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I will be comparing the ideas, whilst mainlyfocusing on my personal favorites. A tale of two teenage sisters, their very expendable friends and the creepy board game that just won’t leave them alone, this silly but straight-faced supernatural thriller manages to elicit an occasional shudder in between cheap jolts and false scares, emerging as a feat of competent direction (by debuting helmer Stiles White) over derivative scripting (by White and writing partner Juliet Snowden). Friendly box office spirits are already smiling upon Universal’s Oct. 24 release, and should continue to hover at least through Halloween weekend. But as anyone who’s seen “The Exorcist,” the “Witchboard” movies or any number of other occult chillers could tell you, Ouija is a game you play at your peril — a lesson that the teenage Debbie (Shelley Hennig) is destined to learn the hard way. After carelessly engaging in a solo session with the board, which is apparently about as smart as talking about Fight Club, she goes into a weird trance and hangs herself with a string of Christmas lights. Far from seeming efficient, the storytelling merely feels sluggish and noncommittal; there’s so little in the way of connective tissue, it’s more jarring than it should be when the characters are forced to acknowledge casualty after casualty (“I miss them all the time,” says one, none too convincingly), or when Laine’s grandmother (Vivis) periodically emerges from nowhere to issue dire warnings about contacting the dead. Still, White, a longtime special-effects maven before he and Snowden shifted into screenwriting, demonstrates a reasonable grasp of how to use silence and stillness to build tension and atmosphere, and every so often he strikes an effective note of dread — sometimes even in broad daylight, where a simple bike ride through an empty tunnel can raise a surprising amount of gooseflesh. Ably stealing her two scenes as a wheelchair-bound mental patient with some unexpected advice for Laine, Lin Shaye (a fixture of the “Insidious” horror franchise) achieves something the rest of “Ouija” only intermittently manages, turning cliches into horror-movie gold. Produced by Michael Bay, Andrew Form, Brad Fuller, Jason Blum, Bennett Schneir.

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had enough of my own that I needed to get out of that business. Before I walked away from this lifestyle Ghost hunting for me was a lot less of finding evidence and more of helping spirit cross over. It pleases me to no end to see that there are groups out there that use the same type of practices that I did. I used a very powerful psychic in most of my investigations. Hunting for spirit without a psychic can be down right boring. Might as well take advantage of those that are more in tune with that type of energy than sitting around asking for someone to show themselves. More importantly I was pleased to see that you also make an effort to actually help people move on. That's awesome, because most of the time spirit good or bad can move on. It's all in their head. t's all manifest of their minds filled with fear and doubt, remorse, guilt etc.

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