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Most likely tho just a random giant to show the NK's isnt screwing around. Most likely tho just a random giant to show the NK's isnt screwing around No, all those were burnt. Giant settlements were probably overtaken with many casualties by the White Walkers long before, plus their old burial grounds were probably reanimated as well. They probably have a ton of giants in the undead army. Overall i liked it alot I get what sansa is saying but jon understands the bigger picture. Even if the karstark and the umber did betray them again the dead don't care and will wipe out anyone. It's gonna take everyone to take on the undead army. What an opening. I agree. I wanted arya to go north and reunite with jon and sansa. Jaime looks like he's reaching the end of his rope with cercei. If she agrees to marry euron once he proves himself I can see Jaime really giving up on her. From the cut of next week's trailer it looks like aryas dire wolf is back. Overall solid episode has me hyped for the rest of the season. h yeah the undead king has GIANTS. Could see that one right away, but still satisfying to see it played out on screen.

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A generous, big-hearted artist whose talent and professionalism were a model for making a full life in the theater. A Cleveland native, Latessa was a regular on New York stages, appearing opposite Tommy Tune in The Will Rogers Follies, and in revivals of such popular musicals as Damn Yankees and A Funny Thing Happened on the Way to the Forum, among many others. He was a replacement for Herr Schultz in the 1998 Roundabout Theatre Company revival of Cabaret which starred Alan Cumming as The Emcee. In the 1970s, Latessa had roles in Stephen Sondheim’s Follies and, later, in Rags. More recently he appeared in the New York City Center “Encores! revival of Jerome Kern and Oscar Hammerstein’s Music in the Air, and in a Broadway revival of Promises, Promises with Kristin Chenoweth and Sean Hayes. His last show was a 2012 Broadway transfer of the Vineyard Theatre production of Nicky Silver’s The Lyons, with Linda Lavin. Open-faced and quick with a smile, Latessa was loved by the companies he worked with, always appearing to relish being part of a team putting on a show that would give pleasure to hundreds of people. Said Fierstein on Facebook: “I’ve never had an acting partner quite like Dick Latessa. Whenever one of the kids in the show had a problem we’d send them up to Dick’s room for a lesson on how to be a pro and keep their heads on straight in our crazy business. I loved and adored him and, no insult to any other actor opposite whom I performed HAIRSPRAY, there was no one like Latessa. That kiss on my shoulder, a detail most of the audience would never notice, gave me the courage and chutzpah to sing and dance on a Broadway stage with abandon. Oh, Dick, there was only one you and I’ll be forever grateful that I got you all to myself for nearly a thousand performances. Sincerest condolences to Jonathan, Shirley and his beloved daughters. While we can’t share what role she’ll be playing, we can guarantee that she’ll be shaking things up in Port Charles,” said Frank Valentini, executive producer, in a statement. Brown, THE PEOPLE v.

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Stefani spent the near two-hour runtime reviving songs from her past with a fresh twist, energy on tilt and focus lasered. Unlike her Vegas peers, bells and whistles were few, save for the bananas brandished by her fleet of backup dancers for opener “Hollaback Girl” and her giant cake throne for “Wind It Up. Instead, the 48-year-old let the songs do the work, with minimal stage banter and footwork, leaving the heavy lifting to her backup dancers. Many Vegas performers opt out of actually keeping their mics on as they hit choreography, and it was a compelling choice. She sounded fresh, on-key and connected with her music, making for a show that felt less like an automation and aligning with her brand: a talented girl in the world, uncompromising, giving it her all with little artifice. As the curtains opened and horn fanfare erupted, she emerged with a trail of dancers behind her, clad in thigh-high glitter boots and a glitter cape over a glitter jacket. Sparkle was a theme throughout the night—near the end, she came out in a chic farm-ready ensemble care of designer Jeremy Scott, who watched from the crowd as she shouted him and Shelton out. Save, for except, a few moments where a backup dancer tried to secure a cape on her for “Don’t Speak” to disappointment, or when another dancer tried to disconnect a corset from her frame. To her credit, she adlibbed wonderfully, bringing two girls and then their other sister on stage to help her out of the latter. I want you and you to come undress me right now, please,” she said, pulling them into the spotlight. “See, this is basically our dress rehearsal, and that’s why I said tonight was one of the most memorable of the entire tour. This is the very first time this has ever happened to me. Actually, I crapped my pants one time in the crotch. . As one fan in the sea of standing room fans in the pit waved a rainbow flag, perhaps coincidentally coinciding with Pride month, Stefani brought up a lesbian couple on stage after spotting them in the crowd. “I want to talk to these weirdoes,” she said, referencing the audience at large.

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Adam Skorupa Adam Skorupa is a composer and sound effect designer, who has received multiple awards, both polish and international. Honored by the IGN website in 2007 for best original video game music ( “The Witcher” soundtrack). He specializes in comprehensive development of music and sound effects for video games, advertisement spots, and feature films. Mikolai Stroinski Mikolai Stroinski is an experienced and renowned movie, tv and video game composer. He worked for CBS, NBC, FOX and the Discovery Channel, among many others. He has also composed for video games, creating soundtracks for such games as The Witcher 3 (Wild Hunt and Blood and Wine), Gwent: The Witcher Card Game, Sniper: Ghost Warrior 3, The Vanishing of Ethan Carter, Attack of the Earthlings, Detached, Kursk and many others. Krzysztof Wierzynkiewicz Film, TV and video game composer. Krzysztof composed music for AAA titles such as: Bulletsotrm, The Witcher 2: Assassins of Kings, The Shadow Warrior 2. He also is a co-autor of music for Animated History of Poland directed by Tomek Baginski. Since 2000 Krzysztof composes and produces music as a freelance artist. He is working with every known music genre and style. By submitting your project, you confirm that you agree to the terms and conditions available here. We handle commercial, animation, interactive, narration, promos, trailers, audiobooks, IVR, and everything associated with voice over. A little box packing a mighty punch, the SX fits right into any home and setup takes just a few taps. The Manhattan SX even upscales SD channels for enhanced viewing. Freesat has over 200 channels for an unrivalled line-up of free TV.

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Little does Dee know that she's just trading one hell for another. When an unexpected storm and a lack of gas force their car off the road, Dee, Luke, and Mike find themselves with no other choice but to wander into the nearby town of Purity Springs for help. But it’s not good Samaritans they find, but rather complete and utter silence, every store and every house abandoned. Forced to seek shelter in one of the deserted homes, they uncover a disturbing book with explicit instructions on how to correctly rear a child, complete with a hand written record of its use. The group’s only hope for survival lies in the hands of Elijah’s son, Joseph. But is Joseph really their ticket to freedom or is his game just as deadly as his father’s. Three went in, and three will come out, but not a single one will ever be a shadow of who they once were. 10. Love Letters to the Dead - Ava Dellaira It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more; though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was; lovely and amazing and deeply flawed; can she begin to discover her own path. They want more biking and they appear (at least from this article) to have the ground-swell behind it.

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Asha sailed the Black Wind down the coast, trading. One voyage to the Jade Sea and we'll be as rich as gods. Old ruins could still be found amongst its hills and bogs, the remains of ancient strongholds of the First Men. What does Sea Dragon have that anyone could ever want. There are no mines, no gold, no silver, not even tin or iron. That's why she was Balon's favored child, and not Theon. In other words, the iron price is not as extreme as people stretch it. Do you think, instead of taxes paid to Pyke, Balon personally sails to each vassal's castle and sacks it for plunder. Do you think every time Victarion goes to the grocery, he slaughters the cashiers, stuffs some vegetables down his shirt, and guns it back to the parking lot. What about the common craftsmen, smiths, and innkeepers on Pyke and Harlaw. If you take the iron price to absurd conclusions, of course it comes across as stupid. There are countless references to ironborn paying gold for services, and this is because paying the iron price is a personal ideal for raiders. The Iron Islands have a raiding culture based on personal merit, and paying the iron price is just a saying. Agriculture MISCONCEPTION: There are no farms on the isles. THE ACTUAL TRUTH: Agriculture has always existed on the isles, even when the Old Way was paramount. This is another example of people taking an ironborn saying to literal extremes.

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1978). He became interested in theatre, however, and in the early 1980s he was a member of the Seattle Repertory Theatre, where he acted in such plays as The Fantasticks, Pal Joey, An Enemy of the People, and Guys and Dolls. He then moved to New York City, where he first appeared in the musical Birds of Paradise in 1987. He began a lengthy career playing guest roles on television shows as well as small parts in films in the mid-1990s. In 1999 Simmons appeared in both The Cider House Rules and Sam Raimi ’s baseball movie For Love of the Game. Jonah Jameson in Raimi’s Spider-Man (2002), Spider-Man 2 (2004), and Spider-Man 3 (2007). He appeared in Jason Reitman’s satiric film Thank You for Smoking (2005), and he portrayed the father of the title character in Reitman’s Juno (2007). In addition to the Oscar, Simmons earned a BAFTA Award and a Golden Globe Award for his performance. Simmons later appeared in the serial-killer thriller The Snowman (2017), adapted from the best-selling book of the same name, and in Justice League (2017), based on the DC Comics series about a team of superheroes. His other film credits from 2017 included Father Figures. Simmons then played former U. . senator Gary Hart ’s campaign manager during Hart’s 1988 presidential bid in The Front Runner (2018). During this time, Simmons continued to appear in various TV projects. Smith last was seen in public on March 24 at the Bank of Hope Founders Cup, greeting players as they walked off the 18th green. Shirley Spork and Marlene Bauer Hagge are now the only surviving founders.