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Two documentaries and a short fi c-tional fi lm before his feature debut. Fea-ture fi lm: Joe Bullet (English, 1974) Debbo, Al. From 1984 made an international reputation with a number documentaries investigating social is-sues or dealing with key literary fi gures, such as Kateb Yacine and Assia Djebar. Fea-ture fi lm: Th e Schoolmaster (English, 1988) Delgardo, Clarence T. (b. 1953 in Dakar). Sene-galese fi lmmaker. His sole feature is an adapta-tion of one of Ousmane Sembenes short stories. Half- a- dozen fi ctional shorts before his feature debut. Became one of Moroccos leading cinematographers, work-ing on some twenty features from the mid-1980s, for his brother Mostafa and such lead-ing directors as Jillali Ferhati, Moumen Smihi, and Hakim Noury. Studied drama at the Conserva-toire dArt Dramatique in Casablanca and fi lm-making at Lodz in Poland. His experimental, innovatory early features found smaller and smaller audiences in Morocco, but he achieved a huge popular suc-cess with Th e Loves of Hadj Mokhtar Soldi. His fi rst three 1970s features, made with the playwright Athol Fugard, put him in the front rank of South Af-rican fi lmmakers. But fi nding it impossible to work in South Africa aft er 1974, he moved to 58 Dictionary of African Filmmakers England, where he directed numerous tele-vision dramas, including an eight- part ver-sion of Bleak House. A product of the Fdration Tu-nisienne des Cinastes Amateurs (FTCA), he studied in Paris and worked in puppetry and street theatre. Made a series of four very remark-able short fi lms in the 1980s.

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€ť “Are you yelling at me? €ť “No. And we met online and people make jokes about it but that’s not how eBay works. She got so mad. She hated I that always corrected her. Knowing I was dating someone who was always wrong? €ť And I’m in show business. Oh, she would get so jealous when I cheated on her. And I would tell her: “Maybe if you had a better body, I wouldn’t have to. Not a hard one. Just so “You know I love honey turkey. €ť POW! “He likes turkey. I need more iron in my diet. €ť That’s a bruise joke. People are like: “Oh, he punched a pregnant girlfriend.

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They talk about how Bryan and Peter got started in podcasting, the challenge of endurance racing, the pull of the running community, and why runners make the best triathletes. Catch more of the HWYRT interview on teamE4E episode 112: 56:11 March 9, 2018 MBMBaM 396: Independence Jumanji 3 It's Hollywood's Biggest Night! (Please indulge us. It is still Hollywood's Biggest Night. We're here with our incisive brand of twisted comedy, cracking wise about all the. Peter and Bryan chat with more runners fundraising for the 2018 Boston Marathon, many of them first-time marathoners. They also catch up with chief Heartbreaker Dan Fitzgerald and, in a rare appearance, his silent partner. Check out our sponsor for this episode! 59:52 March 1, 2018 MBMBaM 395: Diagnosis: Onions We've got a sleep deprived Justin, a seafaring Travis and a Basketball Camp-trained Griffin for this special, onion-packed episode. BECOME OUR ENERGY. Suggested talking points: Worf Birth, Still Home Improvementing, Unorthodox Firefighter, Sacred Lunch Time, How to Start Gaming, Tommy's Funeral 56:05 February 27, 2018 Episode 119 - Everyone in Boston Loves to Run Lovefest Part 1 HWYRT joins forces with Heartbreak Hill Running Company for the 2018 Everyone in Boston Loves to Run Lovefest. While runners and their guests mingle, shop, and donate money to the charity drawing, Peter and Bryan collect amazing running stories that have to be shared. In this episode, we hear from HWYRT fan favorites, last year's charity drawing winner, and a variety of runners, including first-time marathoners, multi-marathoners, and one of the original Heartbreakers. Check out our sponsor for this episode! 1:06:04 February 23, 2018 MBMBaM 394: Face 2 Face: I Fritos Hard Justin's on paternity leave this week, so we're proud to present our live show from stunning Milwaukee from last November. We were all suffering unavoidable injuries this show, and inexplicably, it turned the episode into a pretty randy engagement.

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Paul Getty Museum). In his long life, Paul Strand was comfortable photographing machines, faces, naked bodies, old men and women, and the people and buildings and farms of France, Italy, Scotland, Canada. He spent sixty years learning his craft from the likes of Lewis W. Hine and Alfred Stieglitz, hanging out with artists like John Marin and Georgia O'Keeffe. He also spent several years making films in Mexico, working for the Mexican Secretariat of Education. Such that Strand got out of the United States in 1950, moved to live permanently in southern France. (One can't help thinking of this period being notable in that we threatened our best artists with jail time so they'd get gone: Charlie Chaplin, Vladimir Nabokov, Berthold Brecht, Paul Strand, the Hollywood Ten. Keeps the country safe from untoward criticism; separates the supposed traitors from the supposed loyalists). Less than a third of the 186 black-and-whites Strands owned by the Getty are shown in this book, and we have chosen three of them for viewing here because they are, as the juveniles would say, awesome. One is of Kate Steele from the Hebrides, 125 years or so of age. The only soul made nervous by all this except me seems to be the cat, who might be preparing to run up Strand's leg any moment now. Not only did he write five novels, dozens of short stories, articles and essays for newspapers and magazines. He was also stomping America on behalf of Socialism and, meantime, built his own sloop --- the Snark --- and sailed with it and a crew of eight to the South Pacific. And he managed a 1,000 acre ranch in California, lived stylishly, paying for it all by means of a steady stream of books, stories, sports stories, didactic writings, and war reports. Now, we find, on top of all that, that, from 1903 until his death (in 1916), he took, developed, and printed over 12,000 photographs, using a simple bellows folding camera --- the Kodak 3A. Jack London, Photographer, offers 200 of his pictures, including a few bemused ones of Jack London.

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It’s hard for anyone to dispute your amazing stories of plunder andconquest when they can’t speak. In the books Balon’s death is slightly different than whathappened on the show, but it is, essentially, all the same. We don’t see himkilled on that bridge, but from the visions of a witch it appears he was thrownoff by either a Faceless Man or Euron himself. In said vision, it issaid the assassin without a face has “on his shoulder perched a drowned crowwith seaweed hanging from his wings. €ť Euron’s nickname in the books is Crow’sEye, for the eye patch he wears, and he just so happens to magically show upthe exact day after his brother Balon is killed. The show confirmed who wealready really knew was responsible for Balon’s “accident. €ť “EuronGreyjoy” by Mike Hallstein In the books there is no clear heir to the Seastone Chair—thethrone of the Iron Islands—what with Balon’s sons all dead (or presumed dead inTheon’s case) and Yara being a woman. So Aeron “Damphair” Greyjoy calls for theancient method of selecting the next ruler, a kingsmoot—onthe show it is implied this is the only method used, but that makeslittle difference at this point. Book readers know who is going to win this kingsmoot, and ifyou’re paying attention to the show you can probably guess already, but we’lljust focus on the rules of a kingsmoot for now. Ship captains enter their name, and try to get a majority ofother captains to voice support for their claim by persuading them withspeeches, and—of course—showering them with gifts. All inhabitants are bound bythe decision of the kingsmoot. Except in the case where someone with a legitimate claim,normally the son of the deceased king, was not present for the kingsmoot. Upontheir return there is precedent for declaring it unlawful and thereforeinvalid. “TheKingsmoot” by Marc Simonetti So, forexample, let’s say Theon Greyjoy is planning to return home afterescaping from Ramsay Bolton, but the kingsmoot has already taken place. It isthen possible the whole thing can be thrown out and done again, with Theonbeing allowed to lay his claim to the Seastone Chair. Euron Greyjoy, hated by his brothers and family, has been longaway from home—his lips purple from drinking shade of the evening (the beverageof choice of warlocks in Qarth), his mind addled by his time away and delusionsof grandeur (you’re THE Drowned God, buddy?

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An apparent self whose memories can be fantastic reveries of a past which never really existed, because it occupies a purely virtual space-the space of an accidental topology and seductive contiguity of aesthetic effects. No longer a private subject in a public space, but a public self in a private imaginary time: a parallel self among many others drifting aimlessly, but no less violently for that, in parallel worlds. Fashion Photo is constructed purely as an aesthetic trompe l’oeil, with its edges marked by two simu-visions: one photographic (the reclining woman) and the other a product of a painterly gesture (the portrait on the wall). Here, there are no human presences, only “significant images” that trace the implosion of subjectivity into a charmless universe of seduction, and of the body into a disappearing trace of an imposed imaginary. At one time, it was still possible to speak of the postmodern subject as a possessive individual, that is, as an originary possessor or calculative owner of acquisitive and appropriative values. This would be the contractual self of early political economy where the subject represented the terminus ad quem of property rights so privileged, in primitive capitalism. The possessive individual, then, as an energizing agent which, driven on by the inequality of property rights, was eager to lay waste to the order of the production machine. Not the possessive individual as the consumer par excellence, but the possessed individual as itself an object of consumption. No longer the production machine of primitive capitalism driven onwards by use value, but now the consumption machine of designer capitalism, the point where the subject is itself actually consumed by the laws of abuse value, seduced and disciplined in an indifferent game of chance and probability. And not an ideologically constituted self either, but a rhetorical subject, that is, possessed individualism as the exhausted sign of the disappearance of ideology into the language of rhetoric as the war machine. Horizoned by forgetfulness, charmed by seduction, disciplined by the codes of cynical power, the possessed individual is the form taken by nihilism in the last dying days of rationalism. Inas’much as one couldn’t condemn others without immediately judging oneself, one had to overwhelm oneself to have the right to judge others. Inasmuch as every judge some day ends up as a penitent, one had to travel the road in the opposite direction and practice the profession of penitent to be able to end up is a judge. Think, for example, of Sartre and Camus who, if they can summarize so eloquently in their thought the fate of the modernist subject in political history, also represent a clear and present division between the final disappearance of the possessive individual of the age of classical liberalism and the triumphant emergence of the possessed individual as the inheritor of the nihilist legacy. Indeed, it is the ultimate failure of Sartre and Camus to think beyond the horizon of the modernist project which represents the beginning-point for contemporary French theory. French intellectuality of the late twentieth-century represents nothing less than shock waves spreading out from the failure of that fateful double sign of the French mind- Sartre and Camus-to resolve a problem which they posed with their lives, but were unable, in the end, to solve.

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Tentara dan Angkatan Laut Jepang masih berkuasa di Indonesia karena Jepang berjanji akan mengembalikan kekuasaan di Indonesia ke tangan Sekutu. Sutan Sjahrir, Wikana, Darwis, dan Chaerul Saleh mendengar kabar ini melalui radio BBC. Setelah mendengar desas-desus Jepang bakal bertekuk lutut, golongan muda mendesak golongan tua untuk segera memproklamasikan kemerdekaan Indonesia. Mereka tidak menginginkan terjadinya pertumpahan darah pada saat proklamasi. Golongan muda tidak menyetujui rapat itu, mengingat PPKI adalah sebuah badan yang dibentuk oleh Jepang. Mereka menginginkan kemerdekaan atas usaha bangsa kita sendiri, bukan pemberian Jepang. Soekarno dan Hatta mendatangi penguasa militer Jepang (Gunsei) untuk memperoleh konfirmasi di kantornya di Koningsplein (Medan Merdeka). Soekarno dan Hatta bersama Soebardjo kemudian ke kantor Bukanfu, Laksamana Muda Maeda, di Jalan Medan Merdeka Utara (Rumah Maeda di Jl Imam Bonjol 1). Yuk persiapkan dirimu berkarir di bidang bergengsi ini. Di festival ini kami mengadakan beberapa lomba yg hadiahnya berupa uang? (pastinya ga sedikit) dan juga trophy walikota. Bagi yg mau ikut, bisa klik link dibawah ini untuk pendaftaran. Ohiya. ini GRATIS! ? agi yg jago atau mau nyoba2 nulis karya ilmiah, bisa ikut dan daftar.

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I just can't hear anything about witchcraft in that video. I'm not a typical commenter or subscriber. ut trying to get into it. The White Wolf, The Stranger and the Mother of Dragons. Na nem a latvany tetszik ennyire, hanem annak orulok, hogy ujra igazan varni tudom a sorozat kovetkezo epizodjat. Az elmult hetekben tobbszor elgondolkoztam ezen, illetve azon, hogy mikor mondhatjuk azt, hogy egy tortenet valakinek a gyermeke. A hosszu konyvciklusoknal ez nagyjabol egyszeru, hiszen altalaban egyetlen iro alkotasa az egesz, maximum a halala utan kontarkodik bele Kevin J. Anderson. Vagy egy sorozatnal az iro csak egy nev a stablistaban a temerdek keszito kozul, mig a konyvnel csak az iro neve szerepel a boriton, a szerkeszto vagy korrektor megbuvik a belso lapokon. Alapozas volt ez a javabol, gyakorlatilag egy emlekezteto, hogy melyik szalon pontosan hol maradt abba a sztori. Es kozben negy olyan fordulat is volt, ami minden nezonek ujdonsagot jelentett, es amikben az irok azert megmutathattak, hogy nem csak egy helyben fogjak nyujtani a retestesztat, amig a Winds of Winter megjelenik. Lesz-e osszecsapas a vadak es az Orseg kozott, lesz-e felelossegre vonas es tovabbi konfliktus a gyilkosok es a baratok kozott. Ez nem a Baratheon seregre fogja a legnagyobb hatast gyakorolni, hanem egesz Westerosra, hiszen az ot kiralybol egy sem maradt (oke, Balon meg technikailag eletben van). Na, itt volt az, hogy akkorat koppant az allam, hogy meg most is sajog. Ezzel a Dorne-szalra vegkepp ra sem lehet ismerni, aztan lehet, hogy ezt felhasznalva fognak valahogy kicsit visszaterni az eredeti konyvek felallasahoz Quentynnel es egy (talan) hasonmas Aegon Targaryennel. Ugy ertem, ha nem lenne a varazsereje, mar nem lenne neki sok hatra.