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He’d much prefer to work with his hands, as he’s a mechanic who fixes old cars for wealthy people, rather than let a robot do his daily chores for him. While driving home one day, the Trace’s self-driving car takes an unexpected right turn and leads them out to the middle of nowhere. The Traces are dragged out of their car, Asha is shot in cold blood and Grey is left for dead. A rich billionaire named Eron (Harrison Gilbertson) gets ahold of him all Deadpool style and offers him a rare opportunity: he wants to place a computer chip inside Grey’s brain. STEM can take full control of Grey’s body when allowed and, even better, can actually talk to Grey (through inner sound waves, so no one else but Grey can hear it). After all, a computer that can control his body to move like a ninja is a pretty powerful asset to have. Together, the two of them set off, leaving a bloody trail of corpses behind them. Upgrade isn’t exactly breaking new ground in terms of substance, but that’s also part of its charm. When I saw the trailer for Upgrade, I half expected the movie to end in a climax where he takes on an army of one hundred people singlehandedly. By limiting itself to the world that Upgrade creates, the whole ride is a lot sharper and more well-defined. The best parts of the movie are simply seeing all the gritty, sometimes gruesome, kind of mechanics that this world has to offer. It doesn’t necessarily look like a bright place to live, but it is a place that does feel lived in — meaning, this feels like a real world with real characters. His job isn’t an easy one; his face has to be conveying one kind of emotion (usually terror or surprise) while his body is conveying a completely different one. He does it so well that you never once doubt the scenes in which STEM is in control for a second, as they provided some much-needed humor to Upgrade. Whannell’s directing is very in your face — with the camera angles, different kinds of shots and overall bloody feel to the whole thing — which elevate this to an even higher level. Any bad blood that Whannell got for Insidious: Chapter 3 is now completely forgiven. I love the world that it all takes place in, I love the approach Whannell brings to the whole thing and I LOVE the way that it ends. Without spoiling anything, it doesn’t seem like this necessarily has to be the last time we ever see Grey Trace on the big screen, so everyone go see Upgrade this weekend so we can get a proper sequel. Movies and TV are my jam, and the fact that I get to write about them on a regular basis is the bees knees. He can put his finger on the pulse of society and find all the hot spots.

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I don’t know why so many people expect to not only see her in this sparring session, but also get the TOJ flashback. It’s certainly possible that the casting for the character hasn’t been leaked, but I would think she would have appeared on one of the leaked casting calls. But you are right that there is no evidence at all. Then again, absence of evidence is not evidence of absence. Not every role is leaked, not even close, especially not this early. We have somebody who is clearly Arthur Dayne, with a casting description that makes it sound like he’s going to have a big fight scene, which is really superfluous to the narrative — I don’t see how you can include such a scene on its own, without any sort of meaningful narrative payoff. Moreover, we know Bran will be having several flashbacks this season, per Isaac’s own statements, but apart from the scene with little Ned et al. In particular, they really need to find a way to show Jon’s mother, and to show Ned’s reactions and responses. I (like most of us, I would guess) think that GRRM has always meant this to be some “key” to the over-arching story. That does not mean that the role isn’t there, but it becomes increasingly less probable as more time elapses and no more news of it comes out. I suppose that it could already have been cast, obviating the need for a casting call, too. (I have no idea how often that is the case. So, although none of the evidence we have says that the role is cast, there almost certainly is a lot of evidence we do not have that allows for it. It’s the kind you don’t even think of as an effect while you’re watching it. I didn’t even think about it until the real Michael Douglas appeared, in all his 70 year old glory. Quite impressive. And, indeed, GoT can’t afford that kind of thing. I wanted ian mckellen, orlando bloom, christopher lee, because I care about continuity more that character’s age. There are many actor on the show who did first audition for another role. I don’t think it’s so difficult to find a beautiful dark haired girl.

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