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Rumours about her alleged pregnancy has spreaded like wildfire in film nagar. There’s Just 3 Rules. An SML Review of “Ouija: Origin of Evil”. Too bad someone didn’t explain that to the Zander family in Ouija: Origin of Evil. Alice Zander is a newly single mother who works from home as a fortune teller. Her oldest daughter, Lina, thinks Alice is a fraud and isn’t too much more in favor of the spirit realm as a whole. Younger daughter, Doris, on the other hand, still thinks there’s something to it all. Doris, though, wants to use it to speak to dear old dead daddy. But somehow all three Zander women manage to break the rules and crack the divide between the living and the evil dead. At first, Alice embraces Doris’s connection to the other realm, pulling her out of school to help with her at-home seances. But when Doris starts acting a little too strange, and kids at school start getting hurt, Father Tom (because of course they go to a Catholic school) gets involved. Family tries to separate her from the evil taking over her body. Demon girl starts climbing the walls and throwing boyfriends off the balcony. Even the source of the evil, the particular spirit in charge of the house, makes you want to roll your eyes from the cliche. The visuals are well done and exceedingly terrifying, especially if you’re the type who shudders at both creepy children and things in the walls that you can’t see. No spoilers here, but let’s just say you won’t leave the film cheering for the victor you expected. Though the film takes place in 1967, and the costumes reflect it, the audience isn’t over saddled with period comments or cliches. Sure, there’s the one instance of someone saying “groovy” at a party, and the bubble-screen television playing Howdy Doody. But otherwise the setting was understated enough that the threats felt immediate.

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You know there’s gotta be more of that in the clip. In fact, as PARANORMAL ACTIVITY talked about a demon following the girl I pictured the demon following Alison Lohman in DRAG ME TO HELL. And I thought damn, I should be watching DRAG ME TO HELL. That’s a movie where a demon follows a girl around. Well fine then, that’s not what I would’ve voted for, but if that’s the decision I gotta ask where does it go from here. Sorry The Little Guy, but I think it’s worn out its welcome as a tool for making movies on a shoe-string, I think the way to make it more interesting is to have it seem like a real video but all kinds of crazy FX shit is happening (like CLOVERFIELD). I mean we can keep trying for more minimalism, but the only way we can go smaller than PARANORMAL ACTIVITY is if it’s one guy making it by himself in his bedroom. After that it’s just a competition to see which guy has the smallest bedroom and then they’ll start having lower resolution cameras until somebody makes a movie that’s just 80 minutes of one black pixel. I’ll give it credit for being semi-entertaining, but I prefer movies. I think you would have liked it more if you saw it in the theater. I think it works better on the big screen because of the insanely small personal scale. Blair witch and REC are documentary films in progress and Cloverfield has big explosions to remind you you’re watching a movie, but Paranormal Activity feels like watching someones real home videos on the big screen which is creepy, and sets you up nicely to be further creeped out. I see almost every horror movie that comes out in the theater and i can tell you i have never experienced a scare film work an audience over like that. People were freaking out on a level that went way beyond what ive experienced in the theater and it added quite a bit to my enjoyment. I also think the film deserves major props for tapping into the primal fear of “shit that goes on while you’re asleep,” one of the most universal fears there is. I saw this in the theater and I should have known better. After watching absolutley nothing for most of the movie the few so-called scares weren’t scary at all. I think it works better on the big screen because of the insanely small personal scale. .

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Pakistan is for all Pakistanis regardless of their faith. The country is sustained through the goodwill and efforts of all Pakistanis, especially non-Muslims. Upon the fall of Dacca in 1971, Mufti Mahmood, father of Maulana Fazlur Rahman, famously declared ? hank God we were not part of the sin of making Pakistan. During General Zia? time, Maula Bux Soomro declared equally famously ? am proud of the fact that my family including Allah Bux Soomro opposed the making of Pakistan. Soomro? son Illahi Bux Soomro tragically has been establishment? go to man in Sindh for decades now. The only way Pakistan can progress is by unwaveringly, unquestioningly and unstintingly following Jinnah? prescription of August 11, 1947, wherein he clarified that religion had nothing to do with the business of the state and that every Pakistani is an equal citizen of the state, and it does not matter if one is a Hindu, a Muslim, a Catholic or a Protestant. The traditional secular elite that identifies with the nation? modernist founder, Mustafa Kemal Ataturk, has been replaced by religious conservatives who, until recently, were largely powerless and marginalized. The religious conservatives have by now come to dominate virtually all institutions of the state, as well as the media and even much of the business sector. It has tested the ostensible virtues of these religious conservatives. They have failed this test so terribly that it raises the question of whether religiosity and morality really go hand in hand, as so many religious people like to claim. For decades, they criticized the secular elite for nepotism and corruption, for weaponizing the judiciary and for using the news media to demonize and intimidate their opponents. Yet after their initial years in power, they began repeating all of the same behavior they used to condemn, often even more blatantly than their predecessors.

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