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) The writing is slightly archaic, but it isn't too bad to get through. In my humble opinion this man is a great writer, for any age. h, and truly be careful: Mummy might strip her gears at any minute. Reading his work, you might have thought that he had lived and written earlier because of his prose style. These write-ups would be submitted on a regular basis to the attorney associations throughout Scotland for their edification. Roughead also went back in time and assembled information on earlier famous crimes and recorded them so that we have records of them today. Later, he was the editor of the on-going series, “Notable British Trials. €ť This book collects twelve of his cases for which he pieced together the evidence and trial records. Each of the cases are well documented, and include many that are familiar to modern day mystery fans. This genre of “true crime” has had a long history, and has spawned offshoots in the “false crime (? ” crime. Many of the cases presented in this book have been adapted into either plays or novels, and the author refers to them where he knows of them. Rarely does a book of nonfiction this large maintain my interest so intently, but for some reason, I hated having to put this one down. And it just goes to show that crime hasn't really changed over the centuries -- the prime motives of murder (sex and money) are timeless. Before I even get to the end here, let me just say that if you are at all interested in famous crimes from times gone by, especially from the UK, this is a book you should consider reading. The author of this book is William Roughead (1870-1952) a lawyer in Scotland who was quite well known for his interest in the history of crime. He was a contributor to the Notable Scottish Trials and Notable British Trials series, friend to Henry James, and in one famous case of the era (that of Oscar Slater), he joined such notables as Sir Arthur Conan Doyle in trying to get justice for what they considered to be a trumped-up case and an incorrect verdict that sentenced a man to death. Roughead does more than chronicle the cases in this book; at many junctures he injects his wit and sarcasm and tries to appeal to his readers' sense of justice in cases where the guilty walked away and the innocent were wrongly convicted. Using the official court documents of each case, he takes the reader through the commission of the crime (with all personalities involved), witness statements, the arrest and trial, and the aftermath. Roughead's version of true crime reporting is nothing at all like some of today's accounts that promise titillating tattle, you know, the ones with the catchy titles and lurid covers -- he offers facts, his opinions and manages to keep the reader interested throughout.

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Prewar Russia had witnessed the zenith of the reforming monarchy, taking its first baby steps into the modern era; but the war erased all that progress. Soon, the only crowds that gathered were those demanding bread, an end to conscription and finally the abdication of the tsar and an end to monarchy. Not everyone, however, was so distracted by the dramatic European events that would soon change their lives forever. Trubetskoy’s autobiographical notes provide a good indication of what was occupying the prince’s monomaniacal attention span for most of this period: his teaching qualifications. Absorbed in his world of paleo-Siberian fricatives and Finnic folktales, Trubetskoy did not seem overly troubled by the carnage taking place in Europe and the upheavals in his own country. His autobiographical notes break off in mid-1917, having failed to mention the end of the Romanov monarchy in March 1917, when Tsar Nicholas II abdicated and the short-lived provisional government came to power. The Bolshevik seizure of the Winter Palace in the renamed Petrograd in October, and the declaration of Soviet government apparently caught him off guard. But he knew he could not return to Moscow, as all members of his dynasty would be potential targets for the communists. For the next three years, Trubetskoy, his wife and daughter wandered the war-ravaged landscape of southern Russia: first to Tbilisi, then to Baku, then to Rostov, then to Crimea, and across the Black Sea by ship to Constantinople (see chapter 1). Finally, the young prince’s aristocratic connections proved useful in landing him a job in the Bulgarian capital Sofia teaching Slavic linguistics. Life in postrevolution Moscow was difficult: food was scarce, crime was rampant, and the Bolshevik regime, insecure and fighting a civil war across the breadth of Eurasia, was becoming increasingly intolerant of any dissenting views. Believe me, this all is an adventure story and that’s all that there is to it, and so it is with almost every one of us. €™2 Gradually, as the Bolsheviks consolidated their power, they began to quarrel with all who questioned orthodox Marxist views. The formalists’ view that art is autonomous and independent of society pitted them squarely in ideological conflict with orthodox Marxism, which held that art is an expression of history and social forces and must be subordinated to political considerations. Asserting, as the avant-gardists did, that the social context of literature was irrelevant amounted to a rejection of what was fundamental to the philosophy of dialectical materialism. In the pluralistic atmosphere immediately after the revolution, when the Bolsheviks needed allies and tried to appeal to the 38 BLACK WIND, WHITE SNOW intellectuals, formalism could be tolerated. But as time went by, any competition to the official state ideology began to be met with stiffer and stiffer resistance. He landed a job as interpreter for one of the first groups of Soviet diplomats to be sent abroad. The 24-year-old was not a diplomat by training, and nor was he really a communist. Furthermore, his knowledge of Czech was limited to a one-semester class on the comparative grammar of Slavic languages at Moscow University.


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