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As he muses in “The Foreboding”: Thought upon thought can be A burden to the soul. Rather, the poet ? ds refreshment and renewal outside of the self, in the materiality and conviviality of stone and dew, avoiding the threat of circuitous or reductive thinking. Just as Emerson aimed to eliminate his “mean egotism,” Roethke seeks to “move beyond the reach of wind and ? e” by looking squarely at the land, without the intellectual clutter of any too-easy, ego-animated emotion. Such perception ? ds its language — and the poet ? ds his function — in the interaction between experience and the geologics and geographies of the landscape. To return one last time to the terms of Edouard Glissant, so ? ting a commentator for our purchase on Roethke: “We line one day up after the other, day after day, as if the world did not exist, though daily it seeks us out. Beings risk the being of the world. The being of the world cannot be divided from the being of the universe and whatever imagines itself suspended in this whole” (Poetics, 155, 187). That the world exists and seeks out the human, that its “being” cannot be extricated from any poetic reckoning of the human — these propositions form the ontological and ideological core of Roethke’s poetics of place. Having absorbed crucial lessons from Auden and Bishop, Roethke reoriented his poetic strategy to forcefully link persons to places, at the same time striving to disentangle this relationship from histories of exploitation. William Scott McLean (New York: New Directions, 1980), 162. 2.

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191 1 1 12 JULY S P O NTANEOUS H U MAN C O M BUST I O N The idea o f a hu man being turned imo a heap of ash with horrific rapidity by some u n known fire source is a terrifying image. It has been giYen Yery little attention thro ugh the ages, probably as a result of fear. In those days the occurrence was often cited by fcrYcn t antidrink campaigners and militant Church authorities as the result of d i\ inc retribut ion. It prmided a wonderful scare tactic aimed at the ungodly, eYen though th ere neYcr was any eYidcnce that excess alcohol in the body was l ikely to make one susceptible to spontaneous combustion. Dickens. eYer the topical popu lar author, wrote off one of his Yil lains (the obn oxious Krook) in t h is decidedly nn usual way in the cou rse of h is later noYel Bleak Housl'. \\'hile isolated cases were reported afterwards. The 'cinder woman, as she became know n, li terally turned from a healthy human being, when last seen late on the e\ening of 1 J uly, to nothing but a charred foot amidst a heap of ash before 7 a. . the next morning. The remarkable thing about:\ I rs Reeser's dea t h, as is typical of other cases of spontaneous h u man combustion (Sl i C ), is that the su rroundi ngs in her apart ment were little damaged by flames. The FB I were in \'ol\'cd in \ lar\' Reeser's case because of t he possibility t hat she m ight han been killed and the bod\' bumt deliberately to mask c\idencc of a crime. Some spark sets i t oil (:\1 rs Reeser was last seen smoki ng ahcr takin sedat ins) and the h eat is fixused i n ward b\' th is candle mech- A L I E N E N C O U N T E R S anism. For t h is to occur in a few hours i nside an ordinary ) i, in room, t hey lind h ard to belic\e. I n:\ lary Reeser's case, ha,ing had access to detailed investigation reports carried ou t at the t i me, Peter Hough and I ascertained that there is considerable reason to suspect t hat the btal fire occurred at around cl. a.

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It’s an aesthetic choice, one that has a surprising effect. Hannah Bontrager and Donna Marisa Bontrager allow the men, like Ramirez. Late in the piece, an evolving quintet gives way to a rich duet, with an. But at times, fleeting subtleties of posture and gestural refrain may veer. Act Two’s Crouching Tiger premiere feels fresh and modern. With choreography at once fluid and spirited, set to music by the Oregon. Mozart Players (OMP) under artistic director Kelly Kuo, the piece features the. Anyone familiar with the 2000 Ang Lee film knows Tan Dun’s breathtaking. Costumes by Donna Marisa Bontrager, swathed in lighting by Justin. Hannah Bontrager attacks the role of Jen Yu with great intensity and timing. Leanne Mizzoni, Jim Ballard, Carolin Koepplin and Natanael Leal explore the. The blending of art forms works well, although the sheer volume of OMP. Soreng stage, where the musicians are visible and their inadvertent upstaging. I n President Benito Tweety’s post-truth, “alternate-facts” world, it prob-. Charles Smith K Vintners 2012 MCK (Motor City Kitty) Syrah. Lisa Sprague, one of the wine-sawy mavens at Sundance, dug out.

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I have not seen a better depiction of ecstasy and freedom since Nina danced her coda in Black Swan. That is something where the film reflects the real life in an eerie way - Thomasin is a young, impressionable, inexperienced woman. She signs the book, but would she sign it if she was older. There is even a scene with her mother being offered to join the Coven but she doesn't do it. Evil strives on those who are lonely and those who are young and the final scene of The VVitch powerfully shows that it has the power to change the individual forever. There were some who took an issue with the film's ending suggesting that this is a very dangerous route - that Eggers somehow shows that the Puritans were right in holding their barbaric trials because the witches indeed existed. The question whether supernatural exist is beside the point, just as whether the women in Salem and other places the witches trials were held were indeed witches. What the actions committed against those accused of witchcraft were in XVII century was a perversion of justice which employed cruel, one sided methods and had nothing to do with actual justice. It doesn't matter what the movie made 400 years later will suggest or what the truth was. People died based on whether their bodies floated on water or drowned after they were tied up. Devil, God, magic or unholy deals have nothing to do with judging what happened there. You are supposed to be happy for Thomasin who prevails but at the same time she does so not by defeating evil but joining it. Dozens of horror movies ended with the final girl joining the evil (eg. Rosemary's Baby) and you were always disturbed and shocked. But not this time. This time thanks to Eggers showing us how awful the life of Thomasin was, you're happy for the protagonist.

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It isn’t mentioned very often, and when it is, there’s a fashion of deconstructing it. But ours is a world that is increasingly trying to tell us who we are, a world where nationalism is on the rise, a world where even in the most seemingly free-thinking of countries conformity is king. If you’ve been here for as long as I have, you stop noticing the churches hidden on street corners, the city walls poking out from behind trees — even a massive castle overlooking the city just becomes part of normal life. Staying on in Norwich for university allows me to get to know the city through the eyes of people who haven’t lived here for quite so long. If ever in these talks I mention our City Hall, most responses I get are “what? and “where? and this to me is a massive shame. City Hall is often forgotten by Norwich residents and ignored by those visiting. It’s a building that represents us like no other and suits Norwich just perfectly, and we should learn to love it. This selective remembering is dangerous in itself, and when this approach is combined with current post-truth narratives Britain’s attitude to its past becomes very chaotic. But we need not apply this notion as all-or-nothing, without subtlety. It not only samples cultural flavours or practices from Africa and the Caribbean but seemingly blends those influences into standardised British behaviour. For many black children in modern Britain, the divide between our race and nationality somehow leaves a gap for white or even non-black people of colour to make assumptions as to who we are. However, this Cold War Mark II is avoidable, and has only been institutionalised by the actions of both the West and Russia to antagonise one another, and rejuvenate the old Cold War which ceased since the collapse of the Soviet Union. Now in the second decade of the 21st Century it is here once again. This new Cold War is characterised by increased tensions between the West and Russia, with rhetoric particularly from the latter becoming increasingly aggressive, and the use of economic measures such as sanctions against Russia by Western powers.

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The album included hit singles such as “Stressed Out” and “Ride. Their song “Heathens,” which was released in June to accompany the superhero movie “Suicide Squad,” has stayed near the top of the Billboard Hot 100 since then. The list of dodgy products includes a phone, inflatable frogs, nasal sprays, drones, a swimming jacket and a vegetable cutter. The consumer advocacy group has named the list the '12 Recalls of Christmas'. The nasal spray in question is Metagenic's Nasoclear after reports it may contain potentially fatal Golden Staph bacteria, as well as several products that were recalled last because of potential fire risks. Samsung's 'fiery' Galaxy Note 7 smartphone is on the list, as is a Zoggs Swim Jacket that doesn't meet Australian safety standards and a Swarovski Crystal Pendant Light that loses its crystals. Ozsale's Orange Superhero Pajamas don't display the mandatory fire warnings, while a flashing duck toy sold through Priceline contains a button battery and LED light which may become dislodged. A Fast Slow Cooker by Breville has been recalled for a risk of scalding from hot liquids and a candle from Spotlight surrounded by birch is at risk of catching fire. Choice's Tom Godfrey said the numbers were particularly worrying, given that only half of all recalled products will be returned to the company. 'The sheer volume of recalls is extremely concerning. We need to strengthen our product safety system, increase penalties and dramatically improve transparency,' he said. Choice has said people should check recent purchases for product recall, with a 12 per cent jump in recalls this year. In June, Phillips said recovery was slow, pointing to the lower fuel prices that came as the result of lower crude oil prices as one of the few bright spots for the state. An assessment from the federal Energy Information Administration finds the Permian shale basin in Texas hosts about as much exploration and production activity as the rest of the country combined. An assessment from the U. S.

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We have to unlearn a lot of patterns (e. . sharing about yourself) in order to get to a very different outcome (a good session versus a good hangout). In looking at war stories, I’m digging further into the challenges we face in doing research, and hopefully not stating the obvious but research with other people will have massive elements of unpredictability in it. That means we learn what we didn’t know we didn’t know (and would never otherwise have thought to ask about), but it also means that our attempts to plan and control the process are somewhat foolish (and yet, someone who does research without planning is obviously a fool). There’s an element here of temperament, or worldview, that isn’t so natural for everyone. In some of the stories I’ve gathered, people do everything right, and yet things still go wrong. Back in the day, people would write to ask me if they knew of any research openings; now they write to ask me if I know of anyone who they could hire for their research position. We shouldn’t get cocky, as demand for research can lead to commodification, degrading research to a tactical, evaluative tool rather than the strategic powerhouse it is. It’s just one of many parts in making business decisions. Research identifies unmet needs but design, technology, service, etc. Research assesses solutions but only in certain contexts. Some things can’t be fully evaluated until after they exist (consider the invention of the Post-It, for example). This is an innovation problem, not a research problem. Stories take us through a process of an experience, from the beginning, to the middle, through to the end. Crucially for learners, they can highlight mistakes and failures as much as successes.