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Even worse is the fact that Bill C-4 politicizes the workplace health and safety process. In fact, in Bill C-4, the minister appropriates the power to issue directives to employers and to make certain decisions that were once made by health and safety officers. I am particularly interested in clauses 471 and 472 of Bill C-4, because they deal with the appointment of judges to the Supreme Court. The proceedings of the committee, which includes members from all the recognized parties in the House, and the votes in this committee, are confidential. We had to sign confidentiality orders, so we cannot disclose how the vote was held and we certainly cannot assume that one or the other party voted in favour of the appointment of Mr. Nadon just because his name was selected. How does my colleague explain that the government can, by means of Bill C-4, especially clauses 471 and 472, which are the subject of the second reference to the Supreme Court—. The question I posed to the Prime Minister was on the importance of being consistent with what we say. For example, if we are saying something to the francophone media, it should be consistent with what we would say in English to the anglophone media. There is a responsibility for the government to do just that. Effectivement, il met le doigt directement sur le bobo. Des causes pourront necessairement etre rendues publiques et concerner le Quebec. On peut parler du registre des armes a feu, entre autres, qui pourrait eventuellement etre soumis a ce tribunal. In Quebec, it is trying to minimize the impact of Justice Nadon's appointment. The Government of Quebec, as well as all of the parties represented in the National Assembly, have made the point that the future justice will have a hard time complying with the law and making rulings with the necessary knowledge of Quebec civil law. Quebec has every right to expect this from a Supreme Court judge who will have to make important rulings. Some cases may be made public and may involve Quebec. Take, for example, the firearms registry, which could eventually end up in this court. With Bill C-4, the Conservatives are trying to legitimize this appointment decision in a roundabout way.

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With earnings momentum visible, upside from new distribution portals rising, and more efficiently designed operating structures, we believe the group has above-average upside valuation potential. Televi- sion advertising has rebounded from as much as 30% CPM declines in most of 2009 to an increase of 11. % in 2011-2012, while primetime network advertising dollars are now up double digits in the 2012 period for many broadcast and cable network providers. The scatter market has been very robust in the 2011-2012 timeframe and appears to be vibrant across the board, especially as autos and financials, two sectors that were AWOL from late 2008 to early 2010, are back in force, enabling double-digit-plus pricing on scatter inventory for primetime and broadcast TV thus far in 2012. Another positive variable in 2012 will be political advertising as we approach the presidential election in November. The television and cable network upfront market from May to June 2012 will likely create the annual showdown on CPMs and volume, which the big four broadcast networks and 12-15 cable networks successfully leveraged last year. The trend to us looks as though the upfront “event” will continue to garner big headlines that have an increasingly lower correlation to the revenue generating capability of primetime television. Digital Media is complementing existing revenue streams and is less competitive or threatening than conventional thinking has publicized the past few years. Content remains king (cash is queen), and consumers appear willing to spend more dollars for convenience and choice in owning or renting. The potential next wave (there always is one! is likely to see new media, with its much higher valuation multiples, and traditional media coming together. We believe the major industry participants have shown and should con- tinue to show improving ROA, ROE, and ROIC, complemented by growing cash balances and free cash flow. Highly rational capital allocation strategies, when coupled with realized EPS growth, set the stage for improved public valuations or for further consolidation. A member of BMO Financial Group 5 April 2012 Perspectives on the Filmed Entertainment Industry 2012 A member of BMO Financial Group BMO Capital Markets 6 April 2012 Perspectives on the Filmed Entertainment Industry 2012 BMO Capital Markets Table of Contents Executive Summary. Industry Overview. Industry Overview: Trends and Perspectives. Theatrical Films. Theatrical: Trends and Perspectives. Home Video.

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Now the negatives, even though they had decent comedy it wasn’t through out the entire movie. It was only in certain scenes and even when I know they wanted to be funny throughout it fell flat. Second was one of the characters who was supposed to be the creepy guy who took things to seriously. Instead of his character coming off funny, it came off uncomfortable and didn’t deliver the laughs he was trying to get. Their expedition is put on hold however when the ship is attacked by an unknown threat, and the crew become marooned on a distant planet with no ship and no backup. Gear up as director, Justin Lin, gives Star Trek all she’s got in this action-packed sci-fi joyride. There was a great deal of trepidation leading up to the release of Star trek Beyond. But as it turns out, Star Trek Beyond has everything you want in a summer blockbuster. Lin really outdid himself directing this film, proving all hesitations about him directing a Star trek movie to be unwarranted. Along with a fantastic screenplay by Simon Pegg and Doug Jung, Lin also injects some great humour, and even some needed character moments here and there. The entire returning cast have their roles down to a tee at this point and are all awesome in the film. Some standouts were Simon Pegg who was hysterical as always, as well as Zachary Quinto and Karl Urban whose chemistry together was kind of perfect. However, my favourite character in the film was in fact a new one by the name of Jaylah, played by Sofia Boutella. She was an awesome new character that I instantly fell in love with, and I sincerely hope they keep her around for future instalments. Certainly not the greatest movie villain I’ve ever seen, but a fairly compelling one. I don’t have many bad things to say about Star Trek Beyond overall. Out of the three new Star Trek films I would say Beyond feels the fluffiest and not as gripping as the other two. We started this mission 9 years ago to make a love letter to the animals who saved us from ourselves; a movie about career criminals and a dog the world had turned against his own gentle and loving nature, and about what the two have in common -- and what we all have in common with them. This is passion project in the truest sense, so if the film speaks to you, please rate it and review it and tell your friends who will get it too.

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No one. But, thankfully (surprising, right? we got it. Annabelle: Creation has no business being this good. Funny enough, the same can be said about 2016's Ouija: Origins of Evil. It is strange that these two bizarrely similar films were released within a year of each other. Both follow up on terrible first films. Both are prequels of those terrible first films. Both shouldn't have been made. Both are extremely effective horror films. Oh, and both star the excellent child-actor Lulu Wilson. The work done in that movie with the use of lighting and repetition is just as suspenseful here (if not more so, in some scenes). Sandberg thankfully stamps what could have been run-of-the- mill horror scenes with his signature creativity. Horror largely relies on the talent of the director, and this is a case of the direction only elevating the film. While Lulu Wilson is a definitely a standout in her second straight horror movie role, her counterpart Talitha Bateman also gives a great performance. As in most horror movies, most of the scares are seen through the eyes of the children in the film. In fact, there were quite a few moments when I felt as though these two actresses deserved a better script. The pair definitely do the best they can with what they are given however, adding a great deal of character to this film. The bar is low when it comes to horror film scripts.

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I know there will be many arguing that Tim Curry as the original Pennywise was better but I believe Skarsgard brought a different approach to the dancing clown and gave it a brand new persona. Even though I was excited to see Will Poulter ( We’re the Millers ) portray Pennywise when Cary Fukunaga was set to direct, I am very pleased with what Skarsgard has done with “It. . It has its flaws like depending on many horror tropes and cliches but it does this in a way that actually works with the score and the lighting of the film so it isn’t all that bad. While some were really great, others weren’t and that took some of the horror out of scenes that could have been truly terrifying. The ending itself is also somewhat weak compared to previous scenes in the film. The film was at its best when it didn’t rely too heavily on CGI and just depended on Skarsgard. For the next film I hope he gets more lines and screen time. It’s also the best Stephen King adaptation for a horror film in my opinion aside from The Shining ( Shawshank Redemption and The Green Mile don’t count since they’re not considered horror). But lately everything that has been coming out of the horror genre involves James Wan in some way so this was a fresh breather from the Insidious extended universe. If you were expecting a film with jump-scares and extremely loud music to cue the horror scenes then this isn’t for you. If you actually enjoy good cinematography and a well-developed plot with good acting then I encourage you to watch it, maybe you’ll float too. With the success of The Conjuring came a prequel solely about the doll Annabelle (which was terrible imo) and after that came another prequel about the origin of this doll. The film opens to a slow start but does a very good job in the second part of the film to make it a solid horror flick. The doll itself is creepy as hell and Sandberg utilizes this to his best advantage. Rather than focusing on jump scares, this film manages to maintain a creepy atmosphere that keeps you trying to guess what will happen next. I didn’t jump at any particular scene and yet I felt I got more scared than any other recent horror film. The best part is no doubt the connection towards the first film. The plot is very well thought out and it didn’t felt forced like The Conjuring 2 did with the original.

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