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Reilly punya backstory cukup kompleks sebagai pejuang Perang Dunia Kedua yang terdampar di pulau ini bersama seorang tentara Jepang. Musuh menjadi teman ketika orang ngadepin masalah yang sama. Sejarah tokohnya ini sebenarnya bisa jadi landasan yang compelling sebagai pemantik emosi, namun film memutuskan bahwa Marlow paling suitable jadi karakter eksposisi semata. Marlow yang udah tinggal di pulau sejak Perang tersebut, hanya ditujukan sebagai pemberi info. Tokoh Samuel L. Jackson, Jenderal Packard, ditulis punya semacam hubungan spesial dengan perang. Dia terlihat bergairah ketika mendapat panggilan tugas ke Pulau, padahal tadinya dia lesu sebab kloternya akan dipulangkan dari medan pertempuran. Penokohannya menarik, ada sesuatu di dalam dirinya, kita bisa rasakan kenapa dia butuh banget berperang. Dia menanamkan rasa dendam hanya supaya dia bisa terus punya misi. Dia ngerasa enggak hidup jika enggak mengangkat senjata, ataupun jika enggak ada perintah. Pertanyaan yang penting adalah kenapa kita merasa perlu mencari musuh.

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I know it sort of has been already but there is a fair amount of stuff left out. The dumbing down of Dorne is silly but the lack of Iron Islands is unfathomable. But when he came, they made him look small and weak. A dragon is supposed to be nearly impossible to kill. Why were the spears not burning and melting when they struck him (like in the book). But instead we get this small thing that couldn't even blow fire after a few small bursts. ugh. Seems if they threw like Jorah threw that spear at the first harpy then Drogon would be in serious trouble. Not quite the same as the alley as they stood a much better chance here. Danny thought that she was looking into the pits of hell itself when Drogon opened his maw at her. I'd like to think it's the unveiling of Robert Strong.

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If Sansa and Arya are together, they may see what Cerci is up to and turn the tables. Scorpias1990 6 bulan yang lalu Why no one is talking about Bran. I think he is very important character, I think he is the one that makes the mad king going crazy. I think the 3 eye raven is actually Bran but who got somehow in the past. Have that head Night's Watch dude make sweet love to her. Someone has to rule the North in the end, and Bran can't because of him being the Three-Eyed Raven, Arya can't because she doesn't want to, Jon would have to sit on the throne or just say screw it. John Elrick 6 bulan yang lalu This is very likely a load of bollocks. The battle of Winterfell will likely be in an episode directed by Miguel Sapochnik and we know he's doing episodes 3 and 5. Ascension Bias 6 bulan yang lalu Little Finger is alive. Ascension Bias 6 bulan yang lalu Jamie is going to be King. Chuba Longchar 6 bulan yang lalu This seems out of place.

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In partnership with ITC, Anderson began to work on a steady stream of science fiction supermarionette shows throughout the sixties, including Supercar, Fireball XL5, Stingray, Joe 90, and his two best known series: Thunderbirds and Captain Scarlet and the Mysterons. It was during the production of Captain Scarlet that AP Films changed its name to Century 21 Productions. This was in sharp contrast to the more common practice at the BBC of shooting on video, as was done with the science fiction juggernaut Doctor Who. Additionally, since the shows were made with an eye toward the American market more than the domestic British market, they were structured more in line with American television standards: twenty-five or fifty minute total run times and self-contained, non-serialized episodes. Again, this was in contrast to the example set by Doctor Who, where a single story could run through multiple episodes or an entire season. The end result of this style was a very high-end looking production, something ITC would implement with almost all of their series. Episodes of The Avengers or The Prisoner or the many Gerry Anderson shows looked more like movies than they did cheap British television shows. Combined with the shot-on-film approach and international distribution, the plentiful effects work soon meant that ITC was making some of the highest end, highest profile, most sophisticated entertainment in Britain, competing less with the British television market and more with British film. There had often been a hint of slightly darker and more mature content in his shows — Captain Scarlet begins with the titular hero accidentally annihilating an alien city — but Anderson wanted to break free entirely from the world of puppets and Penelope. It came not in the form of a television show, but as a feature film. Doppleganger — released as Journey to the Far Side of the Sun in the United States — is a dark, live-action science fiction drama about astronauts who discover a duplicate but slightly off-kilter second Earth orbiting the opposite side of the sun.

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