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X-Men starts in a concentration camp, its two sequels have a fairly obvious message about the AIDS epidemic and suppression of the LGBTQ community, and Fantastic Beasts: The Crimes of Grindelwald calls up the imagery of panzer tanks and mushroom clouds to add some fear and depression amidst the child murder. It's whimsical! As a pedagogical space for teenagers to meditate on their internal struggles of fitting in, knowing who to trust, finding your way, etc. I think that the Harry Potter franchise is at its most effective. As for adding moral relativism and the darkness of our political zeitgeist into the mix, no wonder my seven year old son snorts bath salts and makes harsh noise wall music, he has conflated his inability to talk to pretty girls with the crushing collective guilt of the Western world's last century of atrocities. I can safely say in retrospect that the franchise isn't worth watching past the original Swedish version of The Girl with the Dragon Tattoo. I know many out there love to fawn over David Fincher's cold and calculated lesser works, but his manic-depressive, pixie nightmare girl version of Lisbeth Salander (played by Rooney Mara) paled in comparison to Noomi Rapace's Mary Sue Manson portrayal in Niels Arden Oplev's 2009 film. If I can say anything of Claire Foy donning the titular tat, it is that she actually seems like a female action hero who is fully capable of handling herself without worrying about romantic interests or brooding on self-doubt like some Hot Topic poseur who occasionally tasers men in the balls. For a surly, bisexual cyber-terrorist, the character of Lisbeth might be better served as a bastion of female empowerment outside of the hands of exclusively male writers and directors. Fede Alvarez has managed to almost completely gloss over the fact that she is a vigilante who hurts men that hurt women. In this movie, she does that to exactly ONE man who explicitly hurt a woman, so her sororal rivalry hinges on something we are only told she's well-known for. And most of the movie plays out as such in all of its schlocky glory. Speaking of Daniel Craig, here is another facet of improvement over the earlier Fincher film. Where The Greasy Strangler seemed an obnoxious mush-mash of Tim and Eric Awesome Show, Great Job. If the intent is to elicit a laugh, Hoskins doesn't try very hard past a few jarring curse words here and there, socially awkward situations, and bizarro set design. It makes me wonder if this is all some Dadaist response to the resurgence of fascism, but I'm doubtful there's that much subtext to it past the almost overbearing absurdity.

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The new facilities modeled themselves after the ones that had long been treating alcoholics, which were generally based on the 12-step methodology. Recovering addicts provided the cheap labor to staff them and the evangelism to shape curricula. Residential drug treatment co-opted the language of Alcoholics Anonymous, using the Big Book not as a spiritual guide but as a mandatory text — contradicting AA’s voluntary essence. AA’s meetings, with their folding chairs and donated coffee, were intended as a judgment-free space for addicts to talk about their problems. Treatment facilities were designed for discipline. From the start, Wilson intended AA to work with, not against or instead of, the latest and best medical science to treat addiction. In 1965, he recruited Dr. Vincent Dole to become a member of AA’s board of trustees. Along with Dr. Marie Nyswander and Dr. Kreek, Dole pioneered methadone treatment for heroin addicts. They described the addict as being “functionally disabled” and the life of the addict as a cycle of relapsing and repenting. But they found that methadone treatment worked. “The present state of these patients is so dramatically improved over their previous condition, and the improvement began so soon after entry into the program, that there can be no doubt that these patients have made a significant response to treatment,” they wrote. But many rank-and-file 12-steppers took a hardline message from some of Wilson’s written philosophy. Those who can’t stick with the program are “constitutionally incapable of being honest with themselves,” reads the Big Book.

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But, given how important he was and what a long life he had, it all felt very episodic to me and easily could have been a mini-series. So, despite nice production values and a nice film, it seems superficial and incomplete. Good but just too much for one movie to encapsulate. He had a vision of a brighter prosperous Pakistan but what Pakistan now,a state failed, engulfed in corruption, nepotism, religious extremism, lawlessness, unemployment, poverty and disunity. So Gandhi and Nehru were also right on their behalf when they opposed the creation of Pakistan. A group of religious school of thought was also against Mr Jinnah they even tried to assassinate him, they belonged to Deobandi school of thought, todays taliban are their followers. If he knew what is going to happen inside this country years after he would had never worked for a separate homeland for Muslims, he would had understand it will be completely useless. Unfortunately some few of his fellow comrades persuaded him to much for this adventure and he finally succumbed to their idea. Soon after his death they immediately entangled in struggle of power and the whole purpose was lost for ever. Even in the name of Islam Pakistanis failed save eastern part now Bangladesh because not to give them authority and their proper share in country' s economics. Now this country is in more pain, routine suicide bombings and lawlessness, recently in sialkot city, 2 teens bros were mercilessly brutally beaten to death by a mob right in presence of police and thousands of callous spectators,(watch it on youtube, you ll see the plight of this country). If talking about this film i will say that however this movie may be very good, maybe accurate but if the future a Pakistan is concerned this country now is a failed state and its not gonna last,nobody can save it. It would had been better if you might had accepted the idea of united India. The good stuff: 1. ee's acting was quite good and he was quite good for the part. Though he is not Ben Kinsley, he is the main pivot here.

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Four Eyed Monsters is only one version of the lives of Arin and Susan. Cut together differently, the film could have given a very different impression, or examined some other aspect of what it? like to come together in the way they have. You can? present all views at once, and any one view leaves out some amount of information. (There? a 3pointD uncertainty principle here that I? l post about at some point in the future. . While the Internet and digital media make recording the scenes of one? days far easier than it has been before, they also make possible, at least in theory, a detailed quantification of one? life that could potentially be very useful in a future metaversal age. It? not very far advanced beyond an idea, but a kind of proof-of-concept version of Justin? game is online, where you can see how surfing various sites might raise or lower various attributes that are used to describe your avatar in the game. But this kind of lifelogging can be taken a giant step further and allowed to bleed out into the real world, where it could become really useful (or really scary, depending on who?

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