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Carter uses the Gothic convention of the figure of the double to remark his true nature and his murderous instincts. He is described by the first-person narrator as “a huge man, an enormous man, and Angela Carter’s Gothic Fairy Tales 157 his eyes, dark and motionless as those eyes the ancient Egyptians painted upon their sarcophagi, fixed upon me” (Carter, 116). Using the Doppelganger, Carter portrays the Marquis as a charming man who offers women wealthy commodities, presents and a luxurious kind of life: “Carter’s male protagonist is a decadent connoisseur who seduces with his wealth and power, and he bears a resemblance to both the mythical Hades and the Bluebeard of folklore” (Tatar, 115). This character represents the “fascination of the abomination” for the narrator: “I lay in bed alone. The lilies I always associate with him; that are white. The evil nature of the Marquis is present from his arrival at the castle and in the sexual encounter with his last wife; it is implicit in the discovery of the bloody chamber and, finally, it is openly exposed in the last scenes, when he is prepared for murder: “Don’t loiter, girl. Do you think I shall lose appetite for the meal if you are so long about serving it. I have a place prepared for your exquisite corpse in my display of flesh! (Carter, 141). Artificiality is a common theme in Carter’s fiction and, in this particular tale, it represents the motivation for the wife’s disobedience, thus deconstructing the traditional tale’s focus on reproved female curiosity. Conclusion At the end of Carter’s tale, the narrator is saved from death by the arrival of her wild powerful mother, who shoots the Marquis dead. The author is reversing the traditional tale—in which the girl’s brothers are the heroes—by reinforcing the mother-daughter bond and bringing another female character to the foreground.

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While referring to the Modi feast being organised in various parts of the country Vibodh said that the main purpose of this is to create awareness among the common masses about various developmental policies and programmes of Modi Government. The way in which every one can see the remarkable development happening in every nook and corner of the country, calls for every one to rejoice and celebrate this, he added. Appreciating the role of border people in the overall development of the Pir Panjal area Vibodh said that the border villages are the excellent example of peace and communal harmony. This he said is the only reason that currently many developmental activities are going on in full swing in various border villages. In a remark aimed towards the enemies of peace who are trying to create trouble in some parts of the state Vibodh said that they must learn that we must use stones to build a bright future for our selves and not for destructive purposes. He urged all the small villages and Panchyats in the border areas to themselves organise Modi feast in their villages and celebrate the fact that country is being led towards the path of development by the most able, dynamic and hardworking leader like Modi. rominent among others who accompained MLC Vibodh during this trip included Kamal Gupta, Naresh Bakshi, Kewal Sharma, Ghani Sham, Vikas Sharma, Abdul Rashid, Ganesh Kumar and Pawan Sharma. He said that Jugal Kishore Sharma of Congress has made false, fabricated and politically motivated allegations on the BJP-PDP coalition government in the state. When the Congress leader talks of governance and administration, the people has the right to question him about the kind of politics played by Congress and the type of governance they delivered while in power for decades. It is the present coalition in Jammu and Kashmir which has set the things in right direction and people are enjoying corruption free, good governance. He said that the Congress had been mother of all ills and malpractices and after taking over the power, sincere efforts have been made to undo the wrongs of Chair hungry CongressBaru said that the dilapidated state of scenario, which had been existing in various departments of public dealing was the result of the ill governance unleashed by the successive Congress led Governments, owing to the sole aim of Congressmen be the self profits. He said that if Congress, along with the other political parties, had worked with just one percent of the motivation to serve the society and the nation, India would have been a better place to live.

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It’s Captain America himself (here played by the thoroughly Turkish Aytekin Akkaya). Now, I will admit that I am not an expert on Turkish fandom, but why the hell would the makers choose Captain America for this gig. However, the American Hero apparently forgot to bring his signature shield with him. Why this is especially bad is that this Ottoman celluloid version of the Sentinel of Liberty could not fight his way out of a wet paper bag. Oh, he seems to keep winning his fights, amazingly, but this is less because of his patriotic superhero prowess than it is the fact that the Spider-Turks that Captain Turkey keeps facing off with are worse fighters than he is. Unfortunately, the filmmakers didn't care to learn anything about that stolen character, either. The masked Luchadore was actually Rodolfo Guzman Huerta in real life (and never removed his mask in public) but Yavuz Selekman’s unauthorized impersonation is out of his mask so often that I had trouble understanding that the guy in the mask and cape was the same guy walking around with the equally unmasked excuse for Captain America. Even those performances beat the depiction of poor old Spider-Man, whose representation here is almost as offensive to comics fans as 2004’s Catwoman was. In addition to the beer gut, bad eye shadow and huge eyebrows, this sorry excuse for Spider-Man has absolutely no powers. He shoots no webs, he dispatches victims by strangulation, switchblade stabbing and, in one case, even sets a hungry rat on to the eyeballs of a nemisis. He is, however, damned hard to kill, especially in the nonsensical finale during which. It's so bad that only a little kid could take it seriously, but the blood, violence and nudity bar this from any eight-year-old’s watch list.

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