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All the epic weapons are starting to show up again. Interesting thought. ou think they get Machiavellian and sacrifice one of their own for the cause. Probably more like capitalizing on a team members fatal wound or maybe Beric taking one for the team since he's been dead many times already. I don't see a random wight as the bounty but maybe. The whole errand tho is a another stupid plot device. And he barely got to the ground, hardly a needle poke Arya and Sansa have matured past season 1. Trying to stir that rivalry is just soap opera plotting. It's bs. And arya doesn't need a northern face. It was established by the serving girl at freys castle that she doesn't even need a dead person (unless she cold blooded murdered a poor serving girl - tbd) The cersei prophesy was from the frog - not the red witch - he is batting 1000. Sam already has one old fuck on his side from the cure of jorah. Taking a few random books is hardley adding more value than sticking around and sending ravens when he finds out things. But somehow, I'm sure he has managed to just randomly take the right books with him. The show is veering into thin soap opera territory. The writers are just rushing to get this thing done now and are just using any contrivance necessary to get from A to B.

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One thing that came up over and over was the spatial or prepositional nature of our relationship to the digital networked public. As Bleeker points out in Why Things Matter are we 'on' or 'in' the network. It is unusual to build a robot that doesn't have an overt industrial purpose - it may be decorative, dysfunctional, nailed to a tree and bleeping. It exists purely to raise questions about industrial and technological philosophies and ethics in our society. This project examines ideas of function, autonomy, artificial intelligence and purpose-driven technology. The wireless Internet connection allows the devices to talk to each other and mingle their conversations on the web. Following the series of workshops, the results of the artists' experiments with robots will be exhibited to the public through a number of events in May 2006 and January 2007. In The Messenger, email messages received over the internet are displayed letter by letter on three alphabetic telegraph receivers: a large array of 26 talking washbasins, each intoning a letter of the alphabet in Spanish; a chorus line of 26 dancing skeletons and a series of 26 electrolytic jars with metal electrodes in the form of the letters A to Z that oscillate and bubble when electricity is passed through them. Movie. He has performed internationally, at The Kitchen, Festival d'Automne a Paris, Het Apollohuis in Holland and at Ars Electronica in Linz and created music for Merce Cunningham Dance Co. His interactive audio artworks have been shown at the I. . . in Tokyo, Bravin Post Lee Gallery in New York and The Museum of Modern Art in San Francisco. He has been an Artist-in-Residence at The Exploratorium and at Xerox PARC and has received major awards and fellowships in both Visual Arts and Music from The National Endowment for the Arts, N. .

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The film uses close-ups to great effect as the actor Joe Capella uses all his talents to show his concerned face. This great performance has to display anger, determination and being petrified with very little movement and he delivers a first-rate act. Again, another great idea in a film already full to the brim with them. Well, you’ll just have to watch it as we’re not giving up any spoilers here. An outstanding concept, fully realised and delivered with a great cast, huge laughs and some superbly shocking terror, STILL is a great entry into zombie folk-lore, despite the fact the genre has a tendency to easily become stilted. You’ll find no such slowness here in the most fast (and fantastic) short about a statue you’ll ever see. The zombies’ crooked shuffles are a particular highlight so huge recognition should go to the choreographer who has injected (pardon the pun) that particular trope with some added zombie zing with twitching and spasming bodies. Arms dangle at awkward angles in a contortion of limbs and appendages. As the film progresses, the passengers work together as a group and fight against the hordes in well edited action scenes with true-to-life risks. An extended bloody punch up with flying baseball bats and swinging fists will be adored by fans of these films. However, despite the above, the film has the usual zombie tropes which I sadly find so similar to any other zombie film and therefore I can’t really recommend it to anyone other than afficiandos of the genre. I really struggle with the same concept over and over without anything being added to the formula. As although the positives include the film being incredibly well shot with empty stations and crowd chaos along with some fine acting, the family drama dynamics are really no different to a Roland Emmerich disaster film. Trains provide an interesting location for some great films and sequences ( see our love for loco films in our video blog here ) but the zombie sub-genre of horror has never really infected with me with any real sense of appreciation. Ash Connaughton First up, a confession: I don’t get zombies. I don’t get pop culture’s current collective hard-on for a monster which even a heavy smoker like me could escape by keeping up a stiff walk for five minutes, and whose scariest feature is something a good dermatologist could sort out with a 2-week course of cyclosporin.

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You can do a drama. People are always so tense when you do a drama film. When you do a horror it loosens up the crew, the cast are smiling. They’re giggling at blood being thrown up in the air. Tell us about The Unleashed and how does it differ from other ghost or demonic possession films of today. Besides the fact it’s based on the Ouija board which we fabricated and stated that it was actually created a hundred years ago. So we actually went with our own version of the Ouija board. What I like to think is different about The Unleashed is there’s a real fantastic story of an individual with not only psychological problems with her family and her childhood and most people suppress them, try to move on yet they haunt them. She has to face them in regards to the unknown and the spirits and enlightening stuff that people love about horror and thrillers. Another thing that I tried to do differently is not to highlight the gore and blood. Film makers like John Carpenter, I always enjoyed how he created a real sense of suspense. All the sudden you bump into something I like to call stings. It scares the audience and I was always a big fan of that. There was a day, the day we shot the seance scene in the film and it was on Friday the 13th in August of 2010. Another incident was our red camera broke down and we had to replace that. I mean they go through levels if you will; emotions throughout the film.

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