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ost aspects of hyperreality can be thought of as “reality by proxy. €ť Some examples are simpler: the McDonald’s “M” arches allegedly make the material promise of endless amounts of identical food from the store, when in “reality” the “M” represents nothing, and the food produced is neither identical nor infinite, as a person would expect from a fast food restaurant. Baudrillard in particular suggests that the world we live in has been replaced by a copy world, where we seek simulated stimuli and nothing more. Baudrillard borrows, from Jorge Luis Borges’ “On Exactitude in Science” (who already borrowed from Lewis Carroll), the example of a society whose cartographers create a map so detailed that it covers the very things it was designed to represent. Baudrillard’s idea of hyperreality was heavily influenced by phenomenology, semiotics, and Marshall McLuhan. I believe in reincarnation and this I learned as what I know based on experience. However, where do we find that energy that allows us to be ourselves as alive and being with conscious thought and awareness of self. But, where did this knowing awareness of who we are begin and where do we all level out with the same shared interest of being at peace with others who are similar humanoids. We are creating a new culture that will entail all of our beings on the same planet while maintaining peace and awakened awareness of all the humanoids on the planet. Sometimes, we come to the cross roads in life and we are not sure which way to turn. This is now an actual reality for many of us who are spiritual intellectuals as Lightworkers and Truthseekers.

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Great Britain. Stanley Kubrick. 196S Text of Light. United Brakhage. 1974 992. 584 Fftm States. Stan Trim 585 993. Wavelength. United States. Michael Snow. 1966-67 In America outside the commercial Hollywood cinema, young artists and intellectuals of the sixties began to reexamine the nature of film, in the spirit of those who constituted the French avant-garde of the twenties.


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It cannot be stopped. “The man who says we are the I. . . €™s creation,” he added, “is Nawaz Sharif — and he himself was a creation of the I. . . €ť I felt Hashmi, once Sharif’s close colleague, stiffen by my side. While Khawaja was busy tweeting on his behalf from another car (“Route to Abbottabad a reminder of the intense beauty of our wonderful country. Green hues of plants, golden wheat, fruit trees — God’s gifts”), Khan continued his jaunty disparagements. “The Americans are making such big mistakes.


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In 2011 DuBois formed MindFrame Filmworks and was awarded an artist in residence grant at Solo(s) Project House Gallery for his documentary THE GANTALIST, a comprehensive look at fine artist Jerry Gant, presently archived at the Newark Library. DuBois has directed, shot, produced and or edited over 40 documentaries both domestically and internationally with a focus on humanity, and social change. As an educator DuBois taught film production for 3 years at Rutgers University before deciding to further his own education at the illustrious American Film Institute Conservatory. At the AFI DuBois was awarded the Barbakow Scholarship twice, and upon graduation in 2017 with a MFA in Directing DuBois completed two thesis films most notably “WHERE THE WATERRUNS”, a Afro-Furturist drama inspired by the Flint Water Crisis. Recently DuBois was a semifinalist with the HBO DIRECTORS ACCESS program, and a screening participant at Creative Artists Agency’s Meoibus Showcase. He holds a Masters of Fine Arts in Film and Television Production from the University of Southern California, where he was awarded the prestigious Directors Guild of America John Frankenheimer Fellowship. Wes’ most recent film, Palante, a film shot in Cuba with Werner Herzog was awarded Best International Film at the Official Latino Film Festival in New York City and has been officially selected in various film festivals across the country. His other bodies of work includes photographing more than 20 short films, two independent documentaries located in Thailand and Japan, and two feature-films set to release internationally in 2018. Wes loves to keep it fun on set, loves to camp, hike, salsa dance and is an Eagle Scout dedicated to nature and world travel. Follow Chris Wong Chris Gallego Wong is a first-generation American filmmaker born in New York City. He became obsessed with movies at a very young age, primarily due to his fondness for Christopher Reeve’s Superman.


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According to a report from USA Today, CBS has ordered the production of a show called The World’s Best, to arrive some time in the unforeseen future. That said, if you’re a fan of magic or are a magician who wants another opportunity to try out their skills on a national stage, you’ll probably want to keep this one in the back of your mind. He’s a student of mystic arts and has mastered the arcane, but he’s not Doctor Strange, or even Sargon the Sorcerer, though both borrow from him. He and his creator’s other breakout hit, the Phantom, help define what it is to be a 20th Century superhero. Mandrake was Falk’s tribute to the gentleman thieves and well-travelled heroes of the pulps, like Maurice Leblanc’s Arsene Lupin, and Edgar Rice Burrows’ Tarzan. As Falk told it, of course Mandrake looked like him; Falk was looking in a mirror when he drew the Magician. Then, almost on a whim, he sent his first two weeks’ worth off to King Features, William Randolph Hearst’s publishing arm. Mandrake, originally a stage magician, developed hypnotic powers and acquired a magic hat, cloak and wand. His friend Lothar, Prince of Seven Nations, was the strongest man in the world. Neither worked out, though the radio show was more favorably received than the serial, with Falk describing the production of the serial as “badly and unimaginatively done. €ť The radio show lasted two years, but after the movie serial’s 1939 release there were no more plans to bring Mandrake to the big screen.