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It's time dilation the farther one goes from King's Landing. What else can explain the fact that characters are moving thousands of miles but Cersei's hair is barely growing back. Since the start of the show, events in King's Landing have only taken 18 months. At distant points North, Jon spent years fighting in the Night's Watch and his little brothers passed puberty and grew two feet taller. Another example, when Arya got to Braavos, she was able to complete a multi-year apprenticeship and get her graduate degree in murder arts in the relative time it took Loras to grow a short beard while imprisoned. I think this is a tv thing- showing what happens over a month in mereen happens in the time it takes to show the weekend w blackfish. Also. argery, dead! I started to have doubts but kind of like how they killed fringe characters and plotlines. Dorne is now in with dany. Tyrell too. No more braavos. North is united (though I don't mind the LF thing now. But it was a gratuitous shot that simply didn't need to be there, and was so jarring, given that earlier in that very episode we saw Varys in Dorne. We already understood that Dorne and Tyrell would be joining Dany, and if the writers were afraid we missed that, they could have easily have written something in to tell us that was not so weird and jarring as Varys on that damn ship. That explains Varys (they picked him up in Sunspear) and the Martell and Tyrell ships (why would they sail to Meereen just to turn around and sail back? . Given they have the Tyrell ships they're presumably off the west coast north of Highgarden - maybe headed for the Iron Islands to take care of Euron. Especially the piece that was playing in the buildup to the big kaboom.

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Unlike similar teen-friendly dystopian adventures like Divergent, however, there is a wonderful complexity to this 'Lost' meets Lord of the Flies meets The Hunger Games meets any number of end-of-the-world apocalyptic excursions, Dashner's source material supplying intriguing characters and thought-provoking situations throughout. There is a palpable sense of doom and dread, a weight many stories of a similar ilk made in the wake of the Harry Potter fantasies, Twilight and The Hunger Games have lacked. Life and death both have real meaning, and when a Glader meets their doom it isn't pretty, it isn't light and it certainly isn't taken for granted. Visual effects wunderkind Wes Ball makes his narrative feature directorial debut, and for once the hype hasn't been wrong. Ball has an astonishing visual sensibility, yet at the same time never loses focus of character and of story, keeping both front and center. He keeps things almost entirely focused upon Thomas and his view of events, allowing the personal dynamics and interactions of the Gladers to drive the action forward and not vice-versa. The design of The Glade itself, the ominous high walls of The Maze surrounding it, all are impressive, while Thomas and his fellow Gladers' forays into the labyrinth itself is something to see. His first nighttime incursion inside to save Alby from certain death, working alongside primary 'Runner' Minho (Ki Hong Lee), is stupendous, filled with uncertainty and danger, everything building to a white-knuckle face-off with a mysterious creature none who have ever laid eyes on have lived to talk about it. The issue, sadly, is the same one that handicaps so many of these attempts at bringing similar pieces of Young Adult fiction to the screen. The screenwriters and studio are so intent on franchise building, so hoping to craft a series of motion pictures that will make them box office dollars hand over fist, they forget to tell a satisfactory standalone tale. There is an annoying unfinished quality about this film that's more frustrating and annoying than it is anything else, the last 20 minutes a boondoggle of unfinished ideas and themes building to a horribly muddled cliffhanger where nothing is resolved and little is explained. You can get away with leaving things in an unfinished state. The Hunger Games: Catching Fire did this beautifully, as did both of the initial chapters of Peter Jackson's The Lord of the Rings trilogy The Fellowship of the Ring and The Two Towers. The Empire Strikes back set the bar for this sort of thing 34 long years ago, revealing a devastating truth about one hero's father while another was stuck in a state of frozen, death-like hibernation. Yet all of those films feel complete in and of themselves, and while a larger story certainly still exists, the one going on inside their respective running times is satisfactorily self-contained. Characters see their story arcs evolve, while the central dynamics of the primary narratives don't leave important facets dangling in the air for no particular reason other than they can. These movies work, all easy to return to and enjoy, making them happily re-watchable outside of the other chapter's in their respective cinematic sagas. As good as many of the individual pieces might be, as handsome a production as it is, as an individual enterprise, the finished film is a frustrating affair. While the ethnically diverse ensemble of young actors is a good one (recognizable faces like Will Poulter, Blake Cooper and Thomas Brodie-Sangster make indelible imprints alongside O'Brien, Scodelario Lee and Ameen), while Ball makes an impressive debut orchestrating things behind the camera, that doesn't lessen the frustration I felt by the time the end credits began their scrawl.

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He saw the wight. He's intelligent. He understands the situation. Could he animate the dead Starks in the crypt beneath Winterfell. I think Sansa will take over as the lady of winterfell, the queen of the north, cause of how they built up her character in season 7. It was only after Sam told him about the diary that he looked further in to hear what she said. Bran is not omnipotent, knowing everything everywhere. He has to go there and observe, otherwise he does not know. Jon being raised as a Stark, incest isn't something he is fond of. I'll feel cheated if we don't see him before all is said and done. Who will have the biggest issue with continuing the romance. I doubt the incest will bother Danny, cause the Targaryions were all about incest. It would be like a party for him and i think he can prove to be of help there. They're only cousins, and he's already done his aunt. Shouldn't he be happy that they are having sex and could in theory have a baby. Unlike other characters, he's making slow progress (no warp speed) and will arrive at Winterfell in episode 1 of season 8. He will marry a commoner, leaving Casterly Rock and Highgarden to Bronn, after Bronn takes down Viserion for Melisandre to revive for Tyrion to ride. Killing him would have broken the truce and Danny's army was waiting outside the gate in case that happened. Since the wall was a great protection for thousands of years according to the archmaester.

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Emily was most obliging, even though, as usual when it comes to photos like this, I feel like a bit of an uncomfortable fool since I'm not a big fan of getting my photo taken in the first place. My reading focus for April is to find books that can become favourites, even if I don't read as many. Currently, I am reading Lavinia by Ursula Le Guin and enjoying it very much, though the start is a bit slow. This conference very much cemented the wish I already had. Have any of you seen the documentary on her life yet. Let's hope I fare better than Mansfield Park last month! Are you tired of pranks or are you the one pranking others? Sometimes I hear jokes that teeter on the edge of being a sexist, racist or ableist. Anyway, I'm still planning my April TBR so no wrap-up post today and I'm also thinking of joining the OWLs readathon. s anyone joining in. In this picture, you see Northanger Abbey, one of my favorite Austen novels. I also watched the Felicity Jones starring adaptation yesterday! Have you already started reading from your April TBR. April features Northanger Abbey, which is one I love, so I am very excited. Or if you don't have a favourite classic, just your favourite gothic read? March is a rough month in Minnesota full of potholes, enormous puddles, and mysterious ice patches- but we survived! It’s April 1, so tell me: do you celebrate April fools day. Anyways, I’m sitting in traffic on my way to class, so I thought this was the perfect time to show you my TBR this month. I’m also planning to finish both of my current reads, My Year of Rest and Relaxation (audiobook) and Wilder Girls (eARC).

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Of course, before she can save us all she has to get herself to a safe location, which is tricky in amongst the general looting, angry black hillbillies with guns, and minor catastrophic flooding. Her first plan to save mankind involves taking one tiny plane with a suicidal pilot, flying it into the eye of the cyclone and seeding it. This will stop the storm and, through some mysteries of science, also plug the volcano. When that fails she’ll have to resort to a more daring plan of that involves a navy destroyer, some good sailing, and a tanker of liquid nitrogen. Then, and only then, will she be able to call herself Earth’s saviour and begin dating one of the daring young men that assisted her in this endeavour. It just looks silly when people are meant to look like they’re being blown by the wind from the propellers and the helicopter hasn’t been edited in anywhere near them. Not a mistake in that I regret watching it but rather a mistake in that it wasn’t the movie I was thinking of. I remember back when I was maybe 13 or 14 I watched a movie about killer mosquitos and remembered this box cover from the video store I used to go to. I remember watching this one (albeit very vaguely), but I was really excited to watch the other one, so this was a major let down. It was also quite a surprise; you wouldn’t think there were that many movies about giant mosquitos. Skeeter is not fun, although if you’re in the mood for some spectacular 90s hair, music and men’s wedgie-inducing jeans then you’re in for an absolute treat. It’s a tough time for the little town, what with all the modernisation and skyscrapers and internets going up. Not caring for the town’s plight in the face of the advancing city folk some evil corporation decides that it needs to dump its toxic waste somewhere and that the best place is in one of Clear Sky’s old abandoned mines. Nobody mines no more, work’s all done with them there fancy computers and cellphones as big as your arm, so nobody’s going to notice the waste in the old abandoned mine. He’s so manly, in fact, that he out-right refuses to ever button up his shirts, whether he’s on duty or not. Boone’s noticed that something very strange is going on in the little town of Clear Sky (the fact that entire herds of cattle are turning up drained of blood and looking like unwrapped mummies may have been a clue) and has called someone in to look at the water in the town, thinking that this might be the problem. The water guy’s more than happy to be there but sheriff Ernie and businessman Drake are not. Ernie and Drake have some kind of deal going on while Drake’s busy turning the desert into a never-ending stretch of luxury houses and they don’t want anyone interfering in their plans. At this point the movie’s worth watching just to see the mosquitos.