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Di Thir13en Ghosts, Bobby terlihat suka naik skuter. Walau menurutku durasinya kurang lama, cuma sekitar 80 menit-an. Karena ukuran file-nya nggak begitu gede-gede (maklum koneksi pas-pasan). Tapi dia ngotot kalo dirinya adalah orang Amerika karena dia lahir di Amerika. Pakde-pakde berkelakuan anggun dan tenang ini ternyata adalah pengacara yang diutus kakek Ceddie, Earl of Dorincout dari Inggris. Maka Ceddie pun punya nama baru, yaitu Lord Fauntleroy. Mr. Hobbs sendiri sebenernya nggak suka orang Inggris. Karena menurutnya orang Inggris itu jahat dan suka berperang. Walau begitu dia tetap menyukai Ceddie dan ikut sedih waktu anak itu pamit pergi. Cantik dan aktingnya juga sangat mengesankan. ? Apalagi di adegan ini, waktu dia bilang nggak bisa ikut Ceddie ke istana, bikin aku lumayan berkaca-kaca. Namun Ceddie dengan cepat mampu meluluhkan hatinya. Dia bahkan bikin orang-orang berpikir bahwa kakeknya adalah orang yang baik dan dermawan, berkebalikan dari anggapan mereka selama ini. Pesta itu juga dihadiri adik perempuan Earl of Dorincout, yaitu Lady Constantia. Dia bilang bahwa Ceddie bukanlah ahli waris yang sah. Sebab ada seorang wanita yang datang membawa anaknya dan ia mengaku bahwa anak itu adalah anak dari putra tertua Earl of Dorincout, alias abang dari ayahnya Ceddie. Tapi sang Earl dengan tegas mengatakan bahwa dia nggak mau melihat anak-beranak itu selama sisa hidupnya.

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Not unlike the blank pages on which he writes, Calvin's life is white and clinical, until some bizarre items materialize - a small red bra, a pair of purple underwear and one morning, a quirky redhead in the kitchen whipping up eggs for breakfast. Flabbergasted by the idea that his words could conjure up a flesh and blood person, Calvin's initial response is to ignore the situation. But when his brother Harry (Chris Messina) and the world at large agree she is in fact corporeal, Calvin allows the lines between fiction and real life to blur, engaging in a relationship with the figment of his imagination. Will he discover the true meaning of the old adage 'be careful what you wish for'. If love doesn't run smoothly, will temptation lead him to abuse his new found power, changing her once endearing charms as they turn into insufferable eccentricities. Can happily-ever-after really be written from the bias perspective of one person. In her deceptively challenging puppet-like role, Kazan is effervescent, spirited and intuitive; whilst the anxiously Woody Allen-esque Dano exudes the essence of an introspective neurotic writer, both conveying the required emotions artfully. Cameos from Steve Coogan, Annette Bening and Antonio Banderas are fun but somewhat distracting for the level of film, which is in direct contrast with Messina's natural archetypical male. Issues with this production lay with its miscarriage of timing, its manufactured gravitas, and heavy handed chunkiness in parts. A lighter tact and delicacy would have made this seem more original and quelled the emotive desire we were left craving. The Verdict: This kind of exploration into the male fantasy has been done umpteen times and always raises a number of moral questions, but interestingly enough, for what seems like the first time, the capacity to mould and regulate the fashioned female seems to have genuine consequences to which the male counterpart is affected. Hitting exceptionally hard this year, this week movie goers are subjected to the daft in-crowd boys comedy of The Watch, yet another sequel of escape zoo animals in Madagascar 3 and even a fifth episode of a video-game-adaptation of flesh eating zombies in Resident Evil: retribution. It is weeks like this I wish as a kid I was more interested in books than movies. Exhausted, overdone and over capitalized, the extremely lucrative Resident Evil franchise has simply gone beyond it, and according to RE5's final scene; it's still not over. As indestructible as its badass poster-gal glutton-for-zombie-punishment heroin Alice (Milla Jovovich), Resident Evil always seems to claw its way back (and for some reason squished into a yet another version of its trademark figure-embracing bondage inspired latex suit). The apt tiles of its predecessors always hinted at the individual installments main theme, Apocalypse, Extinction and Afterlife intertwined the films reasoning and premise. Retribution however lacks this anchor and could easily be replaced with repetition, replication, repeat or even redundant and result in the same effect. Even longtime series fans are reaching saturation point. Director Paul W.

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