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he shouts, a tinge of despair entering his voice. “It’s what we have! It really makes no sense to withhold this from him, and that one point nagged at me throughout what was otherwise one of this show’s best episodes ever. Which leads to bleak parting words that hearken back to season four. Sansa avows that she will not go back to Ramsay alive. When Jon promises to protect her, she says bitterly, “No one can protect me. No one can protect anyone. I don’t know about you, Nikki, but this line made me think of Cersei’s sad reply to Oberyn’s claim that they don’t hurt little girls in Dorne: “Everywhere in the world,” she says, “they hurt little girls. Jon’s promise is no doubt sincere, but again, she knows more of the world than he does, and he can never understand what she’s been through. He’s been murdered, and he can’t grasp what she’s been through. I believed he was the man to lead us through the Long Night. But I was wrong, just like you. Perhaps, Davos counters, believing in kings is the mistake. Before you comment on that, Nikki, I’m curious: when Tormund thought Stannis’ demons were literally real, did you flash to Guardians of the Galaxy and Drax the Destroyer’s inability to understand metaphor. When Davos says Stannis had demons talking to him, and Tormund says matter-of-factly, “And did you see those demons? I laughed and laughed. I want to see Davos and Tormund do “Who’s on First” together.

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This celebration of wealth and prosperity occurs two days before the festival of lights. It is believed that on this day, Goddess Parvati played dice with her husband Lord Shiva. She decreed that whosoever gambled on Diwali night would prosper throughout the ensuing year. Homes are illuminated with lights, and firecrackers fill the skies as an expression of respect to the heavens for the attainment of health, wealth, knowledge, peace, and prosperity. Still another possible reason has a more scientific basis: the fumes produced by the firecrackers kill or repel many insects, including mosquitoes, which are plentiful after the rains. With that, there are a number of customs that revelers hold dear each year. There is an air of freedom, festivity, and friendliness everywhere. The sages who instituted this Deepawali custom may have hoped that their descendants would realize its benefits and make it a regular habit in their lives. It is a time when people mingle about in joy and embrace one another. When the heart has considerably hardened, only a continuous celebration of Deepavali can rekindle the urgent need of turning away from the ruinous path of hatred. On this day, Hindu merchants in North India open their new account books and pray for success and prosperity during the coming year. Employers, too, purchase new clothes for their employees. The best and finest illuminations can be seen in Bombay and Amritsar. The famous Golden Temple at Amritsar is lit in the evening with thousands of lamps. This includes Govardhan Puja, a celebration by Vaishnavites on the fourth day of Diwali. On this day, they feed the poor on an incredible scale. The lights of Diwali also signify a time of inner illumination.

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Lenny Abrahamson’s intimate direction emphasizes the claustrophobia of their surroundings, but tantalizes with the promise and possibility of escape. (For more Oscar-winning drama, stream “ Milk,” “ The English Patient ” and “ The King’s Speech. ). Telling the stories of a ruthless killer (Javier Bardem, who took home an Oscar for Best Supporting Actor), a morally flexible rancher (Josh Brolin) and a small-town sheriff (Tommy Lee Jones) whose paths cross when a border drug deal goes south, the Coens construct a Western contemporary in both its setting and style, setting the table for the standard stand-offs and shoot-outs, then turning those expectations inside out. Our critic called it “ bleak, scary and relentlessly violent. (For more crime with a whiff of Western, queue up “ Hell or High Water. ). Manohla Dargis praised its “ sardonically funny, touching key. (For more critically acclaimed foreign drama, try the Oscar nominated Hungarian film “ On Body and Soul ” or Guillermo del Toro’s Spanish smash “ Pan’s Labyrinth. ). In dramatizing the moral, social and legal fallout of a domestic episode that was either a misunderstanding or an assault, Farhadi displays his gift for telling stories that hinge on the tiniest events. A. . Scott called it “tightly structured” and “ emotionally astute. ”. I'm Clyde Barrow. We rob banks.

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der, Siddiqa argues, “one explanation is that one of the army-run agencies leaked it, wanting to deflect attention from itself to Hamid Mir”. T? revolutionaries, Vincent Guerrero ? d Guadalpe Victoria, t? n to? up the fight for freedom. ? en Fernando VII (t? King of Spain) finally decided to accept a liberal monarchy, Iturbide ? s afraid it w? ld be worse for the Creoles and supported t? fight for independence. When the allied forces ? re confined in Pusan, they sought t? US air forces ? ich flied about 40 sorties e? ry day.

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crore in the first six months of the last financial year to Rs 67. crore in the first half of the current financial year. The Ebitda margin was at 4. 4 per cent in the first six months of the current financial year compared to 4. 2 per cent in the corresponding period of the last financial year. The private label sales as on September 30 were at 6. 7 per cent. The revenue per store was at five per cent for the pre-2008 batch of stores, with Ebitda margins remaining at 7. per cent. The stores set up before financial year 2010 marked an Ebitda growth of seven per cent, with an Ebitda margin of 6. per cent. In 2014, it acquired Hyderabad-based for a consideration of Rs 146 crore, adding around 320 outlets to its portfolio. Out of this, around 258 outlets were operational as of September 2017 and saw a revenue per store growth of 17. per cent compared to the same quarter last year. Budget deficit may rise in FY18 but will improve in years ahead: Moody's business-standard. om Budget deficit may rise in FY18, but will improve in years: Moody's business-standard. om.

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