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the Matter With College. Hamilton Morris, a New York bred college student, described a college experience where many students hate school ? ith a passion. Perlstein writes that Morris? feelings are proof of a ? ulture of enervation. Instead of Persuasive unit, seeing what Perlstein describes, students without hope or the will to pursue their studies, I see Morris as describing a culture of restlessness. Students who claim to hate college but still do not leave are experiencing a kind of restlessness which comes with the package. Students experience change so quickly? hanges of passions, opinions and interests. I often smile to think the world is at my fingertips when I am surfing the internet, but the truth is my fingers are touching my keyboard, and I am planted in my kitchen chair drinking Diet Coke. College offers me the opportunity to shake hands with the leaders of business, art, science and problem, medicine? omething the internet can not give me. College professors do not want students to be excited about school and theory alone? hey want them to paper, take their passion into the world beyond the campus. I am not writing this commentary for my school newspaper. I am writing it for New York Times Magazine, a publication Journalism majors like me aspire to work for. College urges me to aspire, to voice my opinions, and yes, to change. The problem with colleges in the 21st century is convoluted with many deciding factors, resulting in Website writers, a more complex position for current college students to experience, unlike any previous generation of college students. In my opinion, being a college graduate student and one who has been involved in Persuasive, my school, I can honestly say that the biggest problem with our generation is the sense of Assignment notes, nihilism, which is plaguing the our very core of our being.
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. Tolkien's expansive Middle-Earth to life in these three three-hour epics, which charts the journey of a meek hobbit (Elijah Wood) and his various companions, as they try to stop the Dark Lord Sauron by destroying the source of his power, the One Ring. The Nightmare Before Christmas (1993) In this stop-motion musical conceived by Tim Burton, a resident from Halloween Town stumbles into Christmas Town, becomes enchanted and abducts Santa Claus to bring him home that causes problems for everyone. The Raid (2011) This Indonesian martial arts actioner balks at Hollywood's over-reliance on guns and explosions to wow audiences, using long stretches of incredible fight choreography to bolster its simple video game-ish plot: an elite cop squad sent to clear a high-rise building owned by a drug lord, floor by floor. The Shining (1980) Stephen King's popular novel gets the film treatment from Stanley Kubrick, about a father who loses his sanity in an isolated hotel the family is staying at for the winter, while his psychic son sees horrific forebodings from the past and the future. The Social Network (2010) The tale of Facebook co-founder Mark Zuckerberg gets a slight fictional spin, as it explores how the young engineer was sued by twin brothers who claimed he stole their idea, and sold lies to his co-founder and squeezed him out. Touch of Evil (1958) Orson Welles wrote, directed and co-starred in this classic-era film noir set in a Mexican border town, whose re-edited version incorporating Welles’ lengthy list of grievances only saw the light of day posthumously. Toy Story trilogy (1995-2010) Some of Pixar's best work is set in a world where anthropomorphic toys pretend to be lifeless around humans, and follows a group of toys as they are faced by challenges on their unexpected adventures. Trainspotting (1996) A former drug addict is pulled back into the world by his friends in director Danny Boyle's breakout film, which explored the problems of those living in urban poverty in Edinburgh. Up (2009) To keep a promise to his late wife, an elderly widower ties thousands of balloons to his house to carry him to the wilds of South America, unknowingly taking a young and earnest stowaway. From Pixar. WALL-E (2008) In a far-off future where humans have long abandoned Earth and reside on starliners, a small trash compactor robot living on the surface falls in love with a visiting probe, and embarks on a space journey that will determine the fate of mankind. Warrior (2011) A young vet (Tom Hardy) returns home and begins mixed martial arts training under his former boxer father, with the winner-takes-all fight pitting him against his estranged, older brother (Joel Edgerton). What’s Eating Gilbert Grape (1993) A young man (Johnny Depp) busy caring for his autistic brother (Leonardo DiCaprio) and morbidly obese mother (Darlene Cates) faces unexpected challenges after he starts to fall in love with a new woman (Juliette Lewis) in town. Whiplash (2014) An ambitious young drummer (Miles Teller) is pushed to his limits and beyond by an abusive instructor (J. . Simmons) in what became writer-director Damien Chazelle's breakthrough. Who Framed Roger Rabbit (1988) Set in Hollywood during the late 1940s, this combination of live-action and animation follows a private detective hired by a cartoon character, who is accused of murdering a wealthy businessman. Wreck-It Ralph (2012) This Disney animated film tells the story of a video game villain who sets out to fulfil his dream of becoming a hero, but ends up bringing havoc to the entire arcade where he lives. Zombieland (2009) A student looking for his parents (Jesse Eisenberg), a man looking for a favourite snack, and two con artist sisters join forces and take an extended road trip across a zombie-filled America, while they all search for a zombie-free sanctuary.
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