unfinished, of something never meant to be finished. The band’s return feels more like the tail end of an epic cross-dissolve than a new beginning. This is where we were supposed to meet them again, in this place none of us ever really left. (Mississippi Studios, 3939 N Mississippi, 8 pm, sold out) CHRIS STAMM. Her 2018 album Lush is up near the top of many year-end lists. The band is a blaring and obvious vehicle for Tim Kasher’s disappointment—in himself, his lovers, his band, his profession, you. At its best, Cursive is wickedly cathartic, an almost naughty trip back in time to the white-hot joy of an adolescent tantrum. Last year’s Vitriola was another pissed fit that found Kasher expanding the reach of his pique to include capitalist demons and their many ravening emissaries. It would seem Kasher finally found something evil enough to justify his rage, and his band sounds renewed, ready, and righteous. (Doug Fir, 830 E Burnside, 9 pm, sold out) CHRIS STAMM. Created by Korean-born, Berlin-based composer Unsuk Chin, this utterly unique work manages to fit snugly within the western classical tradition while also reflecting a passion for electronic music and 21st-century sonic complexities. Those in attendance will never hear anything like it again.

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The sensing device hardware was built around a hydrophone sensor, enclosed in a heavy waterproof steel body. A very long cable (200m) as been used for connecting the recording device, placed in the deeper point of the lakes to a digital recorder on a boat. These recordings cannot be considered a pure audio documentation: the recorded sounds have been treated and re-mixed with the intention of recreating the moods and sensations of the recording sites. No synthesizers or additional sounds were used during the re-mixing phase. Veiovis: Ancient pre-Roman god, responsible for earthquakes and volcanic activities. This peculiar quality of Oloolo music is achieved through extensive use of Soviet-era analogue synthesizers (Polyvox, Yunost-21, Formanta, RMIF TI-5 and others). Oloolo took part events: Pan Sonic's and Phill Niblock concerts in Riga (2002, 2004), Watercolors 2002, Skanu Mezs (Sound Forrest - Klangwald) festival (2003), Microstraava (2005) and more. The closest analogue to Omenya can be called Rapoon - waves of smooth ambient in conjunction with sampled semi-ethnic percussion. Devils for my Darling was created in 2017, The album is an imaginary love story. No digital devices were used either for sound generation or recording process. Furthermore, no rehearsals or track sketches were taken before the session, everything is just an effect of improvisation and accidents. Yes, such methods point on the 'old-school industrial' tribute recording which this album exactly is. One Week in August's program varies from malignant, gloomy wasteland ambience to harsh industrial, really intense and painful. A great mixture between early MEGAPTERA and LUSTMORD.

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Edmund Perry was a student at Phillips-Exeter Academy who has earned a scholarship to Stanford, but is killed by police. Hooks’s film exhumes the four years the boy spent at the academy, detailing events that led to the killing. Stacy Keach is a retiring cop who can’t avoid the action in Irresistible Force. Rick Schroeder wants his daughter back from his possessive in-laws in To My Daughter with Love. Henson, Robert Peary, and four Eskimo guides were the first men to successfully make the journey to the North Pole. But Peary received all of the credit, because racial discrimination prevented Henson, who was black, from sharing the success. Delroy Lindo delivered one of his best performances as Henson, and Henry Czerny was Peary. Bruce Broughton’s rousing score won an Emmy Award, complementing Hooks’s Arctic landscapes. With Mutiny, Hooks brought another actual story out from under the shroud of selective racist history. Mutiny told the Port Chicago story, in which the U. . Navy during World War II ordered mostly African American sailors to load munitions into warships docked in San Francisco Bay under extremely hazardous conditions. On the night of July 17, 1944, more than 5,000 tons of ammunition exploded, disintegrating the docks and the SS E. .

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For the next two centuries, Europe suffered a devastating series of wars. People in Protestant and Catholic towns laid siege to one another; soldiers and mobs terrorized the countryside, blowing up and pulling down the symbols of power and belief belonging to the rival faith. Indeed, during this period, one can be excused for observing that it did not pay to own either a church or a castle; sooner or later, they were likely to be reduced to rubble. Many people were obsessed with taking this desire for peace, order, and decorum with them to a “new” place. By the mid-seventeenth century, the notion of “pure and undefiled” places and peoples was gaining prominence as a social and cultural ideal. Some people fled religious warfare and persecution to the so-called New World, where they established ideal communities. Indeed, they frequently inscribed their settlements with the word “new,” as if to ward off the excesses of the “old” world. Far from representing an historical anachronism, this proclivity of the inhabitants of the new world to seek for and, indeed, to mythologize the “new” is crucial to understanding the development and reception of the Internet and all its technological progeny. When first made available to the public, it was presented as a new way to store and retrieve information, then as a “pure and undefiled” place for the expression of free thought and, more recently, as the purview of the young. While thousands of people braved the vicissitudes of emigration to the clean and peaceful shores of the New World, thousands more stayed behind in the smelly, contentious “old” world, trying to improve it by rising above factional fighting. Taking part in the transnational exchange of “new” ideas was one way of doing this. The new sciences tried to find universal laws that would explain the natural phenomena of the observable world. New and more logical systems of thinking were developed. New and more natural ways of educating children were proposed.

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