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He just wanted to text him immediately saying YES I REMEMBER YOU AND YOUR GORGEOUS FACE. Instead he texted like something like a proper adult. Three years later James felt really nervous as he entered a tattoo shop. That was hhis second attempt after the first and failed attempt three years back. He entered, got his tattoo and did not chicken out. He could not decide whether he wanted to giggle or bust into tears. Regulus was sitting on the couch, a book in his hand while the other one was absently scratching their dog, Prongs, snout on his thigh. Not knowing how to start the conversation, he plonked himself on the couch next to Regulus and started to unbutton his shirt. He ignored Reg’s somewhat exasperated and fond look, as he shrugged his shirt off. He looked at Reg’s surprised expression and wordlessly asked him to remove the bandage. The shorter man’s fingers were shaking slightly as he carefully removed the bandage and letting out a soft gasp. James who avoided falling ill to avoid needles got a fucking tattoo for him. Regulus felt his throat tightening and his eyes warming with tears. Just as he opened his mouth, he felt James’ cupping his cheek and as though that got him back to his senses, he pounded on James, pressing their lips together. Regulus was on top of him, pressing kisses all over his neck and collarbone. Carefully avoiding the tattoo lest it infected. “I, kiss, fucking, kiss, love you. Kiss. So much, kiss. So fucking much.

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But frankly, there's also a lot of crap that can leave a casual visitor tourist-worn. Here are some ideas on how to minimize the tourist schlock, what to do to replace it with, and where to eat in Prague at the end of the day. If you only retain one piece of information from this post, it should be this: avoid this street like the plague. Just avoid it. Your visit will be all the better for it. If, however, you have a taste for a full symphony and the real, high-quality, accessible classical music Prague is known for, go elsewhere. After dark, Wenceslas Square becomes a central place for strip club touts, prostitutes, their pimps and all manner of the shady and unpleasant. Don't get me wrong, the medieval astronomical clock on the side of Old Town City Hall is beautiful and worth a look. However, it’s really not worth the elbowing and unpleasant crowds you have to deal with to watch it. If you find yourself tiring of the crowds on Old Town Square, pop up to the rooftop terrace at U Prince hotel, order a cocktail, and enjoy the view from above. If you don't, you'll be doing yourself — and all other tourists who follow in your footsteps — a disservice. I would never pick up a taxi outside the front door of the train station or hotel (these are usually reserved for suckers). If you pick up a taxi on the street, use a company like AAA or ProfiTaxi. Finally, if you've been grossly overcharged, pay what you believe is fair and walk away. The aim: to give you a feel for a living city whose history goes long beyond just a few pretty buildings. Within a few minutes, you are a tram, metro or a few footsteps away. In addition to offering great views of the Vltava River and the city, Vysehrad features grassy grounds stocked full of locals having picnics with family and friends. Even if you're not a huge classical music aficionado, it's still worth trying to see a concert just to experience the venue. Basically, if the concert is associated with a national ensemble, you’re more likely to see a high quality concert at a lower price. Prague Spring often features top performers, conductors and orchestras from around the world.

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And so while we were at Brian's—you know, we were still kind of discovering downtown, and I guess one of the places that we were discovering—I guess Armageddon was one of the earliest. Like, she cannot deal with performing at three in the morning—. You know, and then there's always like this thing of technicality, because you can do things. You can wrap your leg around your neck, you can jump, you can stretch. Christa replaced Joan, and particularly Joan's role in Echo and Narcissus, like totally changed the role. Brian would perform it, but then it became Christa's solo. And particularly at Armageddon because we would recreate stuff that were choreographed through Stravinsky, you know, do studies that were very Merce Cunningham-oriented. Peter was very fond of fluids and masks, just like crazy shit. He did not like it. He would like more the cabaret or performancy-type stuff that you couldn't categorize, the kind of uncategorizable, interruptive type stuff. And so, people moved from Midland, that was a place to live. And there was one night I counted 13 people living in this two-bedroom apartment. And we kind of figured out, in retrospect, that what we were doing was rotating. Because some people had a day schedule, some people had a night schedule, and so people were not necessarily all sleeping there at the same time. I remember one night sitting around the kitchen table at 47th Street, and there's this person who I've never seen before dictating where we should go, like what club we should go to next and what we should do. Carl was vehemently opposed to performing, but he would do costumes for us. Brad had been living in Hawaii with Aline Mare and Reina—I can't remember Reina's last name, but they were a couple. They were doing this witchy, mystical, spiritual stuff. And so, Brad moves into 47th Street, and we kind of induct him into POOL, because we're now fascinated with the idea of an untrained person. We're now starting to consciously escape the preoccupation with technicality, and so bringing people with no training into the ensemble is a really good way of exploring that.

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In fact with the amount of 'it's a prank bro' that goes on now, people are more on their guard. When he was interviewing Andy Rooney, Rooney got fed up with the whole thing and left the interview within a few minutes. Borat worked because not many people knew the show, and he looks drastically different than Sacha Baron Cohen. Bruno worked because he fit into the character well, and he was believable. I love Gervais in many other roles, but The Office, like Bruno and Borat, are just unwatchable to me. I wuz so disappointed hat fox XXX fe showin' me old content. I am sure there are plenty of people who don't know him, but it'd be tough. He is still a relevant character though to British youth culture. I guess watching people act awkwardly relates to my insecurities a little too much. Now when I go back to watching these excerpts I can't help but feel for those on the receiving end. There is a lot of pulling my shirt up over my mouth like that is going to make it somehow less squirmish. Benn got angry but I still thought he came off well, and Cohen almost breaks his cover and laughs once or twice. In other words, if you believe that someone as stupid and ignorant as Ali G is a spokesperson for the youth and is explaining things like the difference between veterinarian and veteran to the youth on a major television show then you believe that the youth are all stupid and ignorant. So in a sense Sasha is exposing these people's belief that all youth are that moronic. His movie is so fucking stupid and hilarious that it makes me cry everytime. I would totally wonder how someone so stupid could get a TV crew. It's clear that Sascha Baran Cohen is definitely getting drunk, but he's doing a great job of maintaining character. However, at one point he starts going off on this ridiculous story about his sister back in Kazakhstan (I think that's the story, it really doesn't matter though) and you can see he comes thiiiiiiiiiis close to losing his shit, and even smiles a few times during the story. It's a shame in a way that so many people caught on and we don't have anymore of his laugh out loud humor. 2 seasons in America was just not enough.

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After all, this is the director who nearly ruined the entire experience known as Chocolat by over-stating the final scene with a smiling statute. Here, filmgoers get treated to similar chicanery — fake fireworks behind a burgeoning romance. Still, these few moments of gristle aside, the grounded performances, zesty adaptation and overall style make for a tantalizing recipe that cooks up like an adult tale even though the rating’s PG. His legacy holds many serious and well regarded high points (Good Morning, Vietnam; Dead Poets Society, Good Will Hunting), as well as humorous ones (Aladdin, Mrs. Doubtfire, The Birdcage). Chances are, you’ve seen these gems and need to rub the genie’s lantern to fully appreciate the amazing breadth of his talent. Lesser bandied about films Garp (1982), Moscow on the Hudson (1984), The Fisher King (1991) and Insomnia (2002) remain favorites of mine, demonstrating this tragi-comic’s razor edge wit, creativity and deep-seeded well of emotion. To experience one of his purest and most brilliant performances (he did, after all, begin in and continued doing stand-up), however, you need to see his never-funnier guest spot on Johnny Carson’s last regular episode of The Tonight Show, broadcasted on May 21, 1992. There’s a reason why the “King of Late Night” chose Williams to help close out a 30-year career. He truly staged his comeback, however, with 2010’s The Expendables, an explosive mercenary tale chocked full of more action heroes than the discount rack at the video store. In this R-rated actioner, mercenaries Barney (Stallone), Christmas (Statham) and the rest of the team come face-to-face with arms dealer Conrad Stonebanks (Mel Gibson), who years ago cofounded The Expendables. Outside of this franchise, Stallone’s prospects have been iffy as best (Bullet to the Head, Escape Plan) — Schwarzenegger too (The Last Stand, Sabotage). Even stocked to the gills with has-beens, does this franchise still have momentum. Going back to the 90s (American Pie, There’s Something About Mary), H’Wood happened upon some counter-programming to summertime comic book movies and sequels: the R-rated raunchy comedy. Time (Wedding Crashers) and time (Superbad) and time again (The Hangover), the dog days boast at least one blockbuster adult laugh riot. With a roster of funny-but-hardly-marquee sitcom actors headlining the latest such flick (Johnson, Fox’s The New Girl and Wayans, ABC’s Happy Endings), the funny trailer needs to do most of the heavy lifting approaching this weekend. This adaptation of Lois Lowry’s celebrated, award-winning young adult novel (the 1st of 4) boasts a stellar lineup. Here, Philip Noyce (Clear and Present Danger, Catch a Fire) directs Bridges (True Grit), Streep (Iron Lady), Thwaites (Maleficent), Alexander Skarsgard (HBO’s True Blood), Katie Holmes (Don’t Be Afraid of the Dark) and pop star Taylor Swift (Valentine’s Day). For every young adult box office hits, like the Twilight Saga, Harry Potter series or Hunger Games franchise, there’s many more false starts like The Spiderwick Chronicles, I Am Number Four, Beautiful Creatures or The Mortal Instruments: City of Bones waiting in the wings. If the 1990-1993 Jim Henson creature features aped Tim Burton’s dark, gothic and slightly camp Batman, then the current TMNT gleefully falls in the shadow of Christopher Nolan’s realistic, modern and sociological commentary-pieces, The Dark Knight Trilogy.

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