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Google makes the Android operating system, then sells a license to the operating system to different companies so they can make their own smart phone or tablet. Until he was recently fired, the Christian Dior company had been run by John Galliano. They went on to produce other poison gasses, such as Phosgene, and during WW 2 produced Nerve gasses such as Tabun, Sarin, and Soman. In the late 1950s Beretta, which had acquired the machinery used by Winchester to produce M1s during WWII, made M1s in Italy for NATO. ( Full Answer ). They want to fulfill a need, and provide a product that in turn makes them money. These include Homedics, Sunpentown, Thumper, and Sunny Health. Many retailers also produce their own brand of foot massagers, including Bed Bath and Beyond and Target. It also produces items like body wash and deodorant. Also, another company that sells a3 printers is the company Phaser. Although, OKI is the most recommended for high performance. The Honda GL500 was produced in the late 1970 through the mid-1980's. The motor could be push started in case of an electrical failure. It is a company that uses computer software to help people see the finished product of a home without having to construct the house first. The company also produces energy drinks and other malt beverages. In 1963, Ralph Braun started a company called Save-A-Step. Three years later he created the first wheel chair accessible vehicle. In 1999 they acquired Crow River Industries, which specialized in wheel chair platform lifts, and others would later follow.

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Top cowboy is your basic MacGyver version, able to leap tall buildings with a single roll of string and somehow roll out just enough cable wire to connect San Francisco to a defunct hydro-electric dam on Mount Tamalpais. With a staple gun and some boulder-shifting, he manages to make the lights go up in the city, the jukebox play, and save the day at they very last moment before all hell breaks loose and things turn to shit. This happens (spoilers! because it turns out that the only bad injun is a sneaky, traitorous lying injun (whose followers are so ignorant and inept they willingly turn into vicious monsters en masse or peace-loving cave-dwellers just as en masse depending on which leader they decide to bow down before at any given moment, he naturally being the strongest with the biggest dick). A writer with genuine vision sees the franchise turned over by corporate overlords to a movie director raised on John Wayne and the Lone Ranger. The original Planet of the Apes came around at a time when dystopias were rather fresh and refreshing. Nuclear nightmare scenarios were just off the boat, pre-detente and all that. What was nice about the original was that it was really okay that the Apes got a chance. This new one has only Keri Russell’s occasional appearance to heal the sick, console the strong, worry over the weak, and basically be everybody’s sexy background mom. It’s unfortunate and seriously there is no reason why many of the male roles could not have been female (human and ape alike), no reason at all. Movies have got to get to the point where people are people and it doesn’t fucking matter what gender they are, what they look like, what they wear, what they sound like, what their name is or their sexuality or the color of their hair or their skin or their eyes, because we can all be anything that any of us can be and it really should be obvious to everyone by now. Many people complained about the pacing (it was kind of slow and boring at times; often when it should have been crackling it felt lethargic), but I went along with that. It seems they introduced too many leads to tidy up, but I’ve never been one to demand total cleanup. One could well ask, what happened to the immortality-seeking billionaire. Or, sheesh, someone call the police on the terrorist maybe. Or, did the space center blow up with the android kid or not. Nobody seemed terribly concerned about anything, “five days later”. The husband was sort of a pussy with a weird accent.


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TeamouseLX, TeamouseVS, TeamouseVS (all 2001) are Miller's versions of Times Roman. Prolific master calligrapher and type designer, born in Nuremberg in 1918. Most of his life, he lived in Darmstadt, where he died in 2015. He is best known for Palatino, Optima, Melior, Zapf Dingbats, Zapfino, and ITC Zapf Chancery. He created alphabets for metal types, photocomposition and digital systems. He studied typography from 1938 until 1941 in Paul Koch's workshop in Frankfurt. From 1956 until 1973, he was consultant for Mergenthaler Linotype Company, Brooklyn and Frankfurt. From 1977 until 1987, he was vice president of Design Processing, Inc. New York (which he founded with his friends Aaron Burns and Herb Lubalin), and professor of Typographic Computer Programs, Rochester Institute of Technology, Rochester, New York. Students at RIT included Kris Holmes and Charles Bigelow, who together created the Lucida type family. He retired in Darmstadt, Germany, but consulted on many font projects until a few years before his death. In the 1990s, Zapf developed the hz program for kerning and typesetting. It was acquired by Adobe who used ideas from it in InDesign. Typographic Variations (1964), or Typografische Variationen (1963, Stempel), of which only 500 copies were printed. Orbis Typographicus (1980) Hermann Zapf and his Design Philosophy (Chicago, 1987) ABC-XYZapf (London, 1989) Poetry through Typography (New York, 1993) August Rosenberger (Rochester, NY, 1996). Arno (Hallmark). Aldus Buchschrift (Linotype, 1954): Italic, Roman. Alkor Notebook.


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Each dialog has a section labeled Source Space and a section labeled Print Space. Source Space has only two options (except in Illustrator): Document uses the Document profile (or profiles, in the case of In- Design) as the source profile for any conversion specified in the Print Space section. Proof Setup (Proof in InDesign) makes the application perform a con- version from the document profile (s) to the profile specified in Proof Setup. In Photoshop, it uses the rendering intent specified in Proof Setup. In InDesign, each object in the document has its own renderingintent. If you choose Composite RGB, onlyRGB profiles are available, while ifyou choose Composite CMYK or Sepa-rations, only CMYK profiles are available. While the number of possibilities that exist is extremely large, the print-ing controls offer easy support for three fairly obvious workflow options: In an early-binding workflow, where all the color is already in final out- put space, setting the Source Space to Document and the Print Spaceto Same as Source lets you print the document values unchanged tothe final output device. You can also print proofs to some other device by selecting its profilein Print Space. If you choose absolute colorimetric rendering, the proofing printer will lay down ink in the paper white areas to matchthe paper white of the final output, while relative colorimetric will scale the final paper white to the paper white of the proofer. In a late-binding workflow, where the document is in a space otherthan the final output space, choosing the profile for the final outputdevice in Print Space makes the application convert the color to the final output spaceyou'd use this when you're actually printing to thefinal output device. To generate proofs in a late-binding workflow, you can set Proof Setupto the final output space, then select Proof in the Source Space, and the profile for your proofing device in Print Space. This instructs the application to first convert the color from the source spaces to the final output space specified in Proof Setup, then to convert that color to the space you've specified in Print Space. The result is that the printer sim- ulates the final output. Again, absolute colorimetric rendering makes the proofer simulate the final paper white, while relative colorimetric scales the color to the paper white of the proofer. One caveat: InDesign only applies absolute colorimetric rendering to the contents of frames. It leaves the paper white areas paper white, which defeats the point ofthe excercise since our eyes promptly adaptto the blank paper white. An easyworkaround is to place a blank frame on the background of the master page. Other arrangementsare possiblesome cameras use CMY filters instead ofRGB, because theytransmit more light, while still others may add a fourth color.


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o. a. And Hillary Clinton sees a slight opportunity to do that. Some recent polls show the race between Clinton and Donald Trump there in single digits. A new ad from the Clinton campaign running in Texas touts her endorsement from the Dallas Morning News, which hasn't picked a Democrat for president in more than 70 years. The ad is only getting a limited run, and it seems utterly unlikely that Clinton could actually win Texas. Though the state's large Latino population, combined with where Trump has led the GOP on rhetoric about Mexicans and policy on immigration, could soon make winning Texas a real possibility for Democrats. There are other reliable Republican states where the Clinton campaign is investing more seriously, which is a sign of where the race stands. Clinton is positioned to win the White House if she gets just the battleground states that are already leaning to the Democrats. But they also have the luxury of being able to invest in some states that traditionally go to Republicans. Arizona has voted Democratic only once in a presidential race since 1952. Recent polls show a dead heat in that state, and the Clinton campaign believes Donald Trump's rhetoric about Mexicans will motivate Latinos in the state to turn out for the Democrats. But high profile surrogates — Michelle Obama, Chelsea Clinton and Bernie Sanders — are all campaigning there this week. Trump is leading in both states, but like Arizona, they have competitive Senate races. This spending also puts Republicans on defense in a way they wouldn't be if Trump was more competitive in states like Virginia, Colorado and Michigan. That would have caused the Clinton campaign to pour everything into defending those electoral votes, instead of being able to expand its map. Independent candidate Evan McMullin, a conservative former CIA agent who is Mormon, is pulling support on the right. Recent polls have shown Trump, Clinton and McMullin all near 30 percent, though Trump has maintained a slight edge.


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but also his informal style: Will he chew gum in front of the emperor. Duterte arrives in Tokyo later Tuesday for a three-day visit, his first as Philippine leader. For diplomats and political leaders, the main issue is Duterte's foreign policy toward Washington and how Japan can help mend those ties. Tokyo is a major ally of the United States, and has watched as Duterte increasingly attacked the U. S. and said he would scale back America's military engagement with his country. And he has worried Japan and the United States by reaching out to China. Japanese Foreign Minister Fumio Kishida acknowledged Duterte's remarks have triggered concern, and told reporters he planned to ask what his real intentions were when the two have dinner Tuesday. They are particularly concerned about his meeting with Emperor Akihito on Friday. Japanese TV shows have repeatedly shown Duterte apparently chewing gum — at meetings, shaking hands and at other public occasions. He walked in with his hands in his pockets and chewed gum during the hand shake and a signing ceremony. Hundreds of camp dwellers, many carrying all their possessions in backpacks, waited for busses to take them on to temporary accommodation across France, as the start of a massive operation to demolish the site. Some kept warm around piles of burning rubbish in the camp, a filthy expanse that has become a symbol of Europe's failed migration policies as member states bicker over who should take in asylum-seekers and economic migrants. There was no repeat of the minor skirmishes with security forces seen over the weekend and French officials said the early stages of the demolition operation were going peacefully. London and Paris have been at odds over the fate of about 1,300 unaccompanied child migrants. The French government last week urged Britain to step up its efforts and resettle child migrants. On Monday, British Interior Minister Amber Rudd said Britain would take in roughly half of the camp's children who are alone. Her French counterpart Bernard Cazeneuve said that all unaccompanied children with family ties in Britain would be taken there.


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Holness navigates the terror of psychological damage without ever needing to resort to any graphic details. By doing so, the focus stays wholly on the psychological. The only time the physical comes into play is at the end when Philip must confront his Uncle Maurice in the burned room. The ambivalence of whether Philip is a child abuser is an important plot point because people mistakenly believe most victims of abuse go on to become abusers. In Holness casting Philip’s trauma through an ambiguous lens, he grounds the struggle of his protagonist in a painfully real situation, where even the character begins to question himself and his reality. One of the most brilliant elements remains Sean Harris. His haunting performance cements him as a hugely underrated character actor. His entire body speaks of trauma’s lasting wounds which stain the very psyche of a human being from the time they’re a child on into their adult life. Holness conjures a disturbing view of what child abuse does to an adult later in life, mixing British kitchen sink realism with surreal dark fantasy. The focus on Philip’s Uncanny struggle, and his own uncertainty about what’s really going on around him, is a crucial perspective needed in stories about the way abuse’s trauma warps the reality of victims. Horror isn’t a monolith— it can entertain, scare, enlighten, and so much more. If Holness was only trying to creep us all out with a modern Gothic, he did a fantastic job. He also managed to use the horror genre as a vehicle to honestly explore the choppy waters of the damaged mind, and how people attempt to master the traumas that damaged them even if the results are horrifying. Tweet Email Share on Tumblr Like this: Like Loading. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society. IP addresses, and other such information are not linked to any information that is personally identifiable.