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After their release from jail, they rushed to Dongpal s hideout, but they were destined to work as bodyguards for their enemy s daughter as well as a top singer, Eun-ji. Feature Films: Fiction OH JI-myung The director of this film, OH Ji Myung was born in Chungwon, Southern Chungchung Province of Korea in 1939. He became a member of The National Drama Company of Korea when he was a junior majoring in Economics at Sungkyunkwan University. He worked on some plays such as Pakkochi and General Lee. He started to work for KBS (Korean Broadcasting System) as a TV actor in 1966. His first TV drama was The Third Zone, based on Anti-Communism. He appeared in about one hundred fifty films. (1968), (1970). He showed better performance than ever with his comic talent in TV sit-coms and made a big hit: Dr. h s family, Soonpoong Obstetric Clinic. Sung-joo, a young investigator, was commissioned by HONG to go undercover as a member of a gang called Piercing. Sung-joo leaves his cover and returns to the squad to help clear detective HONG of dishonor. On the 4th day of his investigation, he meets Yoo-jin, a traffic reporter who has the key to this incident. Feature Films: Fiction CHANG Yoon-hyun Born in 1967, CHANG studied film at the Hungary National Film School. Fortunately, he meets HAN Yi-yeon who fills his life full of hope. From the time he broke into the realm of theatre in 1995 with critically acclaimed plays like, he has developed a unique style that mixes humor, melodrama, and a keen observation of society. JANG s experience in film first began back in 1995 when he assisted with the screenplay of the critically acclaimed.

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If the Zorro-like protagonist seemed out-of-place at time, “Judex” was a movie that required little more than the viewers’ attention. After Favraux rejects the command, signed by the mysterious Judex (Channing Pollock), he suffers a heart attack while giving a toast at a masked ball. In fact, though, his champagne was spiked with a drug that merely approximated the effects of a heart attack. The banker’s body is hustled out of the party and taken to an underground bunker, where he can be monitored by a TV camera. (Remarkably, the 1916 version of “Judex” used the same device. The only people truly disturbed by Favraux’s disappearance are his naive adult daughter Jacqueline (Edith Scob) and her cunning former governess, Diana (Francine Berge), to whom he recently proposed. Unaware that Jacqueline doesn’t intend to accept her father’s tarnished inheritance, Diana and her crew kidnap her. Impressed by Jacqueline’s ethical stand, Judex’s takes it upon himself to free Jacqueline and punish Diana. In addition to his team of black-draped ninjas, Judex requires the assistance of the owner of a traveling circus (Sylva Koscina) to do so. It adds yet another layer of magic to what already has been a delightfully enchanting tale. Simply put, it’s an essential work by a singular director, whose movies have been shown in U. . theaters since the 1960s and are widely available on DVD and Blu-ray. “Blow-Up” was nominated for a pair of Oscars and, in 1995, the academy honored Antonioni with an award for the body of his work. Anyone who’s ever bragged that they “got” any one of these three films on first viewing didn’t get anything, at all. It’s worth the effort, then, to listen to the scholarly commentary here on the second or third time through it. The Blu-ray release may not add any features that weren’t already available on the 2005 DVD, but the newly restored high-definition digital film transfer, with uncompressed monaural soundtrack, may be enough to recommend it to connoisseurs, as well as newcomers.

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The disappearing fourth wall: law, ethics, and experimental theatre. Vanderbilt J. Entertain. Technol. Law 15, 507 (2012) 8. White, G. On immersive theatre. This demo paper describes a project that engages cutting-edge free viewpoint video (FVV) techniques for developing content for an augmented reality prototype. The article traces the evolutionary process from concept, through narrative development, to completed AR prototypes for the HoloLens and handheld mobile devices. As an experimental and synergetic collaboration, the project bene? s both parties. On one hand, V-SENSE gets an opportunity to build digital content on the basis of rich, engaging and famous cultural subject matter, e. . rare, historical books, artefacts and sculptures, not to mention the breath-taking building itself. On the other hand, the library gets a cutting-edge interactive application that af? ms its commitment to innovatively harnessing digital technologies towards constantly improving its accessibility to visitors, while also solidifying its immovable presence as guardian and proponent of Trinity’s, and Ireland’s, rich academic legacy. 2 Concept Development From the outset it was agreed that there is no substitute for the real experience of being present in the Long Room.

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However I think the good ones have a way of making you feel like these things can happen to you. I apologize for the rant, I watched this documentary that was against found footage films and it got me thinking how much I disagreed with the youtube video. Valdir R May 21, 2018 Like no other, The Exorcist put viewers in state of shocking moments and agonizing experience like I've never seen it before. Diane V April 7, 2018 Great adaptation, and so scary. Hard to believe though, that's it's only half as scary as the book. I was interested in the movie and was never bored, but I was never scared. Great acting and script, but the stretches between the more eventful scenes can go on for too long. K S December 20, 2017 What is considered one of the scariest films of all time lacks quality scares. With the long runtime and slow pace bogging the film down, it is hard not to get a little bored. When Regan is finally fully possessed by the demon, instead of having some truly terrifying moments we get the demon screaming insults and profanity at the priests, which is actually quite funny. Although probably responsible (to some degree) for the shift from the subtle implication school of horror that left most to the imagination (i. . Val Lewton productions) to the no-holds-barred explicit approach of showing it all with special effects, Friedkin and team do introduce the horrifying supernatural events with a reasonably slow build up. A parallel plot thread introduces us to Father Damien Karras, a Jesuit priest and psychiatrist, who is trying to look after his elderly mother from a distance (she is in NYC and he is in DC) and simultaneously suffering a spiritual crisis - he feels that he is losing his faith. As Regan's behaviour gradually begins to change (after her bed starts shaking), she is treated to an increasing array of medical tests (some very invasive) before the doctors turn, first to psychiatry, and then to religion. Cue Father Karras and later Father Merrin (freshly returned from the Middle East). A related murder brings Detective Kinderman (Lee J.

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