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She thought there’d be a script and a real film to make afterwards. He insinuates himself into a family’s life out of loneliness, to make friends. At one point the family realise he’s not really the director and have him arrested. The film follows this man’s trial in an Iranian court, and then the real Mohsen Makhmalbaf meets the man and takes him to the family. He was taking his time with it so Werner Herzog promised “If you finish this film I will eat my shoe,” which he did. It’s about two families in California who run pet cemeteries, and it looks at humans’ relationships to their pets. We eat animals, we use them for labour, but then we keep them in our home as objects upon which we project love that we maybe lack elsewhere. Morris has these carefully crafted tableaux: there’s one continuous shot where a woman has a 15-minute lament, complaining about aspects of her life, and that’s where the film becomes something altogether greater and more mysterious. There’s an elderly man in Austria looking for a new wife, and he meets a lone single woman on the Czech side of the border. She’s much more sexually comfortable than he is, which is a source of incredible comedy. But it’s about desire and love and the fulfilling of our quotidian needs and the necessary, wilful blindness towards our deeper needs because ultimately, to contemplate those needs is to contemplate our own mortality. I imagine that seeing it at the time you would come out feeling like you’d have to do something about the situation. There are sections of The Act of Killing where I surely had this film in the back of my head. KB. She is currently working on a follow-up to Buena Vista Social Club. It follows them for five years and it’s a spectacular example of a longitudinal documentary where you get to glimpse the machinery of life. You get a real sense of time unfolding and the big forces that act on us. The twists and turns are subtle, nothing much happens, and yet it feels incredibly dramatic and compelling because it’s so well crafted and the characters are so beautifully rendered. I watched it repeatedly when I was making my first film, Devil’s Playground, because it follows young people through this pivotal period in their lives, and I was trying to understand how you could get so much narrative, emotion and character into a film.

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F. Who was the first president to speak on television from the White House? G. Who was the first president to hold a pilot's license? H. Who was the first president to father a child while in office? I. Who was the first president to receive a passport while in office? J. Who was the first president to throw out the first pitch of the baseball season? K. Who was the first president to be granted a patent? (In this case, for a device for buoying vessels over shoals. L. Who was the first president photographed in office? M. Note that things like “John Smith, track and field” would be insufficient. A satisfactory answer might look like “John Smith, track and field, 800 meters” for an individual winner or “Women’s Basketball” as a winning team. The host nations of the two most recent Olympics (2016 and 2018) share the dubious honor of having had their leaders (relatively) recently impeached.


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1957, Doncaster, South Yorkshire, England Movies: Night Voice (1990), Big Cat (1998), Deja vu (1999), The Inspector Lynley Mysteries: Playing for the Ashes (2003), Promoted to Glory (2003), Footprints in the Snow (2005) Spence directed episodes of Brookside, Bergerac, Poirot, and Murder City. Promoted to Glory is a sensitively handled Christmas story. In Footprints in the Snow, Caroline Quentin plays actual paraplegic Julie Hill, who works to salvage her marriage after her devastating auto accident. Enron employee Brian Gruver’s book, Anatomy of Greed, which told the corrupt company’s story from his insider’s perspective, was adapted for Spheeris’s The Crooked E, which starred Christian Kane as the author with Shannon Elizabeth, Mike Farrell, and Brian Dennehy. BRYAN SPICER Movie: Strange Frequency (2001, co-directed with Mary Lambert) A hard-working freelancer, Spicer directed episodes of Eerie, Indiana, Parker Lewis Can’t Lose, Salute Your Shorts, SeaQuest DSV, The X Files, Third Watch, Dark Angel, The Lone Gunmen, House, M. . Killer Instinct, Bones, and 24. His features include Mighty Morphin Power Rangers: The Movie (1995), McHale’s Navy (1997), and For Richer or Poorer (1997). STEVEN SPIELBERG b. December 18, 1946, Cincinnati, Ohio Movies: Night Gallery (1969, co-directed with Barry Shear, Boris Sagal), Columbo: Murder by the Book (1971), Duel (1971), Something Evil (1972), Savage (1973, aka The Savage Report, aka Watch Dog) Spielberg has been one of the most powerful forces in Hollywood for more than three decades, using his clout as a producer and artistry as a director to bring stories of universal appeal and humanist themes to audiences of all ages. His vision, talent, and accumulated power have made him unique in entertainment history worldwide. His financial success for the industry has been nothing short of staggering. The ultimate folklorist of the multiplex era, Spielberg won Academy Awards for directing Schindler’s List (1992) and Saving Private Ryan (1997). He also won the Oscar for best picture as a producer of the former. Spielberg has been nominated for Oscars for best director for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E. . The Extra-Terrestrial (1982), and Munich (2005). He was a producer of the best picture nominees E. .

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But, rather like the Hammer House of Horror episode 'The House that Bled to Death' (which in look Ouijageist closely resembles) it's not long before things start going wrong. This run of bad luck may possibly have been prompted by India finding a 'Witchboard' game abandoned in the back garden (it's a ouija board to you and I but, in the first of many film references throughout this flick, I'm going to guess that this is a nod to the Witchboard movies of the 1980s). Then baby Emily (India Raqia-Walker) nearly scalds herself to death in a bath, the bathroom door mysteriously closing behind her. India strongly suspects that these incidents are more than coincidence, and when her pet dog's head is found (well actually it's thrown at her by an unseen presence) and the window cleaner karks it in a mysterious hose accident, she's convinced of it. There is horror but it's largely played down, making it for the most part a suburban drama with things that go bump in the night. Things do eventually move to an Evil Dead style climax - presaged by a cafe scene where India's slacker ex breaks out in pentagramic welts and spews bile everywhere - and to be honest these scenes feel like they've strayed in from another movie altogether. But there's a lot of fun to be had here, despite some occasionally ho hum performances. There is some very impressive camerawork on display from Matthew Hickinbottom; the score is also rather striking, although I'm somewhat confused as the film credits Liam W. Ashcroft whereas imdb lists one Jean Michel Noir (trading as Liam Smith). But it's the affectionate nods to the genre that made this film for me. In particular there's a great homage to the (original) Poltergeist 'chairs on table' scene, explained away by India's mum as the product of her doing a spot of vacuuming. And I bet you never see another movie with a cine literate priest who puts up a spirited defence of Poltergeist II: The Other Side with a straight face. Well done to all, and I look forward to future projects from the team. Ouijageist is available in the UK on Amazon Prime Video now. The collaged soundtrack suggests weightier concerns, gently insistent behind the flatness of the utilitarian sounds of ripping tape. -SB. Adapting Stanley Milgram's 1963 experiment on obedience to authority, Gold Moon, Sharp Arrow straddles tensions between language as a site of transgression and of regulation. -MA. I had to get into the act to speed things up so, in a way, this film gives an insight into my directing techniques while under pressure.