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Since then, Stefanie has shed her bandmates and the gently giddy 'Casual Diamond' is her most recent material. Laurel Halo is the perfect candidate to rework material of this calibre, expanding an already articulate electronic vocabulary with something crossing spatialized 2-step, shoegaze and mid '90s UK electronica like a threadbare quilt sheltering her dreamspace behind the sofa. The lyrics on this release have some of the same philosophical and spiritual influences that dominated Ray's next band, Shelter, which recorded its first album the same year. During the sessions these tracks were done the band also recorded a Partridge Family song, but decided not to release it until 2002 on the Revelation 100 compilation. HS delivers a pummeling, industrial sewer while TAG goes rather eclectic. A departure, featuring organs, horns and even electric guitars, from his normally stripped down acoustic albums) 13. 0 BIBLO - on ugliness LPBIBLO - on ugliness LP (quetzi - pop music had been an intensity-thing once, as to follow the legend, but as time passed it just started to quote and copy the erstwhile forms in a void way. Over the course of the album's eight tracks, the untidy trio unfurl their tentacles reaching into the dim recesses of human existence to pull forth yet another grizzled portrait of life gone horribly wrong. Previously available only to bootleg diehards and internet trolls in inferior incarnations, this long lingering blackened gem has finally been disinterred for the world at large and properly presented in all its ragged filthy glory. The title track continues the theme, adding a heavy dose of melancholy to proceedings. Rautatie is epic hard rock and colossal riffs that corrode into fragments of black metallic atonality over time. Occasionally the album’s majestic elements step aside and let sprinkles of athletic boogie take the center stage. Together the eight tracks on the album form a hard rocking bullet train, speeding ever onwards on a circular railroad to infinity. Coming after Schnitzler's searching Colour series, it's one of his most perfectly realized and futureproof recordings, beautifully poised and ultra-minimalist in execution but wildly psychedelic in scope and implication. You can hear its influence on Chris Carter's recently revived The Space Between, with stately, repetitive analogue melodies suspended in a spacious, multi-directional sound design simply unbelievable for the era. The title track is overwhelmingly beautiful, an-astro utopian reverie that Cluster, Monoton or even Kraftwerk would be proud to call their own, while the bass-heavy 'Black Nails' closes out the suite in droning techno noir mode. From Carlos Giffoni to Carl Craig, Mute to Minimal Wave, the DNA of this album can be found in virtually all adventurous electronic music that has followed in its wake.


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